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8,108 stories from DC Theatre Scene

Review: Tosca. Washington National Opera's rallying cry "In love or war, what do you stand for?" by Susan Galbraith

Never doubt the sheer power or the relevancy of a great work of opera. All you need for the first are extraordinary musicianship by a conductor, superb singers, and a stage director who can …

SOURCE: DC Theatre Scene at 1:24pm on May 13, 2019

Review: The Tarot Reading V, an easy prediction by Jill Kyle-keith

It's rare that, after finishing a review, I'm ready to see the show again. But then, The Tarot Reading changes with every performance, so it will never be the same. Two years ago, my first i…

SOURCE: DC Theatre Scene at 8:03pm on May 12, 2019

Review: Faction of Fools' whodunnit, The Great Commedia Hotel Murder Mystery by John Geoffrion

The Faction of Fools are at it again. After a decade adapting titles that one wouldn't typically expect of a Commedia troupe (Henry V, Our Town and The Cherry Orchard to name a few), Produci…

SOURCE: DC Theatre Scene at 6:54pm on May 12, 2019

Keegan Theatre announces its 2019-2020 season. Four of the seven shows are Washington area debuts by Tim Treanor

A world premiere from a local actor/playwright, a co-production, an old favorite, two musicals, and two stories about, or almost about, actual events make up Keegan Theatre's 2019-2020 seaso…

SOURCE: DC Theatre Scene at 11:54pm on May 9, 2019

"An act of rebellion and love." Luis Salgado on directing GALA's bilingual Fame the Musical by Keith Loria

Fame the Musical is "an act of rebellion and an act of love." This is how director Luis Salgado describes his latest bilingual (Spanish and English) musical, opening tonight at GALA Hispanic…

SOURCE: DC Theatre Scene at 12:54pm on May 9, 2019

Review: God of Carnage at Keegan Theatre by John Bavoso

"In the end, we're all just taller children," croons Brooklyn-based singer-songwriter Elizabeth Ziman on her band, Elizabeth & The Catapult's, aptly title 2009 song, "Taller Children." T…

SOURCE: DC Theatre Scene at 12:54pm on May 9, 2019

Review: The Children at Studio Theatre by Roy Maurer

Admittedly, the synopsis for the dystopian kitchen-sink drama The Children at Studio Theatre didn't tremendously excite me initially, notwithstanding the interest in acclaimed British playwr…

SOURCE: DC Theatre Scene at 12:54pm on May 9, 2019

Review: The Oresteia, a stunning production marks Michael Kahn's final show as STC Artistic Director by Jayne Blanchard

It seems somehow written in the stars that Michael Kahn would choose the world premiere of Ellen McLaughlin's  The Oresteia as the final show of his towering tenure as Artistic Director a…

SOURCE: DC Theatre Scene at 12:54pm on May 9, 2019

NextStop Theatre's 2019-2020 season, musicals bookend their 6 show lineup by Tim Treanor

Next season at NextStop Theatre Company will feature a whole lotta musicals, as well as some farce, an adaptation of a literary classic, and Katori Hall's celebrated fiction about Martin Lut…

SOURCE: DC Theatre Scene at 9:24am on May 8, 2019

1st Stage's 2019-2020 season includes co-productions with Keegan and Olney by Tim Treanor

In their next season, 1st Stage's eclectic, collaborative twelfth season will take on air guitar wizards, race in the squared circle, aging in (a bad) place, brain surgery and the Attorney G…

SOURCE: DC Theatre Scene at 9:24am on May 8, 2019

Review: A furiously funny Love's Labor's Lost at Folger Theatre by Meaghan Hannan Davant

Love's Labor's Lost is reputed to be one of Shakespeare's toughest plays to stage (and it rarely is).  The late 16th Century comedy has a simple enough plot " one guaranteed to tee up som…

SOURCE: DC Theatre Scene at 11:42am on May 7, 2019

Ally Theatre Company announces the three plays in its third season by Tim Treanor

On the heels of the announcement that their company will receive the John Aniello Award as Washington's outstanding emerging theater company of the year, Ally Theatre Company has announced a…

SOURCE: DC Theatre Scene at 8:12pm on May 6, 2019

Signature Theatre turns 30, a Frank Wildhorn musical debuts, new plays launch and classic musicals get the Signature touch by Tim Treanor

