DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
3,491 stories from The Arts Desk

Remembering Henry Woolf, Harold Pinter's oldest friend by Jasper Rees

The school friend who commissioned, directed and acted in Pinter's first play Henry Woolf's place in the theatre history is small but significant, a bit like Woolf was himself. Until his dea…

SOURCE: The Arts Desk at 6:36am on November 16, 2021

little scratch, Hampstead Downstairs review - a maverick director surpasses herself by Helen Hawkins

Katie Mitchell hits a new career high Katie Mitchell's desire to bust the boundaries of theatre has taken a brilliant turn. Over her long and distinguished career as a director she has been…

SOURCE: The Arts Desk at 1:03pm on November 15, 2021

Footfalls and Rockaby, Jermyn Street Theatre review - Beckett up close and personal by Gary Naylor

★★★★★ FOOTFALLS AND ROCKABY, Beckett's ferocious contemplations on the ebbing of life Double bill finds the Irish master at his most raw Like all great art, …

SOURCE: The Arts Desk at 7:42am on November 13, 2021

Sessions, Soho Theatre review " intense, but inconclusive by Aleks.sierz

Powerful play about masculinity in crisis fails to reach a satisfying resolution After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped companies put…

SOURCE: The Arts Desk at 7:24pm on November 12, 2021

The Seven Pomegranate Seeds, Kingston Rose Theatre review - misogynist Euripides stands corrected by Ismene Brown

***THE SEVEN POMEGRANATE SEEDS, KINGSTON Pierce Brosnan's James Bond finds daft but apt place in Euripidean rewrite Pierce Brosnan's James Bond finds a daft but apt place in Euripidean re…

SOURCE: The Arts Desk at 7:24pm on November 12, 2021

Milk and Gall, Theatre 503 review - motherhood in the age of Trump by Gary Naylor

★★★★ MILK AND GALL, Baby turns New Yorkers' lives upside down, while Trump has a tantrum or two  No holds barred comedy lays bare the unsentimental side of pare…

SOURCE: The Arts Desk at 10:32pm on November 10, 2021

The Choir Of Man, Arts Theatre review - old school hits in an old school pub by Gary Naylor

★★★ THE CHOIR OF MAN, Decent blokes sing old school hits in an old school pub Lots of songs and lots of sugary sentimentality Like a previous occupant of this venue, Six…

SOURCE: The Arts Desk at 9:12pm on November 9, 2021

The Sugar House, Finborough Theatre review - appealing but uneven family drama by Mert Dilek

Alana Valentine's play about crime and poverty in Australia receives a spirited production The complex history of capital punishment in Australia may not be familiar to many Londoners, but t…

SOURCE: The Arts Desk at 9:03am on November 8, 2021

The Ocean at the End of the Lane, Duke of York's Theatre review - pure theatrical magic by Laura De Lisle

Spellbinding adaptation of Neil Gaiman's novel reminds us of the terror and beauty of childhood This show has been a long time coming. Neil Gaiman had the first inklings of The Ocean at the…

SOURCE: The Arts Desk at 6:24am on November 6, 2021

Pride & Prejudice* (*sort of), Criterion Theatre review - bursting with wit, verve, and love by Laura De Lisle

Bombastic karaoke adaption of Jane Austen classic gives the spotlight to the servants "We haven't started yet!" Hannah-Jarrett Scott, dressed in Doc Martens under a 19th-century shift, reas…

SOURCE: The Arts Desk at 11:42am on November 4, 2021

'Night Mother, Hampstead Theatre review - despair in sotto-voce by Tom Birchenough

Stockard Channing explores the essentials in Marsha Norman revival 'Night Mother remains a play of piercing pessimism, something that's not necessarily the same as tragedy, though the two of…

SOURCE: The Arts Desk at 11:36am on November 3, 2021

Brian and Roger: A Highly Offensive Play, Menier Chocolate Factory review - not for the squeamish by Helen Hawkins

The Menier opens its new second stage with this podcast-turned-play What counts as offensive in these days of cancel culture? Ham-fisted pronoun usage? Culturally appropriated hairstyles? To…

SOURCE: The Arts Desk at 7:24am on November 3, 2021

Old Bridge, Bush Theatre review - powerful, poetic and profound by Aleks.sierz

New play about love during the Bosnian war is beautifully written and compelling Is the Bosnian conflict of 1992"95 the war that Europe forgot? Maybe, although most fans of new writing for t…

