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35,717 stories from The Guardian

'I needed knee surgery after it!' The return of barnstorming musical Rent by Ryan Gilbey

The Pulitzer-winning show about gender-fluid bohemians in a time of pandemic is back. As Rent hits Manchester, the original cast remember its barrierbusting magic " and its tragic, visionary…

SOURCE: The Guardian at 3:36pm on October 22, 2020

'A tear rolled from my eye': how it feels to dance for Beyoncé by Lyndsey Winship

UK choreographer Ivan Blackstock and dancer Nafisah Baba worked on the groundbreaking Black Is King visual album, connecting with a wealth of black peers Choreographer Ivan Blackstock was ha…

SOURCE: The Guardian at 3:36pm on October 22, 2020

A revolution is sweeping through Japan's Takarazuka Music School by Justin McCurry In Tokyo

This month the school scrapped several longstanding and unwritten rules that governed the behaviour of students for decades For more than a century the Takarazuka Music School has transforme…

SOURCE: The Guardian at 3:36pm on October 22, 2020

Betrayal review: Pinter's love triangle offers fresh pleasures and shorter pauses by Mark Lawson

Theatre Royal BathStaged in a Covid-safe auditorium, this rattling revival of Harold Pinter's mind-stretching drama is enjoyably brisk Harold Pinter came to regret his frequent speech direct…

SOURCE: The Guardian at 8:42am on October 22, 2020

A dazzling, shocking indictment of America: What the Constitution Means to Me review by Arifa Akbar

This funny, tragic and deeply unsettling one-woman tour de force shows who the US constitution serves " and who it lets down. The statistics alone are horrifying Heidi Schreck tells us she f…

SOURCE: The Guardian at 9:36am on October 20, 2020

Tony awards 2020: unusual Broadway year leads to restricted nominations by Benjamin Lee

A year on stage cut short by Covid has resulted in delayed nominations with Moulin Rouge, Jagged Little Pill and Slave Play out in front Jagged Little Pill, Slave Play and Moulin Rouge! The …

SOURCE: The Guardian at 4:03pm on October 19, 2020

The Tonys are finally coming! What do this year's nominations tell us? by Alexis Soloski

A strange year for Broadway, with fewer shows than usual eligible for major awards, has brought up an equally strange, if intriguing, set of nominees "What?" James Monroe Iglehart said. "You…

SOURCE: The Guardian at 4:03pm on October 19, 2020

Cold war-era musical Chess hopes to capture Moscow audiences by Theo Merz In Moscow

Tim Rice's lyrics rewritten to 'humanise' KGB agent and reflect new geopolitical reality In a week when Moscow and Washington squabbled over arms treaties and Europe imposed fresh sanctions …

SOURCE: The Guardian at 4:03pm on October 19, 2020

Uncle Vanya review " coronavirus gives Chekhov a shot in the arm by Susannah Clapp

The pandemic supercharges the atmosphere in this film version of Ian Rickson's recent stage production Here is an extraordinary, transfiguring leap from stage to screen. Ian Rickson's produc…

SOURCE: The Guardian at 4:03pm on October 19, 2020

Not waiting for Godot: new show tackles Beckett's ban on women by Kate Wyver

Female and non-binary performers deal with issue of playwright's instructions A dead man's voice can travel a long way. In 1988, Samuel Beckett sued a Dutch theatre company for casting women…

SOURCE: The Guardian at 4:03pm on October 19, 2020

Hindu Times: Jaimini Jethwa invites the deities to Dundee by Jaimini Jethwa

The Guardian's Future plays series continues with Vishnu and Brahma trying to restore the balance of good and evil on a boozy night out My first play, The Last Queen of Scotland, dealt with …

SOURCE: The Guardian at 4:03pm on October 19, 2020

The Yes Queens review " digital crowd pipe in impro oxygen by Brian Logan

Battersea Arts Centre, London, and online Audience participation at arm's length via screen happily injects some welcome randomness into this six-person improvised sketch show How do you do …

SOURCE: The Guardian at 9:24am on October 19, 2020

Azara: Just Another Day and Night review " the vibrant mess of the before times by Lyndsey Winship