Some familiar musicals and not-so-familiar plays will mark Signature's 30th season this coming year, the company has announced. Signature starts off its season with Assassins, the Stephen So…

SOURCE: DC Theatre Scene at 8:12pm on May 6, 2019

theatreWashington reveals two Helen Hayes Award honorees for 2019 by Tim Treanor

We don't know which of this year's Helen Hayes Award nominees will receive the coveted Helen Hayes awards on Monday, May 13, but we do know this: Ally Theatre Company will receive the John A…

SOURCE: DC Theatre Scene at 8:12pm on May 6, 2019

Review: The 39 Steps, a joy-buzzery production of the noir comedy from Rep Stage by Jayne Blanchard

If there was ever a time for old-fashioned spoofy fun, it's now. Your chance to goof off comes courtesy of Rep Stage's joy-buzzery production of The 39 Steps, directed by Joseph W. Ritsch wi…

SOURCE: DC Theatre Scene at 8:12pm on May 6, 2019

The John F. Kennedy Center's 2019-2020 Season for Young Audiences by Tim Treanor

The Kennedy Center's 2019-2020 season for young audiences will feature work from Education Artist-in-Residence, perhaps better know as author, illustrator (Knuffle Bunny, and Elephant & …

SOURCE: DC Theatre Scene at 8:12pm on May 6, 2019

In Series announces its innovative 2019-2020 season in which subscribers choose the last show by Tim Treanor

The In Series, a Washington pocket opera company known for its innovative approach to the classics, will totally rework some of our best-known stories in 2019-2020, deconstructing, decontext…

SOURCE: DC Theatre Scene at 5:12am on May 6, 2019

Review: 14 from Theatre Prometheus by Emily Priborkin

In 2001, a group of Mexican migrants were left stranded in the blistering desert heat east of Yuma, Arizona. Smugglers, whom they had paid for safe transport to the border, promised them tha…

SOURCE: DC Theatre Scene at 5:48pm on May 1, 2019

Review: The Dupont Under(world). The passages between life and death await you. by Hannah Berk

Tradition Be Damned (TBD) Immersive, DC's first large-scale immersive theater company, isn't interested in designing shows for audiences to watch. They want to create worlds for participants…

SOURCE: DC Theatre Scene at 2:33pm on May 1, 2019

Review of Oslo. Round House Theatre's cast brings heat to Nordic high-stakes drama by Jayne Blanchard

If someone told you to run down to the Lansburgh Theater to see a three-hour play about back-channel diplomatic negotiations between Israel and the Palestine Liberation Army (PLO), you'd pro…

SOURCE: DC Theatre Scene at 2:33pm on May 1, 2019

The Washington area opera scene, our 2019-2020 season guide by Susan Galbraith

Brush up " your opera.  There will be no better time to turn off, dial down, and otherwise forego small devices and experience the "think big" of live opera than in the 2019-2020 opera se…

SOURCE: DC Theatre Scene at 1:12pm on April 30, 2019

Hamilton tickets at the Hippodrome. How to beat the bots by Lorraine Treanor

When tickets go on sale May 9 for Hamilton at the Hippodrome ( June 25 " July 21) expect the usual crush for tickets. (Remember how Hamilton's first visit to our area crashed the box office …

SOURCE: DC Theatre Scene at 1:12pm on April 30, 2019

Review: Escape from Peligro Island, super fun regardless of which adventure you choose by Kelly McCorkendale

Economy or first class? Glasses or inhaler? Go right or go left? Rather, stay or go at all? I say go"go fast to Escape from Peligro Island: YOU Create Your Own Adventure, a delightfully f…

SOURCE: DC Theatre Scene at 11:04am on April 30, 2019

Review: The White Snake, Constellation Theatre Company by Missy Frederick

Constellation Theatre Company's latest production may be called The White Snake, but it's the Green Snake who steals the show. Momo Nakamuru proves a delightful, hilarious presence as the sp…

SOURCE: DC Theatre Scene at 11:04am on April 30, 2019

Review: Marooned! A Space Comedy that is out of this world by Lorraine Treanor

House lights remain at half when a red curtain parts just enough to show a curled hand, then another, then two more. Fingers tentatively explore, then walk, then intertwine in what will be o…

SOURCE: DC Theatre Scene at 12:27pm on April 29, 2019
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