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884 stories from Broadway & Me

Will "Stick Fly" Have Sticking Power? by Jan Simpson

Somewhere Lorraine Hansberry must be smiling.  When A Raisin in the Sun opened at the Ethel Barrymore Theatre in 1959 on, she was the first black woman to have a play produced on Broadw…

SOURCE: Broadway & Me at 12:39pm on December 21, 2011

"On a Clear Day You Can See Forever" Sounds a Lot Better Than It Looks by Jan Simpson

The shrinks who psychoanalyzed Broadway's best back in the early '60s must have been doozies.  How else to explain the fact that two of the most high-profile flops from that period are …

SOURCE: Broadway & Me at 8:59am on December 17, 2011

"Ch'ing'lish" Has Some Serious Things to Say by Jan Simpson

The first thing I noticed when my husband K and I walked into the Longacre Theatre to see David Henry Hwang's new play Ch'ing'lish was the unusually large number of Asian faces in the audien…

SOURCE: Broadway & Me at 6:13pm on December 14, 2011

Turning on the Ghost Light by Jan Simpson

No post today.  My husband K and I are having our apartment painted.  The painters arrive early on Monday morning and so we've spent the last few days packing up things (it's amazi…

SOURCE: Broadway & Me at 8:57am on December 10, 2011

This "Cherry Orchard" Needs Some Weeding by Jan Simpson

 Repertory companies were once mainstays of the theater but, with rare exceptions like Britain's Royal Shakespeare Company, they're become rarities nowadays. It's just too expensive for…

SOURCE: Broadway & Me at 6:59am on December 7, 2011

"Private Lives" is Just Lively Enough by Jan Simpson

Like every exclusive society, the world of theater lovers has its unspoken rules.  For starters, we're all supposed to genuflect to everything by Shakespeare, mostly everything by Chekh…

SOURCE: Broadway & Me at 11:59am on December 3, 2011

"Maple and Vine" Needs Some Pruning by Jan Simpson

photo by Joan Marcus Everybody knows that theater is a collaborative art, with its elements"the acting, the directing, the design, lighting and the play itself"all leaning on one another.&n…

SOURCE: Broadway & Me at 10:59am on November 30, 2011

Why "Blood and Gifts" Is a Sure-Fire Keeper by Jan Simpson

You gotta love the folks at Lincoln Center Theater.  Or at least I do.  Artistic director André Bishop and executive producer Bernard Gersten do what too few of their not-for-prof…

SOURCE: Broadway & Me at 8:59am on November 26, 2011

Is "Wild Animals You Should Know" Too Tame? by Jan Simpson

Theater doesn't exist in a vacuum.  A show like The Agony and the Ecstasy of Steve Jobs took on a different meaning after the Apple co-founder's death.  And Wild Animals You Should…

SOURCE: Broadway & Me at 11:59am on November 23, 2011

A Love Affair with "Venus in Fur" by Jan Simpson

My husband K is in love with the actress Nina Arianda.  Which is OK with me because"like every other true theater lover in New York right now"I, too, am in love with Arianda, the star o…

SOURCE: Broadway & Me at 12:59pm on November 19, 2011

"The Mountaintop" is More of a Molehill by Jan Simpson

Katori Hall became the first African-American woman to win the Olivier Award for Best New Play when The Mountaintop, her meditation on the last night in Martin Luther King Jr.'s life, played…

SOURCE: Broadway & Me at 10:59am on November 16, 2011

This "King Lear" is Listless by Jan Simpson

There's not much scenery on the stage at The Public Theater's Newman theater space where a new production of King Lear opened this week but that doesn't stop nearly everyone on stage from ch…

SOURCE: Broadway & Me at 9:52am on November 12, 2011

"Queen of the Mist" Has Moments of Greatness by Jan Simpson

No matter how talented they are, ample-bodied and strong-featured actresses like Mary Testa usually play the funny best friend or the sassy sidekick instead of the leading lady.  And so…

