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3,490 stories from The Arts Desk

Julius Caesar, Shakespeare's Globe review - the Bard buried in bad choices by Gary Naylor

★ JULIUS CAESAR, SHAKESPEARE'S GLOBE Misjudged masterpiece   Intrusive 21st century agenda and dismal staging waste an opportunity With tyrants licking their lips around the worl…

SOURCE: The Arts Desk at 3:54am on May 14, 2022

Unchain Me, Brighton Festival Review - Dostoevsky-inspired theatre through the streets of Brighton by Katie Colombus

Democracy, justice and personal agendas create a sense of chaos and fun with dystopian overtones To take to the streets in Brighton in pursuit of a superior political ideology isn't unusual.…

SOURCE: The Arts Desk at 4:48am on May 12, 2022

Age of Rage, Internationaal Theater Amsterdam, Barbican review - shattering assault on all the senses by David Nice

Happiest in home-territory epics, Ivo van Hove pulls off a Greek-tragedy stunner Hunger for the gruesome horrors and euphoric highs of Greek tragedy seems to be stronger than ever. Yet when …

SOURCE: The Arts Desk at 6:42am on May 9, 2022

House of Ife, Bush Theatre review - an Ethiopian-British family struggle to decide where 'home' is by Helen Hawkins

Playwright Beru Tessema makes a striking stage debut We are in a room in a simply decorated house in northwest London, where an Ethiopian-British family is gathering for a funeral "tea" for…

SOURCE: The Arts Desk at 4:33am on May 9, 2022

Oklahoma!, Young Vic review - a stunning, stripped-down version of the classic musical by Helen Hawkins

Rodgers and Hammerstein revival goes to the dark heart of the story No surreys, fringes or corny chap-slapping: the Rodgers and Hammerstein revival that has arrived at the Young Vic from New…

SOURCE: The Arts Desk at 1:18pm on May 7, 2022

The Misfortune of the English, Orange Tree Theatre review - don't fret, boys, it's only death by Laura De Lisle

Pamela Carter's slippery tale of a school trip to Nazi Germany explores the price of a stiff upper lip "We all make history, one way or another." But some of us make more history than other…

SOURCE: The Arts Desk at 6:24am on May 6, 2022

Middle, National Theatre review - a bit of a muddle by Aleks.sierz

David Eldridge's follow up to his 2017 hit, 'Beginning', is disappointing The traditional, and much derided, well-made play is meant to have a beginning, middle and end. Although playwright …

SOURCE: The Arts Desk at 5:12am on May 5, 2022

Much Ado About Nothing, Shakespeare's Globe review " a perfect piece of escapism for our uncertain summer by Rachel Halliburton

This production carries as much emotional heft as it exudes riotous comedy Lucy Bailey's joyous, visually ravishing Much Ado About Nothing opens on a sombre note. On stage there is laughter …

SOURCE: The Arts Desk at 5:48am on May 2, 2022

Jerusalem, Apollo Theatre review - Mark Rylance blazes in this astonishing revival by Mert Dilek

Jez Butterworth's 2009 play is evergreen in its excellence At long last, the giant has come back. Over a decade after its critical apotheosis on both sides of the Atlantic, Jez Butterworth's…

SOURCE: The Arts Desk at 4:33pm on April 30, 2022

Prima Facie, Harold Pinter Theatre review - Jodie Comer sears the stage by Mert Dilek

'Killing Eve' star's stage debut is a triumph National statistics tell us that, in the year ending September 2021, 41% of rape victims in England and Wales eventually withdrew their support …

SOURCE: The Arts Desk at 8:48am on April 28, 2022

Punchdrunk's The Burnt City, One Cartridge Place review - thrilling, discombobulating vision of an ancient world by Rachel Halliburton

You go into a dimension where you operate through instinct as much as intellect Punchdrunk's latest epic undertaking may be inspired by the legend of Troy, but this is nothing less than a da…

SOURCE: The Arts Desk at 7:24am on April 25, 2022

Marys Seacole, Donmar Warehouse review - frustrating yet unflinching by Matt Wolf

Off Broadway hit builds to a furious climax in London bow Inspiration jostles irritation in Marys Seacole, Jackie Sibblies Drury's Off Broadway hit from 2019 that has arrived at the Donmar …

SOURCE: The Arts Desk at 7:24am on April 25, 2022

The Corn Is Green, National Theatre review " Nicola Walker teaches a life lesson by Aleks.sierz

