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35,714 stories from The Guardian

Wayne McGregor: 'Dancers are believing their voices can be heard, and I love that' by Arifa Akbar

Royal Ballet choreographer Wayne McGregor had no access to elite ballet schools growing up. But he did have John Travolta and disco to spark a lifelong obsession. Now he wants to make dancer…

SOURCE: The Guardian at 12:48pm on July 10, 2021

Isy Suttie: 'I was shocked by how obsessed I became with getting pregnant' by Michael Hogan

The standup and actor on her debut novel about a woman trying to conceive, anxiety in the digital age, and the chances of a Peep Show reunion Isy Suttie just returned from what she likens to…

SOURCE: The Guardian at 11:36am on July 10, 2021

Romeo and Juliet review " a bold rewiring with no room for romance by Arifa Akbar

Shakespeare's Globe, LondonDirector Ola Ince's take on Shakespeare's tragedy is clever, energetic and doesn't have a single smooch This is not the first major production of Romeo and Juliet …

SOURCE: The Guardian at 8:12pm on July 9, 2021

The Wind in the Willows review " Grahame classic restaged as fable for our times by Mark Fisher

Pitlochry Festival theatreLockdown loneliness, eco-crisis and land ownership are explored with varying degrees of subtlety in an uplifting show The National Trust should see about hiring Col…

SOURCE: The Guardian at 2:42pm on July 9, 2021

White Nights review " masterly staging of Dostoevsky's unrequited love story by Mark Fisher

Pitlochry Festival theatreBrian Ferguson performs with mesmerising verve in this poignant, desperately funny portrait of existential misery 'I am alone," says the narrator of Dostoevsky's 18…

SOURCE: The Guardian at 9:18am on July 9, 2021

Mr and Mrs Nobody review " at home with the Pooters by Chris Wiegand

Jermyn Street theatre, London There are squabbles, strained smiles and domestic mishaps in Keith Waterhouse's spin on the Grossmiths' classic Mr Pooter declares himself disgusted by "amateur…

SOURCE: The Guardian at 7:06am on July 9, 2021

The Invisible Hand review " thrilling tale of money lust and morality by Mark Lawson

Kiln theatre, LondonA US bank employee is captured in Pakistan in Indhu Rubasingham's pacy revival of Ayad Akhtar's chillingly ingenious play A frequent critique of financial markets " where…

SOURCE: The Guardian at 7:03pm on July 8, 2021

Avignon festival returns with dazzling tales of eco-terror and cosmic disaster by Andrew Todd

Isabelle Huppert stars in a stripped back Cherry Orchard and Von Trier's Dogville gets a magical reimagining at the theatre spectacular The Avignon festival, returning from a pandemic interl…

SOURCE: The Guardian at 1:32pm on July 8, 2021

Samuel Beckett: Cascando review " existentialist stroll around the Barbican by Miriam Gillinson

Barbican, LondonThe walkways and pools of the London arts centre shimmer with possibility in this promenade adaptation of a radio play There's nothing like a stroll to get the synapses whirr…

SOURCE: The Guardian at 9:03am on July 8, 2021

Rodgers and Hammerstein: cosy box-office bankers or radical trailblazers? by Michael Billington

The duo's shows boast catchy songs but pose problems for directors. As South Pacific and Carousel return this summer, our writer looks back on enchanted evenings with the odd couple's musica…

SOURCE: The Guardian at 1:12pm on July 7, 2021

Notes on Grief review " Chimamanda Ngozi Adichie essay sketched on stage by Arifa Akbar

Exchange Auditorium, Manchester CentralThe novelist's article about her father's death was expanded into a book and has now become a play but it feels limited Chimamanda Ngozi Adichie's fath…

SOURCE: The Guardian at 8:48am on July 7, 2021

Piaf review " the rise and fall of the Little Sparrow by Claire Armitstead

Nottingham PlayhouseJenna Russell captures the tragedy in this rags-to-rags story but the power of the songs can't hide the play's weaknesses From the moment Jane Lapotaire stepped out as "t…

SOURCE: The Guardian at 6:36am on July 7, 2021

'Life is never what you expect!' Deborah Warner on theatre, nature and new parenthood by Andrew Dickson

