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2,070 stories from The Theatre Times

Haunted History in Cottage Country: "Cottagers and Indians" by Barbara Gabriel

Cottagers and Indians by Drew Hayden Taylor A lazy afternoon on a cedar deck that could be anywhere in Ontario cottage country. A casually dressed, mature woman from Toronto (her relaxed …

SOURCE: thetheatretimes.com at 5:15pm on September 1, 2022

Bodies of Knowledge " Facilitating Alternative and Humane Ways of Learning by Borisav Matić

Bodies of Knowledge (BOK) is a semi-nomadic classroom that facilitates alternative and non-dominant forms of learning that have the potential to lead us to a more humane and just society. Bo…

SOURCE: thetheatretimes.com at 8:31pm on August 30, 2022

Highlights from the Mladi Levi Festival in Ljubljana by Borisav Matić

The 25th edition of the international theatre and dance festival Mladi Levi (Young Lions) was successfully held in Ljubljana from 19th to 27th August. The festival, organized by a Slovenian …

SOURCE: thetheatretimes.com at 7:15pm on August 30, 2022

Learning From Scratch: Istanbul Theatre Through a Canadian-Armenian Lens. Interview with Art Babayants. by Eylem Ejder

Dr. Art Babayants is a multilingual artist-scholar who lives and works in what is now called Canada. His training combines the Stanislavsky school of acting, Meyerhold's Biomechanics and Ind…

SOURCE: thetheatretimes.com at 5:24pm on August 29, 2022

"Kurios: A Cabinet of Curiosities" Helping You Dream with Your Eyes Wide Open! by Azadeh Kangarani

I can prescribe the remedy if you need medicine to blow up your imagination! Get a ticket to Kurios: Cabinet of Curiosities! Kurios, written and directed by Michel Laprise, is the 35th creat…

SOURCE: thetheatretimes.com at 5:25pm on August 28, 2022

Mental Illness, Misogyny, and the Myth of the Male Genius in "The Butcher Boy" by Morgan Skolnik

This review contains spoilers. TW: suicide, homicide, mental illness The Butcher Boy, which opened last week at the Irish Repertory Theater is deeply upsetting, but less so due to the gore i…

SOURCE: thetheatretimes.com at 5:18pm on August 26, 2022

In Conversation with Regan Hicks: Part Two by Rhiannon Ling

This is part 2 of the bipartite interview. To read part 1, click here. Welcome back to the second and final installment in my conversation with my dear friend and collaborator, Regan Hicks, …

SOURCE: thetheatretimes.com at 5:23pm on August 25, 2022

In Conversation with Regan Hicks: Part One by Rhiannon Ling

Regan Hicks is one of my dearest friends and closest collaborators. We've worked on a number of projects together over the past few years, each time beneficial, each time an utter delight. T…

SOURCE: thetheatretimes.com at 5:21pm on August 24, 2022

Emerging Playwright Embarks on Gershwin Era Musical by Alexander Fatouros

American playwright and concert pianist, William Robert Martin, is an emerging artist whose star is on the rise. His 1930s-style musical comedy about George Gershwin writing a musical comedy…

SOURCE: thetheatretimes.com at 5:37pm on August 23, 2022

"Don't You Hate It When Assholes Are Talented?": "macbitches" at Chain Theatre by Rhiannon Ling

I went to theatre school. Know this before reading on. I went to theatre school, trained as an actor at a conservatory on the East Coast. I am well-versed in the racing of the heart while wa…

SOURCE: thetheatretimes.com at 5:41pm on August 22, 2022

"Chasing Hares" at the Young Vic by Aleks Sierz

While Britain is experiencing a "summer of discontent", with inflation, strikes and other conflicts, it is odd that so few plays are as overtly political, and as overtly resonant as Sonali B…

SOURCE: thetheatretimes.com at 5:40pm on August 14, 2022

Honey, I'm Home! " Robert Icke's "Oresteria" by Jonathan Kalb

If nothing else, you have to admire the chutzpah of Robert Icke's Oresteia, which tries to collapse the 8-hour, 3-play action of Aeschylus's monumental Oresteia"a founding work of Western dr…

SOURCE: thetheatretimes.com at 5:39pm on August 13, 2022

"The Cherry Orchard," Portland Experimental Theatre Ensemble by Justine Nakase

What might Anton Chekov, that Russian master of the nineteenth century, have to say about the current climate crisis? A recent production of The Cherry Orchard by PETE (Portland Experimental…

