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35,723 stories from The Guardian

Sadie Clark on dating, swipe culture and creating a 'bisexual Bridget Jones' by Ella Braidwood

Algorithms, Clark's hilarious one-woman show, triumphed at the Edinburgh fringe. Is a hit TV series on the way? Sadie Clark is one of theatre's most exciting rising stars but back in 2017 sh…

SOURCE: The Guardian at 12:12pm on March 2, 2020

Triumph from tragedy: how Greece's theatre roared out of a national crisis by Michael Billington

To kick off our critical tour of Europe's cultural hotspots, Michael Billington reports on thrilling theatre in a post-slump Greece " from a minimalist Doll's House to Beckett like he's neve…

SOURCE: The Guardian at 11:03am on March 2, 2020

'It still frightens me': Tommy Tiernan on 25 years in comedy, from the Perrier to Derry Girls by Brian Logan

The titan of Irish comics is on a roll after his sitcom and chatshow success, but he is still excited and overwhelmed by the art of standup 'The older you get," asks Tommy Tiernan, "do you g…

SOURCE: The Guardian at 11:03am on March 2, 2020

The Wolves in the Walls review " Neil Gaiman adventure brims with thrills by Miriam Gillinson

Little Angel theatre, LondonGaiman's graphic novel turns into an atmospheric show, as a girl tries to find out what's scratching in the walls of her home After years of going to the theatre …

SOURCE: The Guardian at 11:03am on March 2, 2020

& Juliet wins six prizes at WhatsOnStage awards by Mark Brown Arts Correspondent

Pop-meets-Shakespeare show split critics but wins big at awards voted on by public A musical which one theatre critic hated, calling it "silly, misguided and idiotic", and another loved as …

SOURCE: The Guardian at 10:24pm on March 1, 2020

Kojo Anim review " BGT star on fame, faith and fatherhood by Brian Logan

Fairfield Halls, LondonIn his show Taxi Tour, the comic from last year's Britain's Got Talent offers only standard-issue middle-aged standup Kojo Anim was a star of the black standup circui…

SOURCE: The Guardian at 10:24pm on March 1, 2020

Katherine Parkinson: 'Felicity Kendal's wellies are big ones to fill' by Interview By Michael Hogan

The IT Crowd actor on losing things, the lure of Shakespeare, and starring in a stage version of 70s sitcom The Good Life London-born Katherine Parkinson, 41, studied classics at Oxford Univ…

SOURCE: The Guardian at 4:48pm on March 1, 2020

Seeds review " racism drama is emotional but clunkily contrived by Catherine Love

Leeds PlayhouseWith echoes of the murder of Stephen Lawrence, Mel Pennant's new play focuses on the mothers who are left behind Racism, as Mel Pennant's new play explores, does not come from…

SOURCE: The Guardian at 2:42pm on March 1, 2020

The week in dance: Isadora Now; 13 Tongues and Dust " review by Sarah Crompton

Barbican; Sadler's Wells, LondonA magnificent double bill by Taiwan's radical Cloud Gate Theatre overshadows a hymn to Isadora Duncan that only hints at her freedom and force Someone asked m…

SOURCE: The Guardian at 8:06am on March 1, 2020

The week in theatre: Pass Over; Love, Loss & Chianti and more " review by Kate Kellaway

Kiln; Riverside Studios; Coronet; Bush, LondonAntoinette Nwandu's play about the US race divide flits thrillingly from laughter to rage, Christopher Reid's poetry is a challenge on stage, an…

SOURCE: The Guardian at 6:06am on March 1, 2020

Paterson Joseph: 'The worst thing anyone's said to me? You're thick' by Rosanna Greenstreet

The actor on eyebags, his worst job, and trying to be cool by a pool Born in London, Paterson Joseph, 55, trained at Lamda and went on to perform for the RSC and the National Theatre. His fi…

SOURCE: The Guardian at 10:12am on February 29, 2020

The Cherry Orchard review " pungent and urgent Irish take on Chekhov by Helen Meany

Black Box, GalwayContemporary themes resonate throughout Garry Hynes's production about a debt-ridden aristocratic family on the brink of losing their estate Something in the sombre mood of …