The groundbreaking director's new project, Arcadia, fills tents with poetry and music in Manchester. She talks about Covid and Brexit, becoming a mother and taking over Bath's Ustinov A flic…

SOURCE: The Guardian at 2:24am on July 7, 2021

Don't lose your head! Anne Boleyn actor gets engaged on stage by Chris Wiegand

Natalie Pilkington, performing in Leeds show of Tudor musical Six, accepts proposal from boyfriend who jumped on stage to pop the question The musical Six, in which the wives of Henry VIII a…

SOURCE: The Guardian at 8:54am on July 6, 2021

My summer of love: 'One-night stands are often regrettable. This one was the perfect gift' by Hannah Jane Parkinson

Our night in the shadow of Arthur's Seat in Edinburgh was hot, satisfying and as cheery as you could ever hope for A couple of years ago, before the world shut down, the Guardian sent me to …

SOURCE: The Guardian at 6:42am on July 6, 2021

From peacekeeper to joke-maker: Israeli comedian Noam Shuster by Rachel Shabi

The trilingual performer was rapidly gaining ground " and then Covid hit. A new documentary follows her time in quarantine, where compassion bridged cultural divides Israeli satirist Noam Sh…

SOURCE: The Guardian at 6:42am on July 6, 2021

'You're looking at the person you love': the married couple playing Romeo and Juliet by Chris Wiegand

Laura Elsworthy and Jordan Metcalfe, who wed in Stratford upon Avon in 2018, are playing the star-crossed lovers in their home town of Hull This is a tale of two households, both alike in di…

SOURCE: The Guardian at 6:42am on July 6, 2021

Stages of grief: how theatre is helping communities say goodbye by Natasha Tripney

After lockdown made collective mourning impossible, two new productions are remembering lost loved ones " and making a case for theatre's social use One of the many things that lockdown depr…

SOURCE: The Guardian at 4:36am on July 6, 2021

'You're never comfortable as a dancer': brilliant ballerina Beatriz Stix-Brunell's next step by Lyndsey Winship

The Royal Ballet star, who is swapping the Covent Garden stage for Stanford University, talks about what she will and won't miss most about dancing You hear of dancers' careers being ended b…

SOURCE: The Guardian at 3:32pm on July 5, 2021

Aisling Bea and Friends review " a ridiculous, furious treat by Brian Logan

Regent's Park Open Air theatre, LondonThe Irish comedian and guests Nish Kumar and Fatiha El-Ghorri lift their crowd's soggy spirits with some choice gags Aisling Bea is getting soaked; so a…

SOURCE: The Guardian at 9:03am on July 5, 2021

Feel Good's Mae Martin: 'If you put a teenage girl in any industry, people will take advantage' by Simon Hattenstone

The non-binary comedian's hit TV show draws heavily on an often troubled life. They talk about addiction at 14, the loving parents who kicked them out, the older men who abused their trust "…

SOURCE: The Guardian at 4:36am on July 5, 2021

'It's a powerful allegory': Grenfell inquiry gets verbatim theatre treatment by Mark Brown Arts Correspondent

After plays about Bloody Sunday and Stephen Lawrence, award-winning pair tackle deadly blaze The scandal and tragedy of Grenfell Tower, the deadliest fire in a residential building in Britai…

SOURCE: The Guardian at 2:24am on July 5, 2021

The Global Playground review " silliness at full throttle as cameras roll on dance moves by Kate Wyver

Great Northern Warehouse, ManchesterFun, mischief, comic puppetry and rather frustrating lulls abound as a dance company attempts to film its latest show Blending dance, puppetry and play, t…

SOURCE: The Guardian at 1:18am on July 5, 2021

Pulitzer winner Katori Hall: 'I think of theatre as a church. It's a sanctuary' by Alexis Soloski

Her Tina Turner musical is a smash, her stripper TV show P-Valley sizzles "and now The Hot Wing King, inspired by her gay brother, has earned her one of the world's top gongs One afternoon i…

SOURCE: The Guardian at 1:18am on July 5, 2021

Talent review " Victoria Wood drama tackles the squalid side of celebrity by Mark Fisher

Crucible, SheffieldWood's 1978 play about a young woman's quest to win a local talent show handles weighty issues, including sexual exploitation, breezily It is a world of mirror balls and …

SOURCE: The Guardian at 7:54pm on July 4, 2021
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