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2,221 stories from stagebuddy.com

Review: Latin History for Morons by Saima Huq

Playing at the historic Studio 54 Theatre, John Leguizamo’s Latin History for Morons is a high-energy, well-researched one-man show in which Leguizamo strives to show his young son (vo…

SOURCE: stagebuddy.com at 6:21pm on November 20, 2017

Interview: Cathy Rigby on 'Kris Kringle The Musical' and the Legacy of 'Peter Pan' by Jose Solis

Few stage performances have been as definitive as Cathy Rigby's portrayal of Peter Pan. Her work as the eternal boy must've shaped the lives of countless children who in Rigby saw their wild…

SOURCE: stagebuddy.com at 5:07pm on November 20, 2017

Interview: Andrew Keenan-Bolger on 'Kris Kringle The Musical' and His Favorite Things About the Holidays by Jose Solis

From Newsies to Mary Poppins, Andrew Keenan-Bolger is a bona fide scene-stealer who imbues his characters with the right amount of sensitivity and charm. It's no wonder he's set to play a mo…

SOURCE: stagebuddy.com at 4:47pm on November 20, 2017

Review: Muswell Hill by Mark Dundas Wood

It's been said that people congregate in kitchens at dinner parties because the food-prep area is a "backstage" space, somewhere where folks can be their authentic selves. In the kitchen, yo…

SOURCE: stagebuddy.com at 4:08pm on November 20, 2017

Review: The Trial of Typhoid Mary 1915 by Saima Huq

Created and written by Carlo D’Amore and directed by Collin Blackard, The Trial of Typhoid Mary 1915 is a fascinating, educational and emotionally moving experience. Set in the lower l…

SOURCE: stagebuddy.com at 9:34am on November 20, 2017

Review: Primary Stages' Pride and Prejudice by Bill Crouch

A Pride and Prejudice that incites the senses and decries stuffy sensibility? Bring it. Or rather, bring them. Presented by Hudson Valley Shakespeare Company and Primary Stages in a co-produ…

SOURCE: stagebuddy.com at 9:15am on November 20, 2017

Review: Hot Mess by Tania Fisher

A romantic comedy with more than just the usual misadventures and misunderstandings, Hot Mess, now playing at the Jerry Orbach Theater at The Theater Center, offers us so much more baggage. …

SOURCE: stagebuddy.com at 9:00pm on November 16, 2017

Review: Actually by Kathryn Kelly

Actually, now playing at the Studio at Stage II at New York City Center, comes at a bleak time in the landscape of sexual politics. This moment is bleak not because things like abuse or rape…

SOURCE: stagebuddy.com at 9:00pm on November 14, 2017

Review: Jack Goes Boating by Aron Canter

Two couples battling through life in New York City take center stage in Jack Goes Boating, written by Bob Glaudini and presented by The Seeing Place Theater and director Erin Cronican. The c…

SOURCE: stagebuddy.com at 5:57pm on November 14, 2017

Review: What We're Up Against by Tania Fisher

Certainly an all-too-relatable play, What We're Up Against, directed by Adrienne Campbell-Holt and now playing at the WP Theater, relies very heavily on its dialogue. Fast-paced and yet a…

SOURCE: stagebuddy.com at 4:33pm on November 14, 2017

Interview: The Cast and Playwright of 'Afterglow' Talk Romance and Theatre by Jose Solis

We sat down with the cast and playwright of Afterglow, a sexy new play that focuses on the relationship between three men trying to navigate love and sex in the era of PrEP, open relationshi…

SOURCE: stagebuddy.com at 2:51pm on November 14, 2017

Review: The Life and Times of Lee Harvey Oswald by Aron Canter

The Life and Times of Lee Harvey Oswald at La MaMa ETC presented by the Czechoslovak-American Marionette Theatre and GOH Productions is a totally charming and interesting evening of theater.…

SOURCE: stagebuddy.com at 1:55pm on November 14, 2017

Review: Junk by Elyse Trevers

Unless you are a math whiz or a business major, you may be bewildered by the financial concepts that are the underpinnings of Junk, the new play at Lincoln Center by Pulitzer-winning play…

