DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
2,042 stories from The Theatre Times

Cut From Different Cloth: "Intimate Apparel" at Mitzi E. Newhouse Theater by Jonathan Kalb

I went to the new opera Intimate Apparel because the 2003 play it was made from is one of my favorites by Lynn Nottage. Cards on the table, I'm no opera fan in general but rather one of thos…

SOURCE: thetheatretimes.com at 2:24am on July 1, 2022

Mukha Mugam Returns to the Stage with "The View From Above," A Macbeth-Inspired Political Satire by Praveen Sudevan

For most of the last two years, Bengaluru-based actor and playwright Spatica Ramanujam was feeling restricted due to the inability to mount a new play. This feeling, of course, was near-univ…

SOURCE: thetheatretimes.com at 12:55pm on June 30, 2022

"Anything & Everything" Gives Us a Glance Into the Lives Teenagers are Constructing Online by Thuy Tran

Review: Anything & Everything, Platform Arts, infinity ensemble for Rising. Anything & Everything reminds me of a rite of passage we have all sailed through, in one way or another. T…

SOURCE: thetheatretimes.com at 12:54pm on June 29, 2022

"Shadow Boxing" at Baxter Masambe Theatre by Beverley Brommert

SHADOW BOXING. Director/Choreographer: Mdu Kweyama. Cast: Daniel Newton. Masambe Theatre at the Baxter. A lustrous performance from Daniel Newton does ample justice to the nuanced text of Sh…

SOURCE: thetheatretimes.com at 12:52pm on June 28, 2022

"Borderland, maldita cabeza," Mental Health Debate Enters into the Limits of a New Opera by Antonio Hernández Nieto

A contemporary opera has conquered one of the oldest and prettiest theaters in Spain. It is titled Borderland, maldita cabeza (Borderland, damned head) by Marta Eguilior, the librettist, sta…

SOURCE: thetheatretimes.com at 4:25am on June 27, 2022

A New Translation of Molière's "Dom Juan" for the 21st Century by Philippa Wehle

A Preview of a new translation of Molière's Dom Juan for the 21st century by Gideon Lester and Sylvaine Guyot, as interviewed by Philippa Wehle. 2022 is celebrating the 400th birthday of th…

SOURCE: thetheatretimes.com at 12:52pm on June 26, 2022

LMDA Launches New Access Initiatives by Jacqueline Goldfinger

I began my tenure as Chair of the LMDA Conference during the early days of COVID. This was back when we thought we would have a vaccine in six months. That did not happen. As more live perfo…

SOURCE: thetheatretimes.com at 12:52pm on June 25, 2022

We'll Meet Again: Review by Sheila Chisholm

We'll Meet Again Richard Loring's nostalgic musical tribute to World War II. Director/Set design: Barry Altwig. Lighting: Barry Strick. Sound: Trevor Lind. Music Direction/Choreography: Ters…

SOURCE: thetheatretimes.com at 4:26am on June 24, 2022

With Nine Broadway Musicals Currently on Australian Stages, Musical Theatre is Thriving Again by Craig Dalton

With nine Broadway musicals currently playing on Australian stages " and a further three set to open or reopen in coming months " audiences could be forgiven for thinking "what pandemi…

SOURCE: thetheatretimes.com at 4:26am on June 23, 2022

"Lotus Beauty," Hampstead Theatre by Aleks Sierz

Theatre is slowly recovering from the effects of the pandemic, and many shows which were canceled because of the first lockdown are now finally getting a staging. The latest is Satinder Choh…

SOURCE: thetheatretimes.com at 10:12am on June 22, 2022

From a Position of Perspectives: An Interview with Patrice Pavis by Ivanka Apostolova Baskar

There is always a cultural gap between scholars and artists, each group being suspicious of the other. Patrice Pavis (1947, France) is an internationally renowned theater scholar. He was a P…

SOURCE: thetheatretimes.com at 11:21am on June 21, 2022

Chennai Theatre Veteran PC Ramakrishna Turns Author with "Find Your Voice" by Gowri S

Theatre veteran PC Ramakrishna turns author with Find Your Voice, a guide on how to navigate a career as a voice professional You do not need to see PC Ramakrisha to recognise him. You ju…

SOURCE: thetheatretimes.com at 1:07pm on June 20, 2022

With the Hope to Make Telugu Theater a Sustainable Career Option by Neeraja Murthy