SOURCE: thetheatretimes.com at 2:57am on August 12, 2022

Parastoo Theatre: Art, Refuge, Action by Deborah Augustin

The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas, is creating a practice that enriches the cultural landscape for all Malaysians. I met Saleh …

SOURCE: thetheatretimes.com at 2:50am on August 11, 2022

Leveling Effects: Matthew Spangler's Adaptation of "The Kite Runner" by Jonathan Kalb

Khaled Hosseini's 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of guilt and expiation, class conflict, and wrenching refugee experience, set mostly in Afghanis…

SOURCE: thetheatretimes.com at 2:43am on August 10, 2022

Sacrament of the Sea: Houseworld's "Bottom of the Ocean" by Andrew Agress

Whispering the word BOTO into the speakeasy-style window of a door, I felt a sense of trepidation, adrenaline rush, and giddiness. The latter came from the feeling that I was about to partic…

SOURCE: thetheatretimes.com at 9:51pm on August 8, 2022

Ivo Van Hove's Water-turgy: "Ingolstadt" at the Salzburg Festival by Duška Radosavljević

Just over a hundred years since its founding (by impresario and theatre director Max Reinhardt), the Salzburg Festival honours the nearly forgotten 20th-century south German writer Marieluis…

SOURCE: thetheatretimes.com at 9:45pm on August 7, 2022

Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions " Part II by Yana Meerzon

This is Part 2 of the bipartite report. To read Part 1, click here.  Anais Nin au Miroir, written by Agnès Desarthe and directed by Élise Vigier,[1] was another production at the 202…

SOURCE: thetheatretimes.com at 8:00pm on August 6, 2022

Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions " Part I by Yana Meerzon

I arrived at the 2022 Avignon Theatre Festival seeking emotional rejuvenation after two years of COVID related isolation, working on screens, and deprived of live encounters in theatre; but …

SOURCE: thetheatretimes.com at 7:47pm on August 6, 2022

"The Hour of Death," Bokshi Theatre Company by Florida Kastrati

Pristina Prison, a notorious building in the centre of the city, was built during the Yugoslav era in 1951. It housed thousands of political prisoners until 2016. Recently the prison was …

SOURCE: thetheatretimes.com at 9:54pm on August 4, 2022

About "Dog/Actor" at the Etcetera Theatre by Aleks Sierz

Yesterday evening I went to see Dog/Actor at the Etcetera Theatre in Camden. Written by Steven Berkoff, in his instantly recognizable snarling voice, these two short monologues are bri…

SOURCE: thetheatretimes.com at 2:55am on August 4, 2022

"The Years of Crows" at National Theatre, Belgrade by Andrej ÄŒanji

National Theatre, Belgrade, premiere 12th March 2022 The Years of Crows is the great comeback for writer and politician SiniÅ¡a Kovačević. His last piece, The Great Drama, …

SOURCE: thetheatretimes.com at 3:01am on August 2, 2022

"Seven Women in Search of Mia" or "Breast Cancer Trilogy" (A Postproduction Reflection) by Cătălina Florina Florescu

In 2011, I published my first medical humanities book, Transacting Sites of the Liminal Bodily Spaces, that continued my doctoral interdisciplinary research. Soon after that, I would start w…

SOURCE: thetheatretimes.com at 10:35pm on July 31, 2022

A Director Needs "to Practice What They Preach": An Interview with Milosh Andonovski, Theatre Director and Educator by Ivanka Apostolova Baskar

Milosh Andonovski (1989) was born in Kumanovo, North Macedonia. He graduated Comparative literature in 2012 at the Faculty of Philology "Blazhe Koneski" at "Sts. Cyril and Methodius" Univers…

SOURCE: thetheatretimes.com at 2:15am on July 31, 2022

"Murat IV" Opera to tell Ottoman Sultan's Story in Istanbul by Daily Sabah

Turkish opera's great master, composer, and conductor Okan DemiriÅŸ's 'Murat IV' opera will meet Istanbul audience on July 23 The Antalya State Opera and Ballet (DOB) will perform "Murat I…

SOURCE: thetheatretimes.com at 2:13am on July 30, 2022
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