SOURCE: The Arts Desk at 5:54pm on November 2, 2021

The Magician's Elephant, Royal Shakespeare Theatre review - family musical doesn't fully deliver by Gary Naylor

★★★ THE MAGICIAN'S ELEPHANT, ROYAL SHAKESPEARE THEATRE A musical about trust and hope, and an unexpected elephant An elephant awakens an emotionally shattered town Trig…

SOURCE: The Arts Desk at 8:42pm on October 29, 2021

albatross., Playground Theatre review - interconnected intimacies by Mert Dilek

An adroit cast does justice to Isley Lynn's complexly woven narrative "You need to get better at communicating", says one character to another in Isley Lynn's albatross. Indeed, the same…

SOURCE: The Arts Desk at 6:06am on October 27, 2021

A Place for We, Park Theatre review - perceptive, but rather flabby by Aleks.sierz

New play about gentrification could be regenerated with a make-over I've lived in Brixton, south London, for about 40 years now so any play that looks at the gentrification of the area is, …

SOURCE: The Arts Desk at 4:54pm on October 26, 2021

Vanara, Hackney Empire review - fine singing, but a plodding book and one-pitch score in this new musical by Gary Naylor

★★ VANARA, HACKNEY EMPIRE Falls well short of its West Side Story inspired ambition Two tribes feud over fire in a post-apocalyptic world's last surviving forest Two tribes, …

SOURCE: The Arts Desk at 11:32am on October 26, 2021

Royal Opera House lullabies for Little Amal by David Nice

Near the end of her long journey, our refugee gets a welcome her real-life kin are denied "I want to tell her that people will be good," Tewodros Aregawe of Phosphoros Theatre confided to us…

SOURCE: The Arts Desk at 7:03am on October 26, 2021

The Shark Is Broken, New Ambassadors Theatre review - how Spielberg's first blockbuster almost didn't happen by Rachel Halliburton

This shark-tooth-sharp comedy provides a behind-the-scenes glance at "Jaws" Jaws was the Moby Dick of late 20th century capitalism, a fantasy about fear and the unknown for a society that ha…

SOURCE: The Arts Desk at 5:48am on October 22, 2021

Grenfell: Value Engineering, The Tabernacle review - bruising, necessary theatre by Laura De Lisle

Edited Inquiry transcripts expose the hypocrisy and incompetence behind the tragedy Grenfell: Value Engineering isn't actually a play. It's an edited version of the testimony heard by the G…

SOURCE: The Arts Desk at 4:18am on October 20, 2021

Love and Other Acts of Violence, Donmar Warehouse review - snappy and tightly intelligent but flawed by Rachel Halliburton

How do traumas from former generations affect how we behave in the present? This is simultaneously a love story and an archaeology of hate, a sparky, spiky encounter between two individuals …

SOURCE: The Arts Desk at 7:42am on October 19, 2021

Rice, Orange Tree Theatre review - whip-smart, but unsure where it stands by Laura De Lisle

Race and belonging are interrogated unevenly in this Australian drama "Careful, there's a hole in the floor." The warning's an unusual one, passed along conscientiously by the stewards at t…

SOURCE: The Arts Desk at 4:24am on October 19, 2021

The Beauty Queen of Leenane, Lyric Hammersmith review - matchless revival of a contemporary classic by Helen Hawkins

Martin McDonagh's breakthrough play dazzles anew "You can't kick a cow in Leenane without some bastard holding a grudge for 20 years," sighs Pato Dooley (Adam Best) prophetically; he has alr…

SOURCE: The Arts Desk at 3:12am on October 18, 2021

The Cherry Orchard, Windsor Theatre Royal, review - Tolstoy meets Mrs Two Soups by Ismene Brown

****THE CHERRY ORCHARD, WINDSOR McKellen's scene-stealing comic act is worth the ticket Ian McKellen's scene-stealing is not the only reason to see Chekhov's comedy The cherry orchard in Ant…

SOURCE: The Arts Desk at 8:18pm on October 15, 2021

White Noise, Bridge Theatre review - provocative if not always plausible by Matt Wolf

Suzan-Lori Parks has tweaked her Off Broadway play to mixed results "I can't sleep": So goes the fateful opening line of White Noise, the Suzan-Lori Parks play disturbing enough to spark ma…

SOURCE: The Arts Desk at 7:03am on October 15, 2021
« Previous 25   Page 37 of 140   Next 25 »