The Place, LondonPart of the Splayed festival of queer art, Azara's witty combination of spoken word and effortless groove takes the audience on a night out that leaves you longing to dance …

SOURCE: The Guardian at 10:18am on October 18, 2020

The Royal Ballet: Back on Stage review " an exuberant return by Sarah Crompton

Royal Opera House, LondonFor the RB's first performance to a live audience since lockdown, Kevin O'Hare prepared an optimistic, invigorating selection of classics The history of the Royal Ba…

SOURCE: The Guardian at 7:06am on October 18, 2020

New English Ballet Theatre: Remembrance review " movement that sings by Lyndsey Winship

Available onlineWayne Eagling's choreographic pedigree is clear in this wartime story of Marie Rambert " founder of Britain's first ballet company " and her playwright husband Canadian chor…

SOURCE: The Guardian at 9:06am on October 16, 2020

Derren Brown: 'I was a terrible attention seeker' by Chris Godfrey

For 20 years, the psychological illusionist has delighted TV audiences. He explains why he's ready to give it all up and paint caricatures " and how magic made him question his religious fai…

SOURCE: The Guardian at 7:54am on October 15, 2020

Sonia Friedman: I've closed 18 shows and paused 10. Here's my cure for theatre by Sonia Friedman

The stage maestro says the magic of live performance is vital for our mental health. And now she's bringing that alchemy back with comedy duo The Pin and their debut play The Comeback It's s…

SOURCE: The Guardian at 7:54am on October 15, 2020

The Mermaid's Tongue review " turn detective for this dazzling online gothic thriller by Mark Fisher

Available onlineUntimely deaths, ritual sacrifice, the supernatural ... steel yourself for a 90-minute immersive quest that's an escape room for the age of social distancing It's bad form to…

SOURCE: The Guardian at 7:54am on October 15, 2020

'Blind optimism': Who would open a theatre in 2020? by David Jays

With the industry on its knees and audiences running scared, a handful of creatives have pushed on with planned new venues, determined to rise to the current challenges of making theatre Is …

SOURCE: The Guardian at 1:06pm on October 14, 2020

'It's a game " and you're going to win': the black coaches electrifying dance by Kate Wyver

What makes a great teacher? We meet the three nominees " all dancers " who are in the running for the educator category of this year's Black British Theatre awards Dollie Henry started danci…

SOURCE: The Guardian at 1:06pm on October 14, 2020

'This room's not ready for me': improv as a BAME comic by Jamal Khadar

I've worked as the only person of colour on improv nights for years and found problems " and potential. Now diverse groups are finding laughs a more inclusive way In improv, when one comic d…

SOURCE: The Guardian at 4:24am on October 14, 2020

Don't mock the pasties!: Inside Cornwall's standup scene by Rachael Healy

In the UK's most southwesterly county a burgeoning standup scene thrives everywhere from remote village halls and old bakeries to the cliffside Minack theatre A cliff edge, an old bakery or…

SOURCE: The Guardian at 3:24pm on October 13, 2020

'I worked in horror films. Now I'm an undertaker': arts workers who had to find new jobs by Kate Hutchinson

A DJ turned shaman, a lighting designer turned railwayman, a dancer turned gayrobicist … as the government causes fury with a ballerina job ad, we meet workers forced to retrain due to Cov…

SOURCE: The Guardian at 3:24pm on October 13, 2020

Songs for a New World review " singers face forwards in bold, Covid-safe show by Mark Lawson

London PalladiumJason Robert Brown's song cycle on the theme of life choices adapts well to social distancing, with a cast whose big voices make the huge auditorium feel small Balancing dram…

SOURCE: The Guardian at 10:48am on October 12, 2020

Tamara Rojo: 'Despite everything, it's a very creative moment' by Lyndsey Winship

English National Ballet will return to the stage soon, but dance's wider future looks precarious. The company's artistic director tells us about bubbles, business models, and ballet classes …

SOURCE: The Guardian at 8:32am on October 12, 2020
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