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3,544 stories from The Arts Desk

Uncanny Valley, BAC review " fascinating robotic lecture on aspects of the self by Rachel Halliburton

The author Thomas Melle had his animatronic double created for this intelligent show It's the vulnerability of the robot that strikes you in this subtle, intelligent production from the Germ…

SOURCE: The Arts Desk at 6:12am on February 28, 2022

The Collaboration, Young Vic Theatre review " artistic giants, wigs, warts and all by Demetrios Matheou

Engaging recreation of one of the art world's most intriguing partnerships At first glance, it was the most unlikely of friendships, even for the solipsistic milieu of the New York art scene…

SOURCE: The Arts Desk at 11:18pm on February 24, 2022

Two Billion Beats, Orange Tree Theatre review - bursting with heart by Laura De Lisle

Sonali Bhattacharyya's new play explores sisterly love and Islamophobia with warmth and wit "You could read at home," says Bettina (Anoushka Chadha), Year 10, her school uniform perfectly p…

SOURCE: The Arts Desk at 7:48am on February 24, 2022

First Person: Tim Walker on crossing over from critic to playwright by Tim Walker

A longtime critic shifts gears to bring Gina Miller and Theresa May to the stage The divide between theatre critics and the theatrical profession has always been a chasm, but occasionally a…

SOURCE: The Arts Desk at 7:48am on February 24, 2022

Never Not Once, Park Theatre review - disappointing UK debut for a feminist award-winner by Helen Hawkins

Carey Crim's play leaves the issues it raises sadly undramatic Carey Crim's 2017 play arrives from the US at north London's Park Theatre trailing a feminist playwriting award for its dissect…

SOURCE: The Arts Desk at 5:33am on February 22, 2022

Saturday Night Fever, Peacock Theatre review - crowd-pleaser stays true to its roots by Gary Naylor

Few concessions to 21st century sensibilities, but a great night out Iconic film on stage heats up the West End Wind the clock back 45 years and the Big Apple was bankrupt, the lights had go…

SOURCE: The Arts Desk at 10:18am on February 17, 2022

Broken Wings, Charing Cross Theatre review - new musical fails to fly by Gary Naylor

Plodding book detailing a poet's sentimental education falls flat on stage Somewhere in the world right now, one can hear Mister Mister's AOR hit, "Broken Wings" on an MOR radio station, cap…

SOURCE: The Arts Desk at 5:42am on February 16, 2022

The Forest, Hampstead Theatre review - puzzling world premiere from Florian Zeller by Helen Hawkins

The author of 'The Father' plays unsatisfying games with the audience If Florian Zeller isn't a Wordle fan, I'd be very surprised. As with the hit online game, the French playwright likes t…

SOURCE: The Arts Desk at 1:18am on February 16, 2022

Queens of Sheba, Soho Theatre review " energy, entertainment and rage by Aleks.sierz

Misogynoir gets the song and satire treatment in a short but powerful show Black women often find themselves subject to a double dose of prejudice. Pressure. They face everyday racism as we…

SOURCE: The Arts Desk at 4:06pm on February 13, 2022

The Chairs, Almeida review - a tragi-comic double act for the ages by Demetrios Matheou

A new translation is uproariously funny, if a little too clever for its own good By all accounts, whenever The Chairs is dusted off for a new production it manages to resonate for audi…

SOURCE: The Arts Desk at 6:12am on February 11, 2022

Wuthering Heights, National Theatre review - too much heat, not enough light by Laura De Lisle

Emma Rice's punk-rock reworking of the classic is brilliant - when it's good "If you want romance," the cast of Emma Rice's new version of Wuthering Heights say in unison just after the int…

SOURCE: The Arts Desk at 3:54am on February 11, 2022

Hamlet, Shakespeare's Globe review - melancholy mash-up lacks chemistry by Rachel Halliburton

Scattergun subversion is undermined by psychological miscalculations Hamlet isn't often played for laughs. When David Tennant took the comedic approach in the RSC's 2008 production, it was t…

SOURCE: The Arts Desk at 4:42am on February 8, 2022

Purple Snowflakes and Titty Wanks, Royal Court review " fearless, frank and feminist by Aleks.sierz

Energetic debut monologue explores eating disorders, personal identity and sex Irish teenager Saoirse Murphy has a dirty mouth. And she's not afraid to use it when talking to the nuns at he…