SOURCE: Broadway & Me at 8:59am on November 9, 2011

"Asuncion" Offers Too Many Glib Assumptions by Jan Simpson

Maybe I'm the wrong demographic for Asuncion, the new play by Jesse Eisenberg that just opened in a Rattlestick Playwrights Theater production at the venerable Cherry Lane Theatre.  Or …

SOURCE: Broadway & Me at 8:59am on November 5, 2011

"Relatively Speaking" Has Nothing New to Say by Jan Simpson

Lots of people seem almost angry that they don't like Relatively Speaking, the trio of one-act comedies now playing at the Brooks Atkinson Theatre. It averaged a  D+ on StageGrade, whic…

SOURCE: Broadway & Me at 6:59am on November 2, 2011

"The Agony and the Ecstasy of Steve Jobs" isn't as Agonizing nor Ecstatic as it Aims to Be by Jan Simpson

Cynics have long said that dying young can be a career boost in show business.  But I doubt that even the most sardonic of them meant that the good fortune would redound on someone othe…

SOURCE: Broadway & Me at 9:40am on October 29, 2011

"Milk Like Sugar" is a Bittersweet Treat by Jan Simpson

There's an audience for Milk Like Sugar, the new play by Kirstin Greenidge that's currently playing at Playwrights Horizons. But it's clearly not for everyone. About half way through this 10…

SOURCE: Broadway & Me at 9:58am on October 26, 2011

Singing Hallelujah for "Sons of the Prophet" by Jan Simpson

The New York Times critic Charles Isherwood has declared that Stephen Karam's new play Sons of the Prophet is "the first important new play of the fall season." That's quite a compliment sin…

SOURCE: Broadway & Me at 9:00am on October 22, 2011

"We Are Here" Ends Up Nowhere by Jan Simpson

It's not every young playwright who makes her New York debut at the Manhattan Theatre Club.  Or who has that play directed by the hot- director-of-the-moment Sam Gold. Or designed by th…

SOURCE: Broadway & Me at 8:59am on October 19, 2011

"Man and Boy" Isn't Ballsy Enough by Jan Simpson

There are at least three obvious reasons that may have prompted the Roundabout Theatre Company to revive Man and Boy, the 1963 drama by the British playwright Terence Rattigan, which opened …

SOURCE: Broadway & Me at 4:30pm on October 15, 2011

"The Lyons" Can't Roar Cause It's Toothless by Jan Simpson

People see plays for all kinds of reasons.  I was excited about The Lyons because I wanted to see what made Linda Lavin turn down chances to reprise her terrific performances in two hig…

SOURCE: Broadway & Me at 7:59am on October 12, 2011

Autumn, The Algonquin and Other Reveries by Jan Simpson

Not much seen this week"at least not that I can yet write about since I try to keep the opening night embargo that shows ask reviewers to observe.  Besides, it's promising to be a beaut…

SOURCE: Broadway & Me at 9:03am on October 8, 2011

Why "Dreams of Flying Dreams of Falling" Flies by Jan Simpson

I'm going to be honest with you.  I had no idea what to make of Dreams of Flying Dreams of Falling, the new Adam Rapp play that the Atlantic Theater Company, its own facilities under re…

SOURCE: Broadway & Me at 8:59am on October 5, 2011

A "Lemon Sky" That isn't Vivid Enough by Jan Simpson

Playwrights usually write memory plays at the beginning of their careers, as Tennessee Williams did with The Glass Menagerie and Dylan Thomas with Under Milk Wood. But Lanford Wilson already…

SOURCE: Broadway & Me at 8:59am on October 1, 2011

"The Submission": Sound and Fury About Race by Jan Simpson

The producers of The Submission initially attempted to stir up buzz by suggesting that one character's identity should be kept secret until people saw the play.  But they didn't need to…

SOURCE: Broadway & Me at 8:57am on September 28, 2011
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