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2,260 stories from Chicago Theater Beat

Review: In the Garden " A Darwinian Love Story (Lookingglass Theatre) by Scotty Zacher

While Lookingglass' production is beautifully staged and filled with performances rich in empathy and complexity, In the Garden is more didactic debate than compelling drama. (read more and …

SOURCE: Chicago Theater Beat at 12:00am on June 2, 2014

Review: Lifeboat (Filament Theatre) by Scotty Zacher

Debuting in 2002, Lifeboat is a touching memoir of two lives brought together in tragedy. This is a winning story for children of all ages"an gripping illustration of friendship and grit to …

SOURCE: Chicago Theater Beat at 1:30pm on May 30, 2014

Review: Charles Ives Take Me Home (Strawdog Theatre) by Scotty Zacher

This compelling, dexterous one-act by Jessica Dickey has definitely fallen into the right hands with Keira Fromm's driven direction, making this a Strawdog success. (read more...)

SOURCE: Chicago Theater Beat at 7:43pm on May 28, 2014

Review: M. Butterfly (Court Theatre) by Scotty Zacher

Like the best opera, M. Butterfly is in many ways unbelievable, but its absurdity grounded in reality proves a major draw. At times, however, David Henry Hwang's sharp script is undermined b…

SOURCE: Chicago Theater Beat at 6:10pm on May 28, 2014

Review: 5 Lesbians Eating a Quiche (The New Colony and Chicago Commercial Collective) by Scotty Zacher

With a delightful cast, layered script, and slick staging from Sarah Gitenstein, this much-hyped production exceeds expectations. Anyone that missed this show the first time around should ta…

SOURCE: Chicago Theater Beat at 9:55am on May 28, 2014

Review: Lost in Yonkers (Northlight Theatre) by Scotty Zacher

A perfect production of an American classic, Lost in Yonkers is a seemingly simple play that skillfully weaves together a number of themes " reliance on family during hard times, the challen…

SOURCE: Chicago Theater Beat at 8:26pm on May 25, 2014

Review: The White Snake (Goodman Theatre) by Scotty Zacher

Rich and resonant in that ineffable way that makes the enduring myths both fantastical and human, The White Snake is at its best when it meditates on the universal challenges of romance that…

SOURCE: Chicago Theater Beat at 8:08pm on May 24, 2014

Review: Wit (AstonRep Theatre) by Scotty Zacher

AstonRep's Wit is a poignant, smart exploration of mortality, smartly done by a strong cast. It's a shame that playwright Margaret Edson forswore writing more after this Purlitzer prize winn…

SOURCE: Chicago Theater Beat at 3:12pm on May 23, 2014

Review: The Doll's House Project " Ibsen Is Dead (Interrobang Theatre Project) by Scotty Zacher

The collapse of carefully constructed facades aligning with the collapse of the Berlin Wall could have made for excellent conflict. Unfortunately, The Doll's House Project has a foundation o…

SOURCE: Chicago Theater Beat at 12:18pm on May 23, 2014

Review: Bellboys, Bears and Baggage (Redmoon) by Scotty Zacher

Able to illicit a sense of wonder in the mind"if not the heart,"the Redmoon team deserves praise for its audacity alone. To quote the bard, "If this be magic, let it be art." Bellboys, Bears…

SOURCE: Chicago Theater Beat at 4:54pm on May 22, 2014

Review: The Very Hungry Caterpillar (Chicago Children's Theatre & Mermaid Theatre of Nova Scotia) by Scotty Zacher

The Mermaid Theatre of Nova Scotia performs this show adapted from the books of Eric Carle with gorgeous puppets colored exactly like the books that keep the kids enthralled throughout. Def…

SOURCE: Chicago Theater Beat at 7:36pm on May 21, 2014

Review: Without Trace (MPAACT) by Scotty Zacher

In Without Trace, Playwright Eric Lockley weaves a masterful hour of mystery and suspense, and Carla Stillwell directs the show with laser timing and a keen control of the emotionally laden …

SOURCE: Chicago Theater Beat at 4:04pm on May 21, 2014

Review: Fault Lines (Broken Road Theatre) by Scotty Zacher

Fault Lines is the searing retelling of the abduction and subsequent murder of Polly Klaas in 1993. When going, be prepared to ask ponder some hard questions about life in a world getting e…

