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3,544 stories from The Arts Desk

Wonderville Magic and Cabaret - fast-paced show delivers the promised wonder by Gary Naylor

Leave memories of Paul Daniels at the door and embrace the sweet deception inside There's nothing quite like magic, live, up close and personal. Sure there are the TV spectaculars, the casin…

SOURCE: The Arts Desk at 8:07am on August 17, 2022

Room, Edinburgh International Festival 2022 review - decadent, extravagant, and somewhat mystifying by David Kettle

James Thierrée joyfully collides together dance, mime, acrobatics, music and more - but what does it all mean? "I feel I owe you an explanation." That much James Thierrée concedes partway …

SOURCE: The Arts Desk at 4:54am on August 16, 2022

Counting and Cracking, Edinburgh International Festival 2022 review - ambitious, powerful, but sadly under-attended by David Kettle

A multi-layered, multi-generational theatrical epic is one of this year's stand-out offerings First, a bit of housekeeping. Maybe it was the three-and-a-half-hour duration, or maybe the unfa…

SOURCE: The Arts Desk at 5:33am on August 13, 2022

Edinburgh Fringe 2022 reviews: Temping / Work.txt by David Kettle

Two performer-less shows on the theme of work set the audience to - well, work Temping, Assembly George Square Studios ★★★★ Sarah Jane is away in Hawaii. But don't w…

SOURCE: The Arts Desk at 4:18am on August 12, 2022

Edinburgh Fringe 2022 reviews: Afghanistan Is Not Funny / Yippee Ki Yay / Eh Up, Me Old Flowers! by Veronica Lee

War as entertainment, Die Hard as an epic poem, and a potted biography Afghanistan Is Not Funny, Gilded Balloon ★★★★

SOURCE: The Arts Desk at 10:54pm on August 11, 2022

Edinburgh Fringe 2022 reviews: Every Word was Once an Animal / Tim Crouch: Truth's a Dog Must to Kennel by David Kettle

Theatre about theatre? There's plenty of it about at the Fringe: here are two fine examples Every Word was Once an Animal, Zoo Southside ★★★★

SOURCE: The Arts Desk at 5:25am on August 11, 2022

All of Us, National Theatre review " revelatory, but problematic by Aleks.sierz

Francesca Martinez's debut play about disability politics entertains " and frustrates Has the pandemic made us more angry? Although Francesca Martinez's debut play, which is at the National …

SOURCE: The Arts Desk at 5:07pm on August 9, 2022

Edinburgh Fringe 2022 reviews: The Last Return / Psychodrama / Exodus by David Kettle

Three shows at the Traverse take in gritty realism and no-holds-barred farce The Last Return, Traverse Theatre ★★★★★

SOURCE: The Arts Desk at 5:07am on August 9, 2022

Edinburgh Fringe 2022 reviews: Kathy and Stella Solve a Murder! / Hiya Dolly! by Veronica Lee

A musical whodunnit and an ovine origin story Kathy and Stella Solve a Murder!, Summerhall ★★★★★

SOURCE: The Arts Desk at 10:33pm on August 8, 2022

Edinburgh Fringe 2022 reviews: Boy / Intruder|Intruz by David Kettle

Two shows at Summerhall explore issues of identity - though with contrasting outcomes Boy, Summerhall ★★★★ Nature or nurture? It's the perennial question behind so m…

SOURCE: The Arts Desk at 10:24am on August 8, 2022

Burn, Edinburgh International Festival 2022 review - bold, risky, sometimes baffling by David Kettle

Strong constituent parts in Alan Cumming's Burns dance show - but do they add up? In retrospect, all the clues were there. A star actor embarking on a new performance genre; a fresh reapprai…

SOURCE: The Arts Desk at 6:03am on August 8, 2022

Edinburgh Fringe 2022 reviews: Les Dawson: Flying High / Boris III by Veronica Lee

'World king' as a young man; and a comedy legend Les Dawson: Flying High, Assembly George Square ★★★   Any opportunity to watch impressionist Jon Culshaw at work i…

SOURCE: The Arts Desk at 8:03pm on August 6, 2022

The Tempest, Shakespeare's Globe review - occasional gales of laughter drown out subtlety by Gary Naylor

