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2,221 stories from stagebuddy.com

Review: Balls by Jose Solis

Gender inequality is at the center of the public conversation like never before, and with movements like #MeToo and the Women's March constantly gaining popularity and news headlines, it sho…

SOURCE: stagebuddy.com at 6:14pm on January 25, 2018

Interview: Gus Kaikkonen on Directing Stanley Houghton's 'Hindle Wakes' for the Mint by Aron Canter

Director Gus Kaikkonon and the Mint Theater's production of Hindle Wakes, written by Stanley Houghton, is both authentic to the 1912 original and speaks to issues of our time — a…

SOURCE: stagebuddy.com at 2:37pm on January 25, 2018

Review: Sheila by Bill Crouch

I cannot think of a time that I've seen a more prescient piece of theatre than Sheila by The Associates, playing now at The A.R.T./New York Theatres. This dedicated company of players has mo…

SOURCE: stagebuddy.com at 2:05pm on January 23, 2018

Review: The Homecoming Queen by Kathryn Kelly

The Homecoming Queen marks playwright Ngozi Anyanwu's Off-Broadway debut and long may she reign! The play is a beautiful meditation on home, alienation, love, pain, and regret. It strikes…

SOURCE: stagebuddy.com at 1:12pm on January 23, 2018

Review: Party Face by Saima Huq

Ladies, time to put on your party face! Smile so people you don’t like will like you! Or so women have always been told. Party Face, a clever, astute new play written by Isobel Mahon a…

SOURCE: stagebuddy.com at 12:58pm on January 23, 2018

Review: Hershey Felder's 'Our Great Tchaikovsky' by David Hammerbeck

Throughout the adult life of the great Russian composer Piotr Ilyitch Tchaikovsky, he fixated on one idea: his homosexuality, how to closet it and how to compensate for it. Hershey Felder's …

SOURCE: stagebuddy.com at 12:15pm on January 23, 2018

Prototype 2018 Interview: 'Iyov' Director Vladyslav Troitskyi on Telling Biblical Stories Through Opera by Navida Stein

The opera-requiem IYOV fuses Biblical and liturgical texts with an extraordinary exploration of musical ideas from classical to folk to jazz, rock and electronics and practically all the sou…

SOURCE: stagebuddy.com at 2:22pm on January 22, 2018

Review: 'Sága' at the Prototype Festival 2018 by Navida Stein

Belgian indie band Dez Mona and Flemish B.O.X. (Baroque Orchestration X) wound up the 2018 Prototype Festival with an encore performance, bringing back their theatrical song cycle Sága…

SOURCE: stagebuddy.com at 1:50pm on January 22, 2018

Interview: Bobby Moreno on Giving Birth Onstage in 'Mankind' by Jose Solis

Robert O'Hara's Mankind takes place in a future where women have become extinct, it's the men who are in charge of reproduction and concepts like "feminism" have become sociopolitical fossil…

SOURCE: stagebuddy.com at 1:31pm on January 22, 2018

Interview: Vivian Reed on Paying Tribute to Lena Horne by Jose Solis

Vivian Reed celebrates the legendary Lena Horne’s centennial with a series of shows at Feinstein’s/54 Below. We spoke to her about Horne’s legacy, her favorite recordings, …

SOURCE: stagebuddy.com at 10:00am on January 20, 2018

Review: Divine Horsemen by Tania Fisher

Access Theater in Tribeca welcomes you to the rundown social club Caballeros Divinos in Spanish Harlem. Here you will find its proprietor is a petty criminal, and its regular customers are a…

SOURCE: stagebuddy.com at 8:05pm on January 18, 2018

Review: Hindle Wakes by Mark Dundas Wood

British playwright Stanley Houghton's Hindle Wakes (currently at the Mint Theater Company) was written and first performed in the era when Sigmund Freud's ideas on sexuality were becoming kn…

SOURCE: stagebuddy.com at 8:00pm on January 18, 2018

Review: American Conservatory Theater's 'The Birthday Party' by David Hammerbeck

What to do when guests bring the unwanted into your home? Especially when the unwanted is undefinable but very real and visceral, terrifying, yet unnamable. This is the terrain presented to …

