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2,042 stories from The Theatre Times

Young Europe IV: Non-Dominant Voices in European Youth Theatre. Interview with Zoe Apostolidou and Emel AydoÄŸdu. by Christy Romer

Young Europe IV is a large-scale artistic collaboration project to tackle the dominance of stories from a white, male, heterosexual perspective, and create a more diverse and inclusive theat…

SOURCE: thetheatretimes.com at 5:32pm on September 28, 2022

Aaron Kilercioglu and Bilal Hasna's For A Palestinian at Camden People's Theatre: emotionally intense exploration of identity by Aleks Sierz

Identity is the sum of the stories we tell ourselves. Some of these are personal, and some political. Sometimes they blend, sometimes clash. In Aaron Kilercioglu and Bilal Hasna's excellentl…

SOURCE: thetheatretimes.com at 12:53am on September 26, 2022

An Evening with Fats Waller: "Ain't Misbehavin'" at TUTS by Trevor Boffone

Before there was After Midnight, before there was Smokey Joe's Cafe, and before there was Black and Blue, there was Ain't Misbehavin', the 1978 musical revue featuring the Fats Waller songbo…

SOURCE: thetheatretimes.com at 2:20pm on September 23, 2022

VR and Theater Finally Make a Climate Baby: "From Sea To Rising Sea" Interview with Creator-Director-Choreographer Mary John Frank by Fareeda Pyracha Ahmed

Technology and the theater are closer together than ever, and our hope for the planet may depend on it.  After my seventh time seeing Chekhov brought to life through NFTs, robots, and an …

SOURCE: thetheatretimes.com at 1:34pm on September 22, 2022

Dangerous Desires in "Marie It's Time" by Morgan Skolnik

Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it might not be, but for me, Marie It's Time, Julia Jarcho's delightfully perverse riff on the 18…

SOURCE: thetheatretimes.com at 12:45pm on September 21, 2022

With "My Self in That Moment" Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age by Miriama Young

Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary essay published almost a century ago, Walter Benjamin argued that something of the aur…

SOURCE: thetheatretimes.com at 12:44pm on September 20, 2022

Belvoir's "Tell Me I'm Here" Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work. by Michelle Arrow

Review: Tell Me I'm Here, directed by Leticia Cáceres, Belvoir. Released in 1991, the memoir Tell Me I'm Here remains a landmark examination of the experience of mental illness in Austral…

SOURCE: thetheatretimes.com at 6:21am on September 19, 2022

How Drama Can Help Open Up Conversations on Suicide for Young People in Post-Pandemic Times by James Layton

Suicide is the second highest cause of death in 15-to-29-year-olds around the world, according to UK charity Young Minds, an organization set up to help children and young people with …

SOURCE: thetheatretimes.com at 6:21am on September 18, 2022

Imagine/: Artificial Intelligence Comes to Theatrical Design by Michael Schweikardt

Lately, I have been seeing examples of Jason Jamerson's theatrical design work on Instagram " images he has made in collaboration with Artificial Intelligence apps. According to a recent art…

SOURCE: thetheatretimes.com at 6:21am on September 17, 2022

"Who Killed My Father," Young Vic by Duška Radosavljević

'If this were a text for the theatre, here is how it would begin' " these are the opening words of the French literary superstar Édouard Louis's third book Who Killed My Father, publishe…

SOURCE: thetheatretimes.com at 11:38am on September 16, 2022

A Blast from the Past: Les Champignons de Paris by La Compagnie du Caméléon by Lara Cox

On June 13, 2022, I spoke with Guillaume Gay, who is operational and artistic director of the French Polynesia-based La Compagnie du Caméléon. Across the Whatsapp airwaves, fifteen thousan…

SOURCE: thetheatretimes.com at 10:20am on September 15, 2022

Russian Theater Beyond Time and Place. On the 25th Anniversary of the STEPS Theatre by Vassili Schedrin

"Time means nothing. That is, it does, but not in the way we think," says Joseph, the protagonist of the play "Ask Joseph," by Slava Stepnov and Roman Freud. He tries to explain to his wife …

SOURCE: thetheatretimes.com at 10:20am on September 14, 2022

A Production to Satisfy Sydney's Darkest Imaginings: Sydney Theatre Company's "Strange Case of Dr Jekyll and Mr Hyde" by Huw Griffiths