If you think a fat man wearing yellow swimming trunks is funny, you're on the right island Alexei Sayle, in his angry young man phase, once said that you can always tell when you're watching…

SOURCE: The Arts Desk at 5:42am on August 6, 2022

South Pacific, Sadler's Wells review - strong singing in Daniel Evans's fast-paced production by Helen Hawkins

After a hard-hitting 'Oklahoma!', the latest Rodgers & Hammerstein revival stays on the sunnier side How old is Emile de Becque? Perhaps because my first Emile was the 1958 film version'…

SOURCE: The Arts Desk at 5:42am on August 6, 2022

101 Dalmatians, Regent's Park Open Air Theatre review - puppets rule in patchy musical by Matt Wolf

Long-aborning musical still has a leg or two further to go There's further training, shall we say, still needed on 101 Dalmatians, the much-delayed show that marks the second consecutive mu…

SOURCE: The Arts Desk at 6:18am on August 2, 2022

101 Dalmatians, Regent's Park Open Air Theatre - puppets rule in patchy musical by Matt Wolf

Kate Fleetwood as Cruella de Vil in a show in need of further shaping

SOURCE: The Arts Desk at 12:23pm on August 1, 2022

Tasting Notes, Southwark Playhouse review - whining in the wine bar by Gary Naylor

★ TASTING NOTES New musical set in a wine bar should have stayed in the cellar  Not much goes right for a show whose characters are similarly ill-fated LJ's dream has come tr…

SOURCE: The Arts Desk at 10:18am on July 30, 2022

The Lion, the Witch and the Wardrobe, Gillian Lynne Theatre review - the puppetry is all part of the magic by Rachel Halliburton

Multi-talented musical cast delivers va-va voom in Sally Cookson's reimagined Narnia This bold reimagining of Sally Cookson's innovative 2017 production of The Lion, the Witch and the Wardro…

SOURCE: The Arts Desk at 6:42pm on July 28, 2022

Sister Act The Musical, Eventim Apollo review- the West End meets the Westway by Gary Naylor

★★★★ SISTER ACT THE MUSICAL Event theatre and a sensational lead performance make the trip worthwhile Crowdpleasing musical retains its glitz and charm (and cheese…

SOURCE: The Arts Desk at 10:03am on July 28, 2022

Chasing Hares, Young Vic review - militant mix of politics and fantasy by Aleks.sierz

New award-winning political play is warmly idealistic, if a bit too obvious While Britain is experiencing a "summer of discontent", with inflation, strikes and other conflicts, it is odd th…

SOURCE: The Arts Desk at 5:24pm on July 26, 2022

Anything Goes, Barbican review - shipboard frivolity still fizzes, mostly by Matt Wolf

Last summer's hit Cole Porter revival is itself now revived, now with Kerry Ellis as Reno Sweeney, replacing Sutton Foster

SOURCE: The Arts Desk at 11:08am on July 23, 2022

The Darkest Part of the Night, Kiln Theatre - issues-led drama has its heart in the right place by Gary Naylor

★★★ THE DARKEST PART OF THE NIGHT, KILN Issues-led drama has its heart in the right place The didactic vies with the dramatic in Zodwa Nyoni's incident-packed new play Mu…

SOURCE: The Arts Desk at 1:33am on July 23, 2022

Much Ado About Nothing, National Theatre review - Shakespeare's comedy goes Hollywood musical by Helen Hawkins

Simon Godwin delivers an unexpectedly conventional production, larky and fluffy After gender-flipping the National's Malvolio, the director Simon Godwin might have been expected to be equall…

SOURCE: The Arts Desk at 11:12am on July 21, 2022

Closer, Lyric Hammersmith review - still sordid and sexy 25 years on by Gary Naylor

★★★★CLOSER, LYRIC HAMMERSMITH Still sordid and sexy 25 years on Lovers come together, split apart and come together again Drama is writing in thin air, its content i…

SOURCE: The Arts Desk at 11:12am on July 21, 2022

Jack Absolute Flies Again, Olivier Theatre review - fluffy as a cloud but hugely engaging by Demetrios Matheou

Caroline Quentin leads a sparkling cast in Richard Bean's latest comedy romp Can a comedy have too many jokes? That may seem an odd question, but one that applies to this latest high-octane…

SOURCE: The Arts Desk at 7:03am on July 15, 2022
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