SOURCE: Chicago Theater Beat at 6:49pm on May 20, 2014

Review: The Next Thing (Signal Theatre Ensemble) by Scotty Zacher

It's one thing to write a show with a weak will-she-or-won't-she romance storyline, plagueing most Hollywood rom-coms, but The Next Thing feels content on giving us a story with no stakes, n…

SOURCE: Chicago Theater Beat at 4:49pm on May 20, 2014

Review: How to Succeed in Business Without Really Trying (Porchlight Music Theatre) by Scotty Zacher

               How to Succeed in Business   Without Really Trying Book by Abe Burrows, Jack Weinstock, Willie Gilbert Mu…

SOURCE: Chicago Theater Beat at 2:46pm on May 20, 2014

Review: Hit the Wall (The Inconvenience & Chicago Commercial Collective) by Scotty Zacher

If you've managed to miss this show in its previous renditions, now's your chance to see a seminal chapter of American civil rights history leap to life with intensity, ruthlessness and gorg…

SOURCE: Chicago Theater Beat at 3:48pm on May 19, 2014

Review: Medea (Theatre Y) by Scotty Zacher

Replete with so many textural and expressionistic elements, it's surprising that this may be the first time that this interpretation has been realized in Chicago. Theatre Y has done the city…

SOURCE: Chicago Theater Beat at 6:21pm on May 17, 2014

Review: Confederates in the Attic (City Lit Theater) by Scotty Zacher

Richly adapted and faithfully staged by City Lit artistic director Terry McCabe, these 150 minutes teem with scary revelations about the unreconstructed territory below the Mason-Dixon Line.…

SOURCE: Chicago Theater Beat at 5:09pm on May 16, 2014

Review: Avenue Q (Mercury Theater) by Scotty Zacher

Mercury Theater gets it right - despite its adult content, Avenue Q leaves its audience with warm fuzzies. Thanks to the excellent production team, musicians and cast, this show is not to be…

SOURCE: Chicago Theater Beat at 2:12pm on May 15, 2014

Review: Dinner with Friends (rebekah theatre project) by Scotty Zacher

This well-paced production keeps the audience engaged and uncovers issues on monogamy and divorce that appeared to hit really close to home for several of the couples in the audience opening…

SOURCE: Chicago Theater Beat at 12:03pm on May 14, 2014

Review: The Gin Game (Rebekah Theatre Project) by Scotty Zacher

D.L. Coburn's script is smart and subtle; director James Sparling gets the Paul and Patricia Tinsley to evoke their characters' subtext very well. The material just isn't edge-of-your-seat s…

SOURCE: Chicago Theater Beat at 4:58pm on May 13, 2014

Review: Buyer & Cellar (Broadway in Chicago) by Scotty Zacher

As shaped by director Stephen Brackett, this 105-minute confection proves as bittersweet as hilarious, a name-dropping tour de tabloid that, given Michael Urie's winsomely fey performance, t…

SOURCE: Chicago Theater Beat at 12:52am on May 13, 2014

Review: Motown the Musical (Broadway in Chicago) by Scotty Zacher

Thanks to wickedly competent director Charles Randolph-Wright, the huge, costume-changing, hard-hoofing cast deliver unstoppable and awesomely accurate musical and dance recreations of showb…

SOURCE: Chicago Theater Beat at 11:12pm on May 12, 2014

Review: Jacob (Provision Theatre) by Scotty Zacher

There's a clear drive and passion to this re-imagining of the Genesis tale, but there's not much thought. This is a play in desperate need of subtlety. Perhaps this isn't a ladder Jacob shou…

SOURCE: Chicago Theater Beat at 9:53pm on May 11, 2014

Review: Hey! Dancin'! Hey! Musical! (Factory Theater) by Scotty Zacher

There are so many priceless moments in this musical remake of Factory's 2010 hit play, and you're guarenteed to leave the theatre basking in big-hair memories from the overwrought 80s. (rea…

SOURCE: Chicago Theater Beat at 3:19pm on May 10, 2014
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