SOURCE: stagebuddy.com at 2:32pm on January 18, 2018

Review: A Sick Day for Morris McGee by Tania Fisher

The Train Theater brings a puppet show based on the beloved, Caldecott-winning children's book A Sick Day for Amos McGee by Philip C. Stead, now playing at the New Victory Theater. Every day…

SOURCE: stagebuddy.com at 1:33pm on January 18, 2018

Review: Trial by Saima Huq

Directed by Lori Petty in her New York debut, Trial opens with a young woman in a stark white room, who is overly enthusiastic when another woman briefly joins her before being whisked away …

SOURCE: stagebuddy.com at 12:05pm on January 18, 2018

Interview: Composer Gregory Spears on the Romantic Opera 'Fellow Travelers' by Jose Solis

Fellow Travelers explores the romantic relationship between two men working for the US government in the midst of the Lavender Scare, an extension of Joseph McCarthy's witch hunts that alleg…

SOURCE: stagebuddy.com at 6:58pm on January 17, 2018

Review: Ballyturk by Kathryn Kelly

I'm still not sure what to make of Ballyturk, Enda Walsh's play currently making its American debut at St. Ann's Warehouse. I'd also maintain, however, that while there is an often frustrati…

SOURCE: stagebuddy.com at 3:10pm on January 16, 2018

Review: Irish Rep's 'Disco Pigs' by J. C. Wright

"What do we want to be?" This is the central question asked by the character Runt in Enda Walsh's Disco Pigs. Runt was born in the same hospital at the same time as her best friend, Pig, wit…

SOURCE: stagebuddy.com at 2:52pm on January 16, 2018

Interview: Playwright Kyoung H. Park on the Themes in 'PILLOWTALK' and the Importance of Intersectionality by Jose Solis

Kyoung H. Park's PILLOWTALK centers on Buck (JP Moraga) and Sam (Basit Shittu), interracial newlyweds who are trying to find their space in a society where their existence is still a politic…

SOURCE: stagebuddy.com at 5:45pm on January 15, 2018

Interview: Lucy Kirkwood on the Inspiration for Her Riveting Play 'The Children' by Navida Stein

Playwright Lucy Kirkwood's vivid, thought-provoking West End hit The Children has also made a big impact in New York. Now playing on Broadway at Manhattan Theatre Club with the original Brit…

SOURCE: stagebuddy.com at 4:36pm on January 15, 2018

Review: 'Fellow Travelers' at the 2018 Prototype Festival by Navida Stein

Politics. Sex. Love. Secrets. Intrigue. Power. Betrayal. All elements you'd find in a good spy thriller are also to be found in the new opera Fellow Travelers, receiving its New York prem…

SOURCE: stagebuddy.com at 4:08pm on January 15, 2018

Review: 'The Hendrix Project' at the Public's Under the Radar Festival 2018 by Tami Shaloum

New Year's Eve, 1969. Jimi Hendrix and the Band of Gypsies, an electric psychedelic blues trio, play a legendary show at the Fillmore East in New York City. The Hendrix Project, an experimen…

SOURCE: stagebuddy.com at 3:58pm on January 15, 2018

Reviews: Under the Radar Roundup "The Gates: An Evening of Stories with Adam Gopnik," "Antigonón, un Contingente Epico," "Re-Member Me" a by Jose Solis

The Gates: An Evening of Stories with Adam Gopnik The numbers 9 and 11 have held a special significance throughout Adam Gopnik's life as a New Yorker. They were the dimensions of the first a…

SOURCE: stagebuddy.com at 3:18pm on January 15, 2018

Review: A Proust Sonata: 7 Tableaux En Musique by Bill Crouch

Sarah Rothenberg's exquisite A Proust Sonata: 7 Tableaux En Musique debuted January 10th at The French Institute's Florence Gould Hall, produced by Da Camera of Houston Productions. It's eas…

SOURCE: stagebuddy.com at 3:03pm on January 15, 2018

Review: Undesirable Elements: Generation NYZ by Saima Huq

There is the idealized New York the world sees on film, and then there is the real New York the people live out every day. And no one lives it more fully than a young person whose greatest, …

SOURCE: stagebuddy.com at 2:21pm on January 15, 2018
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