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8,108 stories from DC Theatre Scene

All My Sons Review, Tracy Letts and Annette Bening bring star power to Arthur Miller's tragedy by Jonathan Mandell

Nobody applauds when Annette Bening first appears on stage in All My Sons, the third Broadway revival of Arthur Miller's 1947 tragedy, the playwright's first hit play. This is  because of…

SOURCE: DC Theatre Scene at 10:07am on April 29, 2019

Ink Review: Rupert Murdoch inside story, another 'how we got where we are' lesson by Jonathan Mandell

Ink recounts how Rupert Murdoch, newly arrived in London from Australia in 1969, bought the Sun, "a stuck-up broadsheet that…never once made a profit," and in a year's time made it a wildl…

SOURCE: DC Theatre Scene at 8:53pm on April 26, 2019

Fresh from receiving a Pulitzer, Jackie Sibblies Drury's Fairview will kick off Woolly Mammoth's 40th season by Tim Treanor

Woolly Mammoth's 40th year marks the inaugural first season selected by its second Artistic Director, Marìa Manuela Goyanes, and for this year's slate she has selected shows with signific…

SOURCE: DC Theatre Scene at 10:14am on April 26, 2019

STOMP review: still a glorious, cacophonous slam bang of a show by Kelly McCorkendale

The National's stage has an air heavy with anticipation. Trash hangs across a large set that is part tin shack, part jungle gym. It's as if Marie Kondo has Kondo-ed a junkyard. Everything a …

SOURCE: DC Theatre Scene at 11:20am on April 25, 2019

Studio Theatre announces a summer of solo shows to whet our appetites for its main season by Tim Treanor

Studio Theatre's 2019-2020 season will include an appetizer and a main course. The appetizer is a 6-production summer season which the company calls its Showroom; it consists of two full-len…

SOURCE: DC Theatre Scene at 10:52am on April 24, 2019

Chesapeake Shakespeare Company's 2019-20 season: starts spooky and ends in silliness by Tim Treanor

The Chesapeake Shakespeare Company has decided to shoot for the moon in its 2019-2020 season. In addition to doing Measure for Measure, Hamlet and Much Ado About Noting, the company will be …

SOURCE: DC Theatre Scene at 10:20am on April 24, 2019

Tootsie Review: Santino Fontana as Difficult Actor Turned Beloved Actress, Updated by Jonathan Mandell

  Tootsie, the musical adaptation of the 1982 movie comedy about a difficult actor who becomes a beloved actress, begins bravely with an opening number in which bubbly ensemble members si…

SOURCE: DC Theatre Scene at 9:18pm on April 23, 2019

Review: Annie Jump and the Library of Heaven. Show runners take note. by John Bavoso

There's a notion these days in theatrical circles that the hallmark of a great play is that it can only be a play; that the story being told wouldn't work in any other medium. As I was watch…

SOURCE: DC Theatre Scene at 4:59pm on April 23, 2019

Review: Black Pearl Sings! by Jayne Blanchard

Like my mama used to say, just because somebody asks for something doesn't mean you have to give it. In the case of the Alliance for New Music-Theatre's exemplary Black Pearl Sings!, it's a …

SOURCE: DC Theatre Scene at 12:15pm on April 23, 2019

Review of Gary: A Sequel to Titus Andronicus with Nathan Lane by Jonathan Mandell

Gary is a mess, deliberately so. Written by the downtown provocateur Taylor Mac making his Broadway debut, it stars three of the best comic stage actors in America as three minor characters …

SOURCE: DC Theatre Scene at 9:00pm on April 21, 2019

Hillary and Clinton Review: Timing's off for Hnath's latest with Laurie Metcalf and John Lithgow by Jonathan Mandell

Hillary and Clinton is exactly the play we do not need right now,  a well-acted but irrelevant middlebrow entertainment starring Laurie Metcalf and John Lithgow as the presidential candid…

SOURCE: DC Theatre Scene at 7:30pm on April 18, 2019

Hadestown, Broadway review. Hot! Hot! Hot! by Jonathan Mandell

On Broadway, as Off, Hadestown is a hell of a musical. But it's changed. When it opened Off-Broadway three years ago, Anais Mitchell's  concept album had been turned into an inventively s…

SOURCE: DC Theatre Scene at 8:39pm on April 17, 2019

Review: A Comedy of Tenors, a grand slam-bang farce with a little Traviata on the side by Jill Kyle-keith

A farce, a farce! My kingdom for a farce! Fortunately, you won't have to pay such a high price for this one- though, it's worth it. Ken Ludwig, acclaimed author of Lend Me A Tenor, revisits …

