The musical, once Broadway's darling, has taken it on the chin. But never underestimate an underdog.
Because of its melodramatic, grim plot, "Juno" probably would work better as an opera than as a musical theatre piece.
Expectations were high for "Anna in the Tropics" because of the Pulitzer, and director Emily Mann's version, first seen earlier in the season at the McCarter Theatre Center in Princeton, N.J…
"Right You Are" - no, you're not. The dismal new revival of Luigi Pirandello's "Right You Are" by the National Actors Theatre could set back the play's reputation in New York for years to co…
Ebb died Saturday at his home, said David McKeown, an assistant to composer John Kander, Ebb's longtime collaborator. The lyricist was believed to be 76, although Ebb always was "sweetly vag…
And it's Ms. Egan's birthday, too!
Sarah Ruhl's The Clean House feels like it's been thoroughly scrubbed of human ambiguity. And the jokes would really work better in English.
Actors scurry all over the stage. But the movement, while theatrical, adds nothing to the play. But then, it's like the production itself - all surface, showy and, ultimately, unsatisfying.
The best playwrights put their own voice on stage. So it's a shame that Itamar Moses, an obviously erudite fellow, seems content to approximate Tom Stoppard, at least in his "Bach at Leipzig…
Theater for the toddlers.