Annie has been given a fresh facelift with a brand new eleven year old moppet with a crop of red ringlets and a clarion voice going by the name of Lilla Crawford who is spreading her sunshin…
There are moments of pure joy and moments of sadness. Of excitement and of stillness set against the panoramic skies of Texas
Based on the novel Washington Square by Henry James this psychological tale of revenge melodrama has seen better days.
Edward Albee's play is as fresh and vital and vitriolic today as it was fifty years ago. It is blistering, brutal and honest theatre at its best and should not be missed.
This large, porcine, pulpy, phallic proboscis is hard not to notice to the extent that you might become preoccupied with IT...
What matters most is how difficult it is grappling with a child who is autistic - for the entire family. Love does conquer all. It has to.
Thought provoking, funny, extremely well acted by its four member cast, tightly directed by Dexter Bullard and beautiful to look at.
Enlightening, charming and thoroughly entertaining.
Director Doug Hughes has unleashed his actors and advised them to go full throttle in this uneven and cold rendering of this updated politics as usual play
There are certain productions that take you completely by surprise and make you realize the power that theatre holds.
In a series of quick cinematic scenes this all unravels. You'll know when the end is near when most of the furniture is floating.
A production that is stark, subdued and immensely powerful " told "in their own words" from Death Row.
There are moments of brilliance but they are surrounded by that sad, repetitive color grey that makes CHAPLIN difficult to fully embrace.
A bit of Shaw. A bit of Wilde. A bit of Upstairs/Downstairs make MARY BROOME a smart, witty and biting comedy with great dialogue and timeless arguments.
Wonderful character studies, homespun humor and attention to detail make HARRISON, TX worthy of a visit.
A daring, surreal and wonderfully theatrical venture into the darkest of deeds previously unspoken of except in Greek tragedy.
Can it be that in trying to outdo themselves that they might have done themselves in?
David Jackson wrote the amazing and incredibly hysterical and heartfelt book. Jacob Sexton has masterly directed this zany opus with ear catching melodies and clever lyrics by Leah Latella …
There are no Sugar Plum Fairies here but real, honest to goodness people that are hard to forget
With a slew of character driven songs, sung dialogue and almost complete underscoring STANDBY, the musical is as interesting as it is odd.
Snippets of dialogue, inner thoughts of the characters begin this surreal and unnecessarily complicated play by Amy E. Witting
A hybrid of FORBIDDEN BROADWAY and a prequel to A CHORUS LINE done in the format of a revue akin to THE UPSTAIRS AT THE DOWNSTAIRS
Peer pressure, wanting to fit in, jealousy, revenge, friendship, discrimination and what is truly important in all our lives are put to the test here.
Directed with a fresh and original concept by Timothy Sheader/Liam Steel which features a new look, new insight into character, and a young new narrator.
It's a shambles of a play, extremely profane without being the least bit profound. And not very funny. Unless pedophilia, Nazi and placenta jokes amuse you.