SOURCE: DC Theatre Scene at 5:36pm on April 17, 2019

There's a lot more than the return of Hamilton to the Kennedy Center 2019-20 season by Tim Treanor

There will be plenty of the familiar in the Kennedy Center's 17-production mainstage season " classics like Cats, Bye Bye Birdie, Jesus Christ Superstar as well as musicals for which Washing…

SOURCE: DC Theatre Scene at 12:43pm on April 17, 2019

Review: Les Deux Noirs: Notes on Notes of a Native Son by Debbie Minter Jackson

Les Deux Noirs: Notes on Notes of a Native Son, Psalmayene 24's creatively imagined encounter of two great American writers, Richard Wright and James Baldwin in a Parisian café in 1953, thr…

SOURCE: DC Theatre Scene at 11:43am on April 17, 2019

'Burn This' Review: Adam Driver and Keri Russell rant and dance in Lanford Wilson's 1987 play by Jonathan Mandell

Can a Star Wars villain and a Soviet spy find love, sex and happiness together on Broadway? That's the question we're primed to ask in the first Broadway revival of Lanford Wilson's 1987 pla…

SOURCE: DC Theatre Scene at 8:30pm on April 16, 2019

Review: The Value of Moscow from Dark Horse Theatre Company by Jeffrey Walker

"Sisters, Sisters, There were never such devoted sisters," warbled Rosemary Clooney and Rosemary Clooney in White Christmas. (Yes, Clooney was the stand-in singing voice for Vera-Ellen for t…

SOURCE: DC Theatre Scene at 3:17pm on April 16, 2019

Review: The Hunchback of Notre Dame, glorious and inspiring musical at Toby's Dinner Theatre by Jayne Blanchard

Toby's Dinner Theatre has been transformed into a cathedral for its towering production of The Hunchback of Notre Dame, including some of the most powerful and moving choral work you are lik…

SOURCE: DC Theatre Scene at 12:17pm on April 16, 2019

2019 Pulitzer winner Jackie Sibblies Drury joins the growing list of women playwrights honored by the prestigious committee by Lorraine Treanor

The Pulitzer Committee announced yesterday that the recipient for this year's Pulitzer Prize for Drama is Brooklyn-based playwright Jackie Sibblies Drury for Fairview, which debuted at Off-B…

SOURCE: DC Theatre Scene at 11:10am on April 16, 2019

Grand Hotel review. Brilliant sets, costumes and performances, lackluster book and music by Meaghan Hannan Davant

Signature Theatre is known for reviving and revamping long forgotten musicals " and they don't shy away from a challenge.  Grand Hotel tells the story of a handful of strangers, drawn tog…

SOURCE: DC Theatre Scene at 11:03am on April 15, 2019

Review: Beckett Trio, Part 2 from Scena Theatre by Tim Treanor

"Stay," the dying beloved tells her lover, "where we were so long alone together. My shade will comfort you." But of course he does not, and instead moves to a single room in a place where t…

SOURCE: DC Theatre Scene at 8:17am on April 15, 2019

Review: Ayad Akhtar's Junk at Arena Stage by Tim Treanor

In Shakespeare's time, Christians were forbidden to lend money at interest (see Merchant of Venice) and so the Western world, intellectually vibrant though it was, was mostly economically st…

SOURCE: DC Theatre Scene at 7:31am on April 15, 2019

As You Like It review. To Brave Spirits' show, we say "We do" by John Geoffrion

I am pleased to report a rising company of young-ish actors doing first-rate work: a conceptually cohesive, intimate, spunky, charming staging of a pastoral Shakespeare comedy all too easy t…

SOURCE: DC Theatre Scene at 5:33pm on April 13, 2019

Review: Pinter's Rep, superb performances of four Harold Pinter shorts by Jill Kyle-keith

You might call Scena's Pinter Rep director Robert McNamara's arranged marriage of sorts " four short plays by Nobel Prize winner Harold Pinter, the British playwright of such full length pla…

SOURCE: DC Theatre Scene at 7:14pm on April 11, 2019

Review: P.Y.G. or the Misedumacation of Dorian Belle, a brilliantly funny satire on race relations by Emily Priborkin

P.Y.G. or the Misedumacation of Dorian Belle follows Blacky Blackerson, a.k.a. Black, (Seth Hill) and Alexand Da Great (Gary L. Perkins III) who are the Petty Young Goons (P.Y.G.), a Black r…

SOURCE: DC Theatre Scene at 9:35am on April 11, 2019
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