SOURCE: The Guardian at 5:12pm on February 28, 2020

Women Beware Women review " excess all areas with Tara Fitzgerald by Arifa Akbar

Sam Wanamaker Playhouse, LondonThomas Middleton's play seems perfect for the #MeToo era, but this over-stylised production misses the mark Thomas Middleton's revenge drama about patriarchy, …

SOURCE: The Guardian at 2:42pm on February 28, 2020

Mark Thomas: 50 Things About Us review " an inventory of Britishness by Brian Logan

Radlett Centre, HertfordshireThis grab-bag show sheds little light on our political travails but it's stuffed with funny caricatures and plenty of myth-busting How did we get here? asks Mark…

SOURCE: The Guardian at 10:48am on February 28, 2020

Adam Lazarus: 'If you don't teach your son about sex, porn will' by Kate Wyver

The Canadian performer's controversial show Daughter is coming to London. Its brutal gut-punch experience is not for everyone When Adam Lazarus complained about a seven-year-old boy putting …

SOURCE: The Guardian at 8:03am on February 28, 2020

Sinners review " Brian Cox directs sand-blasted sex and death drama by Miriam Gillinson

Playground theatre, LondonA woman waits to be stoned for adultery in a curious piece reminiscent of Beckett Brian Cox, so deliciously appalling as Logan Roy in Succession, is the headline d…

SOURCE: The Guardian at 9:24am on February 27, 2020

Cloud Gate Dance Theatre review " swirling tales from Taiwan by Lyndsey Winship

Sadler's Wells, London Cheng Tsung-lung's 13 Tongues circles and flows, while Lin Hwai-min's Dust is a slow slide into the dark Forty-seven years ago, a man who knew next to nothing about ch…

SOURCE: The Guardian at 9:24am on February 27, 2020

Love and Leopoldstadt: don't be surprised if Tom Stoppard gets emotional by Michael Billington

The playwright's new work has been seen as a departure from his intellectual stock-in-trade. But look deeper, and passion has always been present What kind of writer is Tom Stoppard? In coun…

SOURCE: The Guardian at 5:54am on February 27, 2020

Viviana Durante Company: Isadora Now review " tribute to a trailblazer by Sanjoy Roy

Barbican, LondonSweeping nostalgia meets occult menace in this three-part homage to dance pioneer Isadora Duncan Isadora Duncan was a founding figure of modern dance. Replacing ballet's poin…

SOURCE: The Guardian at 11:12am on February 26, 2020

'Any attempt is perilous!' How do you adapt a novel for the stage? by Arifa Akbar

Tales by Virginia Woolf, Angela Carter and Emily Brontë are all being brought to theatres this year. Their creative teams reflect on what they cut and what they added How does a well-love…

SOURCE: The Guardian at 11:12am on February 26, 2020

The Tin Drum review " Günter Grass's spectacular study of German trauma by Arifa Akbar

Coronet theatre, LondonNico Holonics is in resoundingly offbeat form as as a stunted child in a solo show that delights in making its audience squirm 'How shall I begin?" asks Nico Holonics …

SOURCE: The Guardian at 9:42am on February 26, 2020

Oliver Twist for all the senses: Leeds makes Dickens fully accessible by Catherine Love

Deaf and disabled actors are bringing a fresh dimension to the much-loved tale in Leeds Playhouse's new production. The creative team explain its 'aesthetics of access' Entering director Amy…

SOURCE: The Guardian at 9:42am on February 26, 2020

The Angel Esmeralda review " slender DeLillo fable fails to take operatic flight by Andrew Clements

Guildhall School of Music and Drama, London Although well sung and staged, Lliam Paterson's score and Pamela Carter's text fail to make a substantial opera out of this Don DeLillo short stor…

SOURCE: The Guardian at 4:54am on February 26, 2020

'I can hear them three floors away!' The theatres where you don't have to behave by David Jays

You're meant to shut up, keep still and pay attention at the theatre " but what if that's a problem? We examine the rise of 'relaxed' spaces where anything goes It started with the toes. Som…

SOURCE: The Guardian at 2:36am on February 26, 2020

The Prince of Egypt review " Babylon goes to Vegas but loses its stardust by Arifa Akbar

Dominion, LondonIt's got pageantry, pyramids and dazzling dance moves, but this lavish stage adaptation drowns out the emotional drama DreamWorks' musical animation The Prince of Egypt was …

SOURCE: The Guardian at 7:48pm on February 25, 2020
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