Theater Review: THE NIGHT OF THE IGUANA (Boston Court)
OH, WHAT A NIGHT Tennessee Williams' The Night of the Iguana (1961) may be viewed as the finish of a journey the playwright began twenty years earlier with The Glass Menagerie (1944). The on…
OH, WHAT A NIGHT Tennessee Williams' The Night of the Iguana (1961) may be viewed as the finish of a journey the playwright began twenty years earlier with The Glass Menagerie (1944). The on…
LEGACY MEETS MORTALITY IN THE MOUNTAINTOP This superb production of Katori Hall's The Mountaintop, a surprise-filled two-hander depicting King's last night before his assassination, is not j…
JOHN LEGUIZAMO'S THE OTHER AMERICANS IS RIFE WITH POTENTIAL THAT'S NOT ALWAYS REALIZED " MUCH LIKE THE AMERICAN DREAM ITSELF There are many kinds of Americans. Some were born here. Some emig…
STILL SCRAPPY AFTER ALL THESE YEARS It has been more than ten years since Hamilton's Off-Broadway premiere. Alexander Hamilton may have declared himself"like his country""young, scrappy, and…
REVELLING IN RAVEL AND A RAPTUROUS CARMEN The Chicago Symphony Orchestra opened its late-September program tonight with a shimmering palette of sound while offering many chances for the play…
A Town, a Tragedy, and the Triumph of Kindness The musical Come From Away " with book, music and lyrics by married couple Irene Sankoff and David Hein " tells the remarkable true st…
DAMN YANKEES SWINGS BACK IN STYLE: ARENA'S REVIVAL IS MORE THAN A MUSICAL " IT'S A MILESTONE When Damn Yankees first opened on Broadway in 1955, it was the ultimate baseball fantasy: a middl…
THREE WEDDINGS AND A FUNERAL In 1978, five women gather in an upper-middle-class home in Karaj, Iran, to primp and prepare themselves; one of them is getting married and being that they are …
OUR TOWN, AND YOURS Thorton Wilder's 1938 Pulitzer Prize winning play Our Town is a masterpiece, drawing on inspiration from the likes of Bertholt Brecht and traditional Chinese theatre. Wit…
MURDER NEVER SOUNDED SO SWEET The gentleman killer returns to Southern California with a smile that could polish the silver. In a joint run between Laguna Playhouse and North Coast Repertory…
STUNNING AND UNSETTLING, MR. WOLF IS AT THE DOOR Steppenwolf Theatre's Chicago premiere of Mr. Wolf is a searing examination of parental sacrifice, loss, and the elusive nature of home. Unde…
MULTILINGUAL PRE-WEDDING JITTERS The sixth play in Mfoniso Udofia's nine-play Ufot Family Cycle brings us the adorable couple Ekong Ufot (Kadahj Bennett) and Lumanti Shrestha (Mahima Saigal)…
SLEUTHING FOR LAUGHS? YOU'LL FIND THEM HERE It's elementary! A clever script, thanks to the prolific and popular playwright Kate Hamill, and superb physical and verbal comedy, thanks to a gr…
WHERE THERE'S A WILL THERE'S A WAY Late in the first act of Lauren Gunderson's The Book of Will, a character makes an impassioned plea to her husband, John Heminges, one of William Shakespea…
LOU WALL SLAYS, AND THAT'S NO LIE Whether a comedian is obligated to tell the truth in their act comes up in mainstream discourse every once and a while. Plenty of comedians start a comedy b…
NOBODY PUTS THIS BABY IN A CORNER A set doesn't get any sparser than the one for Gangsta Baby, in the sense that there isn't one. You step in off the street into a basement with two dozen ch…
WEST SIDE SNORING Astoundingly unsatisfying, LA Opera's many-headed Hydra production of West Side Story, directed with no sense of urgency by Francesca Zambello, opened tonight to a crowd la…
STAR STRUCK Awe-inspiring lighting design (Eduardo M. Ramirez) and beautiful sound effects and music (Kai Bohlman with Violet Wang) elevate Lauren Gunderson's fictionalized biography of astr…
DIGITAL DREAMS, SUPERCHARGED What happens when you combine a century-old boiler room, an army of graphics processing units (GPUs), and some of the most imaginative digital artists? You get S…
Years ago, all a magician needed was a top hat and a live rabbit. Magic has come a long way. Jamie Allan's Amaze uses props, videos, projections and cell phones to do exactly what the title …
A FAR CRY FROM MISERABLE (UNLESS YOU'RE ONE OF THE CHARACTERS) There's a lot to gripe about in the world in 2025, but you know what? Spend a little time in 1815 France and you're going t…
ONE MAN, TWO HOURS TOO LONG Ask yourself how much you liked The Play That Goes Wrong series. That's a pretty good indicator as to your enjoyment of Richard Bean's 2011 play, One Man, Two Guv…
THE WIVES HAVE NEVER BEEN MERRIER The point of The Merry Wives of Windsor was to give Jack Falstaff a bit more time on the stage, beyond the bounds of Shakespeare's history plays, where his …
AN AUTHENTIC, FUNNY ACCOUNT OF SOBRIETY, STUMBLES, AND SURVIVAL Recovery from substance abuse isn't just about putting down the drug of choice and living happily ever after. The "recovery" p…
Ragtime is the epic musical by Terrence McNally (book), with music by Stephen Flaherty and lyrics by Lynn Ahrens (based on the novel by E.L. Doctorow). It weaves together stories of a Jewish…