Dominic Cooke's imaginative revival improves on Emlyn Williams's 1938 play Let's talk repertoire. Over the past decade the range of British plays, especially those from the 17th, 18th and 1…

SOURCE: The Arts Desk at 5:06pm on April 24, 2022

First Person: playwright Naomi Wallace on finally hearing her work performed in English by Naomi Wallace

Set in America, 'The Breach' was first seen in Paris, as its author explains The Breach is a coming of age story and an age-in-the-making story. The play takes place in the U.S. in the…

SOURCE: The Arts Desk at 7:18am on April 23, 2022

Lava, Soho Theatre review - silences, secrets and lies by Tom Birchenough

James Fritz's play explores the spoken and unspoken ripples of grief with fine naturalism The title of James Fritz's play is allusive, oblique even. I assume it refers to how, in the afterm…

SOURCE: The Arts Desk at 1:42am on April 22, 2022

Bonnie & Clyde, The Arts Theatre review - great songs, but plot fires too many blanks by Gary Naylor

Iconic couple shoot for West End success One of the more irritating memes (it's a competitive field, I know) is the "Name a more iconic couple" appearing over a photo of Posh and Becks, or H…

SOURCE: The Arts Desk at 3:42am on April 21, 2022

For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, Royal Court review - Black joy, pain, and beauty by Laura De Lisle

With boisterous lyricism, Ryan Calais Cameron explores what it means to be a Black man The title is so long that the Royal Court's neon red lettering only renders the first three words, foll…

SOURCE: The Arts Desk at 7:36am on April 18, 2022

The 47th, Old Vic review - ambitious Trump satire doesn't quite hit its target by Rachel Halliburton

★★★ THE 47TH, OLD VIC Mike Bartlett's ambitious Trump satire doesn't quite hit its target As a playwright, how do you handle an arse-fixated arch-disrupter? Megalomania is…

SOURCE: The Arts Desk at 5:24am on April 18, 2022

Scandaltown, Lyric Hammersmith review - Restoration-comedy-style take on 21st Century shamelessness by Rachel Halliburton

Mike Bartlett's raucous chronicle of London in the age of Boris Johnson If Nero fiddled while Rome burned, then Boris Johnson has played the whole sodding orchestra. Between the parties, the…

SOURCE: The Arts Desk at 5:24am on April 18, 2022

Zorro the Musical, Charing Cross Theatre review - struggling to find the right tone by Gary Naylor

Swordplay and songs never quite hit their stride Zorro (what a name!) is back, swashing and buckling his way into the West End, 13 years after he left and now not the only one wearing a mask…

SOURCE: The Arts Desk at 5:06am on April 16, 2022

Wolf Cub, Hampstead Downstairs review - haunting solo play about the American nightmare by Helen Hawkins

Ché Walker directs his savage play, with a stellar turn from Clare Latham Ché Walker claims he wrote Wolf Cub, now in the Hampstead Downstairs studio space, in a two-day blitz prompted …

SOURCE: The Arts Desk at 9:06am on April 14, 2022

Persuasion, Alexandra Palace Theatre review - graphic-novel-style Austen by Rachel Halliburton

The soundtrack features musicians ranging from Robyn and Dua Lipa to Cardi B Jane Austen's waspish vision revealed the vanities, delusions and cynical financial calculations that underpinned…

SOURCE: The Arts Desk at 5:48am on April 14, 2022

'Daddy' A Melodrama, Almeida Theatre review - production exuberance carries a new play of promise by Tom Birchenough

Jeremy O Harris's scintillating drama poses questions about possession, in life and art Danya Taymor's production of "Daddy" A Melodrama has a huge exuberance: a tour de force in itself, it'…

SOURCE: The Arts Desk at 2:12am on April 11, 2022

Anyone Can Whistle, Southwark Playhouse review - full-on bonkers by Matt Wolf

Niche Sondheim gets an, um, no-trumpets-barred revival Musicals don't get madder than Anyone Can Whistle, the 1964 Broadway flop from onetime West Side Story and Gypsy collaborators Stephen…

SOURCE: The Arts Desk at 6:06am on April 8, 2022

Project Dictator, New Diorama Theatre review - anarchic satire by Gary Naylor

Political lesson on the dangers of populism fails to hit home Loud madcap comedy morphs into mime and flops when it should fly When Rhum + Clay conceived this show, the idea of a comic becom…

SOURCE: The Arts Desk at 8:12am on April 7, 2022
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