SOURCE: The Arts Desk at 3:18pm on February 6, 2022

A Number, Old Vic review - revelatory yet again by Matt Wolf

Caryl Churchill's 2002 masterwork, starring Lennie James and Paapa Essiedu, resonates anew

SOURCE: The Arts Desk at 9:32am on February 3, 2022

Conundrum, Young Vic review - inscrutable and ungraspable by Laura De Lisle

Aptly-named new play from Paul Anthony Morris shows the effects of racism on one man's psyche Conundrum is a tricky play. Written and directed by Paul Anthony Morris, founder of Crying in th…

SOURCE: The Arts Desk at 8:18am on February 1, 2022

The Glow, Royal Court review " bizarre, beautiful and breathtaking by Aleks.sierz

Time-travelling fantasia boasts a brilliant staging and a spoof playtext essay Bizarre. Breathtaking. Beautiful. I leave the Royal Court theatre with these Bs, as well as others such as bewi…

SOURCE: The Arts Desk at 6:42pm on January 30, 2022

Dr Semmelweis, Bristol Old Vic review - dizzying but overloaded piece about 19th century medical innovator by Mark.kidel

Mark Rylance brilliant as rebel doctor in a show let down by an overdose of ingenuity Dr Semmelweis, another vehicle Mark Rylance, one of Britain's most versatile and talented actors, fills …

SOURCE: The Arts Desk at 10:48pm on January 27, 2022

Ava: The Secret Conversations, Riverside Studios, Hammersmith review - about Ava Gardner's effing by Ismene Brown

★★★AVA: THE SECRET CONVERSATIONS, RIVERSIDE STUDIOS Elizabeth McGovern is glamorous but unrevealing as Ava Gardner Elizabeth McGovern is glamorous but unrevealing as the gl…

SOURCE: The Arts Desk at 2:03am on January 27, 2022

Moulin Rouge! The Musical, Piccadilly Theatre review - spectacular escapism by Marianka Swain

Baz Luhrmann's jukebox fantasy is the perfect antidote to Covid gloom One of the many theatrical casualties of Omicron in December was the official UK opening of Moulin Rouge!, the stage ver…

SOURCE: The Arts Desk at 7:18pm on January 20, 2022

Thrill Me: The Leopold & Loeb Story, Jermyn Street Theatre review - True Crime musical gets West End showcase by Gary Naylor

★★★ THRILL ME:THE LEOPOLD & LOEB STORY Child killers seduce us with charisma and song Child killers seduce us with charisma and song There's a lot of True Crime stuff a…

SOURCE: The Arts Desk at 9:33am on January 19, 2022

The 4th Country, Park Theatre review " sympathetic and intriguing by Aleks.sierz

Northern Ireland's contemporary problems get the meta treatment History is a prison. Often, you can't escape. It imprints its mark on people, environments and language. And nowhere is this …

SOURCE: The Arts Desk at 5:03pm on January 16, 2022

Goldilocks and the Three Bears, Birmingham Hippodrome review - Jason Donovan makes his panto debut by Veronica Lee

Australian plays against type as the baddie There was a time when UK pantomime was heavily populated by Australian soap stars; rather late in the day Jason Donovan " formerly known as Scott…

SOURCE: The Arts Desk at 12:42am on January 16, 2022

David Suchet - Poirot And More, A Retrospective, Harold Pinter Theatre review - the much-loved actor looks back by Gary Naylor

Sir David Suchet reflects on his extraordinary career  Sir David Suchet takes us from school days to sleuth days In the 80s, An Audience With... gave a television studio to an actor who …

SOURCE: The Arts Desk at 7:48am on January 12, 2022

Force Majeure, Donmar Warehouse review - fissures in a marriage by David Nice

Skiing-resort trauma is played too much for easy laughs It sounds like the title of a play by Rattigan. No such luck: "Force Majeure" " a legal term with which all too few will be familiar, …

SOURCE: The Arts Desk at 5:24am on January 11, 2022

Folk, Hampstead Downstairs review - thoughtful play about folklorist Cecil Sharp by Helen Hawkins

Nell Leyshon's play-with-music asks questions of a legacy Cecil Sharp, heritage hero or imperialist appropriator? If you attended school in the first half of the 19th century, you would have…

SOURCE: The Arts Desk at 7:18am on January 6, 2022
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