Review: Strange Case of Dr Jekyll and Mr Hyde, directed by Kip Williams for Sydney Theatre Company With their new production, Kip Williams and the Sydney Theatre Company have revisited the a…

SOURCE: thetheatretimes.com at 10:19am on September 13, 2022

When Playwrights Complicate Dramatic Form: Recent Developments in African American Plays of the 2010s by Jade Thomas

African American drama, theater and performance has a rich and complex history. Only recently, however, the U.S. theater establishment seems to recognize the work of young Black playwrights …

SOURCE: thetheatretimes.com at 3:59pm on September 12, 2022

Five Myths About Shakespeare's Contribution to the English Language by Jonathan Culpeper and Mathew Gillings

Shakespeare's language is widely considered to represent the pinnacle of English. But that status is underpinned by multiple myths " ideas about language that have departed from reality (or …

SOURCE: thetheatretimes.com at 3:58pm on September 11, 2022

"Flo & Joan," Lund Comedy Festival by Duška Radosavljević

Here's a few things to start with. Following my recent relocation from London to the Swedish equivalent of Oxford, this is my first encounter with the Lund Comedy Festival. The three-day eve…

SOURCE: thetheatretimes.com at 7:13am on September 9, 2022

Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 2 by Kee-yoon Nahm

To read Part 1 of this interview, click here. Nahm: Let's talk now about Texas Aunt. I said earlier that The Wooden Boat is a great Korean play to introduce to international audiences. Bu…

SOURCE: thetheatretimes.com at 5:00am on September 9, 2022

Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 1 by Kee-yoon Nahm

Interview and translation by Kee-Yoon Nahm.   Yun Mi Hyun is a playwright based in South Korea. After writing fiction and poetry in her early career, she debuted as a playwright in 2012 w…

SOURCE: thetheatretimes.com at 5:00am on September 8, 2022

"When God Kicks You In The Womb," The Artist is Born by Emilija Kvočka

Performance "When God Kicks You In The Womb", based on the novel by Ildiko LovaÅ¡, is a play by Hungarian actors that live and work in Serbia and its theatres. AndraÅ¡ Urban, an authenti…

SOURCE: thetheatretimes.com at 8:03am on September 5, 2022

More Morisseau: "Skeleton Crew" by Dominique Morisseau by Jonathan Kalb

Skeleton Crew is Dominique Morisseau's best play so far. It's the most streamlined work in her celebrated Detroit trilogy, more tightly plotted, surprising, and moving than either Detroit '6…

SOURCE: thetheatretimes.com at 8:02am on September 4, 2022

The Return of Gringoire: An Exclusive Interview with Bruno Pelletier by Lisa Monde

Interview of the "original" Gringoire from Notre Dame de Paris the musical "  Bruno Pelletier with Lisa Monde, August 5th 2022 This past August Bruno Pelletier " the "Golden voice of Cana…

SOURCE: thetheatretimes.com at 5:14pm on September 3, 2022

"The Drawer Boy" and Another Way of Telling History by Barbara Gabriel

The opening play of the  Blyth Theatre Season, Michael Healey's Canadian classic, The Drawer Boy, has once more come home. Set in a farming community in Huron County, its starting poin…

SOURCE: thetheatretimes.com at 5:19pm on September 2, 2022

Haunted History in Cottage Country: "Cottagers and Indians" by Barbara Gabriel

Cottagers and Indians by Drew Hayden Taylor A lazy afternoon on a cedar deck that could be anywhere in Ontario cottage country. A casually dressed, mature woman from Toronto (her relaxed …

SOURCE: thetheatretimes.com at 5:15pm on September 1, 2022

Bodies of Knowledge " Facilitating Alternative and Humane Ways of Learning by Borisav Matić

Bodies of Knowledge (BOK) is a semi-nomadic classroom that facilitates alternative and non-dominant forms of learning that have the potential to lead us to a more humane and just society. Bo…

SOURCE: thetheatretimes.com at 8:31pm on August 30, 2022

Highlights from the Mladi Levi Festival in Ljubljana by Borisav Matić

The 25th edition of the international theatre and dance festival Mladi Levi (Young Lions) was successfully held in Ljubljana from 19th to 27th August. The festival, organized by a Slovenian …

SOURCE: thetheatretimes.com at 7:15pm on August 30, 2022
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