Production-oriented workshops culminate in ticketed Telugu plays in Hyderabad. A manager by day and an actor by evening … Surabhi Santhosh's transformation is effortless. The 36-year-old f…

SOURCE: thetheatretimes.com at 2:54am on June 18, 2022

"House of Ife," Bush Theatre by Aleks Sierz

In the past, most plays by black-British writers have been about the legacy of the Windrush generation, or occasionally about migrants from west Africa, and their main theme has been exposin…

SOURCE: thetheatretimes.com at 2:54am on June 18, 2022

The Meaning of Theater: Slava Stepnov's "Flawed Choir" at the Steps Theatre by Vassili Schedrin

"All the world's a stage," says a character in William Shakespeare's "As You Like It." "Life is theater," as we say today. "I want to see meaning in theater," says young actress Zulla, one o…

SOURCE: thetheatretimes.com at 2:54am on June 17, 2022

When City Streets Record Fading Performance Traditions by Aprameya Manthena

Attired in a crisp white dhoti with a red zari border, bleached white shirt and angavastram, one could mistake Krishna, a "Haridasu," for a wandering pilgrim. He ambles along the silent city…

SOURCE: thetheatretimes.com at 7:50am on June 15, 2022

Black Second-Act Problems: "Black No More" by The New Group by Jonathan Kalb

In my time as a critic I've noticed on numerous occasions that musicals rooted in political satire always have second-act problems. They come out of the gate identifying a specific breed of …

SOURCE: thetheatretimes.com at 7:50am on June 15, 2022

"The Haunting of Susan A" at The King's Head Theatre by Konrad Zielinski

Konrad Hello, I'm Konrad. I'm here to share an account of the production of Mark Ravenhill's The Haunting of Susan A. I saw it on the 11th of June 2022 at The King's Head Theatre " perhaps b…

SOURCE: thetheatretimes.com at 1:06pm on June 13, 2022

Director Maria Mileaf and Actor Aline Salloum on Oren Safdie's High School Crush Gone Sideways, "Gratitude" by Fareeda Pyracha Ahmed

Gratitude, by Oren Safdie, directed by Maria Mileaf, and starring Jalen Ford, Jake Bryan Guthrie, Erik Larsson, and Aline Salloum, runs through June 30th at UrbanStages, 259 W 30th St, New Y…

SOURCE: thetheatretimes.com at 1:47am on June 13, 2022

The Beast is Back: Radiotheatre's Live Audio Play "King Kong" by Emily Cordes

Since its original 1933 film debut, the story of King Kong has become a mainstay of America's, and New York City's, popular culture, with the great ape's skyscraper showdown as much a civic …

SOURCE: thetheatretimes.com at 1:45am on June 12, 2022

Frenemies and Freedom: "Confederates," Signature Theatre by Jonathan Kalb

Dominique Morisseau is aware that most of her fans see her as a predominantly naturalistic playwright with a sharp comic tongue and a sharper social conscience. She says so in an intro note …

SOURCE: thetheatretimes.com at 1:45am on June 11, 2022

Gilbert Gottfried and the Mechanics of Crafting One of the Most Memorable Voices of All Time by Erica Tobolski

Though Gilbert Gottfried's voice has alternatively been described as "shrill," "annoying" and "grating," you can't say it isn't memorable. Gottfried, who died on April 12, 2022, didn't natur…

SOURCE: thetheatretimes.com at 1:45am on June 10, 2022

"For They Do Not Know What They Dance"? (A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance) " PART II by Rudi Laermans

This is Part II of the essay. To read Part I, click here. 8. (ON A-HUMANISM, AGAIN) A-humanism is not just a theoretical axiom but first and foremost an experience. Who speaks? Who writes? W…

SOURCE: thetheatretimes.com at 9:19am on June 8, 2022

"For They Do Not Know What They Dance"? (A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance) " PART I by Rudi Laermans

(A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance)[1]With the exception of the introduction and the preamble, this text restates my farewell lecture at …

SOURCE: thetheatretimes.com at 11:04am on June 7, 2022

Fresh "Ham" at the Public by Jack Wernick

Fat Ham arrives at the Public Theater for its first live production following the Zoom staging by Philadelphia's Wilma Theater that earned it the 2022 Pulitzer Prize for Drama. The play's in…

SOURCE: thetheatretimes.com at 11:04am on June 7, 2022
« Previous 25   Page 34 of 82   Next 25 »