SOURCE: stagebuddy.com at 1:10pm on November 14, 2017

Review: The Portuguese Kid by Matt Smith

"I need an objective. I need an arc. Life is short. I don't want bitterness to eat me alive." While this line is spoken by the lovelorn Atalanta early on in The Portuguese Kid, MTC’s n…

SOURCE: stagebuddy.com at 12:48pm on November 14, 2017

Interview: Adam Kantor on Celebrating Female Composers with The New York Pops by Jose Solis

Adam Kantor and Betsy Wolfe will headline Women of Notes, a celebration of female composers from Dolly Parton to Mary Rodgers, put together by The New York Pops. Kantor is best known for his…

SOURCE: stagebuddy.com at 7:56am on November 12, 2017

Interview: Drew Droege on 'Bright Colors and Bold Patterns' by Jose Solis

After a critically acclaimed run in New York during the last quarter of 2016, Drew Droege is bringing his one man show Bright Colors and Bold Patterns back for a limited run at the Soho Play…

SOURCE: stagebuddy.com at 12:29am on November 12, 2017

Interview: Nolan Gerard Funk on His Character in 'Hello, Again' and Why He Loves Going From Genre to Genre by Jose Solis

  Whether playing an a cappella sensation on Glee, an aspiring actor in The Canyons, or a rock star in Bye Bye Birdie, Nolan Gerard Funk knows how to deliver the vocals and the star pre…

SOURCE: stagebuddy.com at 3:48pm on November 10, 2017

Review: 'Marcel' and 'The Art of Laughter' by Tami Shaloum

Normally, if someone tries to explain a joke, it's not as funny. But the dissection of a pratfall happens to be even funnier than the actual act in the hands of Jos Houben who, along with fe…

SOURCE: stagebuddy.com at 5:40pm on November 9, 2017

Interview: Robin Abramson on Starring in the NY Revival of C.S. Lewis Bio-Play 'Shadowlands' and Her Favorite Narnia Book by Erin Kahn

In William Nicholson’s play Shadowlands, Oxford scholar and Christian writer C.S. Lewis (known to his friends as Jack) meets the much younger and much more abrasive Joy Davidman.…

SOURCE: stagebuddy.com at 3:40pm on November 9, 2017

Review: Solstice Party! by Bill Crouch

Solstice Party!, presented by Live Source Theatre Group, poses an interesting question over the course of its examination of true love (which never did run smooth): Is love a midsummer ni…

SOURCE: stagebuddy.com at 2:52pm on November 9, 2017

Interview: Jenna Ushkowitz, Cheyenne Jackson & More Meet the Press at 'Hello Again' Red Carpet Premiere by Matt Smith

The popcorn was popping and all the West Side was abuzz when the red carpet was rolled out at Cinépolis Chelsea on November 6th, for the world premiere of Hello Again, the long-awaite…

SOURCE: stagebuddy.com at 12:01pm on November 9, 2017

Review: Office Hour by Tami Shaloum

Do you think you would know if someone is about to commit a mass atrocity? What exactly is the type of person who would commit such an act? How far would you go to connect to another human b…

SOURCE: stagebuddy.com at 9:00pm on November 8, 2017

Review: The Gallery Players' 'The Elephant Man' by K Krombie

Known as the “Elephant Man,” Joseph Merrick (whom the Gallery Players’ version of the play The Elephant Man together with the David Lynch film call John Merrick), was a …

SOURCE: stagebuddy.com at 2:51pm on November 7, 2017

Review: Wood Calls Out To Wood by Aron Canter

A rose of a show is up at The Tank, Wood Calls Out To Wood, written by Corinne Donly and directed by Sarah Hughes. A work of such generous inquiry and soft choices is a blessing to patient s…

SOURCE: stagebuddy.com at 12:01pm on November 7, 2017

Review: Lonely Planet by Stephanie Wild

Presented by the Keen Company and set in a small map store on the oldest street in an American city, Steven Dietz’s Lonely Planet is an intimate portrait of two friends at the heigh…

SOURCE: stagebuddy.com at 1:07pm on November 6, 2017
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