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3,544 stories from The Arts Desk

A Christmas Carol, RSC, Stratford review - family show eases back the terror and winds up the politics by Gary Naylor

★★★★ A CHRISTMAS CAROL, RSC Old favourite finds contemporary relevance in sanitised staging The RSC Christmas show delivers exactly what it promises Life is full o…

SOURCE: The Arts Desk at 11:24am on November 19, 2022

The Sex Party, Menier Chocolate Factory review " disappointing detumescence by Aleks.sierz

Terry Johnson returns with a sex comedy that is neither sexy nor funny In the past, playwright Terry Johnson has mixed sex and comedy with hilarious results. His Freudian farce, Hysteria, a…

SOURCE: The Arts Desk at 2:36pm on November 17, 2022

Here, Southwark Playhouse review - award-winning kitchen sink drama goes down the drain by Gary Naylor

★ HERE, Southwark Playhouse Characters drown in a surfeit of issues The prestige of the Papatango Prize cannot rescue a play that fails to transcend its inexplicable limitations The k…

SOURCE: The Arts Desk at 7:54am on November 17, 2022

Super High Resolution, Soho Theatre review - the NHS at breaking point by Aleks.sierz

New play about a junior doctor on the edge is powerful and moving Every day there is bad news about the NHS " junior doctors are exhausted, nurses need foodbanks and the stats are hitting a…

SOURCE: The Arts Desk at 5:32pm on November 13, 2022

Leslie Phillips: 'I can be recognised by my voice alone' by Jasper Rees

Saying goodbye to the actor famous for saying hello Leslie Phillips would have known for half a century that at his death, which was announced yesterday, the obituaries would lead with one t…

SOURCE: The Arts Desk at 12:24pm on November 9, 2022

From Here to Eternity, Charing Cross Theatre review - Pearl Harbour musical fails to fly by Gary Naylor

Super songs can't quite rescue an ill-focused story and sparse staging Whorehouses, gay prostitution and suicide " you can see why James Jones' bestselling 1951 novel was bowdlerised by the …

SOURCE: The Arts Desk at 8:06am on November 9, 2022

Elephant, Bush Studio review - stirring solo show from rising star Anoushka Lucas by Helen Hawkins

★★★★ ELEPHANT, BUSH STUDIO Stirring solo show from rising star Anoushka Lucas A beguiling debut play with both charm and an angry message It lasts only an interval-fr…

SOURCE: The Arts Desk at 11:12am on November 2, 2022

Mary, Hampstead Theatre review - compelling study of power politics by Aleks.sierz

New play about the Queen of Scots is a bit wordy, but well worth it Scottish playwright Rona Munro is both prolific and ambitious. After her trilogy of historical dramas, The James Plays, w…

SOURCE: The Arts Desk at 4:36pm on November 1, 2022

Martin Crimp: 'stripping naked the process of making theatre' " interview by Aleks.sierz

The playwright talks about his latest play, Not One of These People, which he is performing himself, and about digital creativity and constraints on authorship The fictional world is our wo…

SOURCE: The Arts Desk at 9:55am on October 29, 2022

Tammy Faye, Almeida Theatre review - Elton John's often dazzling new musical by Gary Naylor

★★★★ TAMMY FAYE, ALMEIDA THEATRE The rise and fall of a iconic figure whose reach stretched across late 20th century American culture Plenty of heart and bite in a…

SOURCE: The Arts Desk at 12:03pm on October 27, 2022

Something in the Air, Jermyn Street Theatre review - evocative London mood music by Tom Birchenough

Peter Gill's new memory play is a wistful recreation of gay loves lost and found As its title suggests, Peter Gill's Something in the Air is an elusive piece " it's about catching at instinc…

SOURCE: The Arts Desk at 2:19pm on October 24, 2022

Marvellous, @sohoplace review - silly, singular and sentimental by Aleks.sierz

New West End theatre opens with a bio-drama that is joyful silly - but a bit relentless Opening a theatre should be a celebration, says Nica Burns, the West End power behind this new theatre…

SOURCE: The Arts Desk at 5:19pm on October 23, 2022

Blues for an Alabama Sky, National Theatre review - superb cast and production for this period hit by Helen Hawkins

Pearl Cleage's play about thwarted dreams in Prohibition era Harlem gets a stellar production The cynical might think Pearl Cleage's play had been expressly written to address the over-ridin…

SOURCE: The Arts Desk at 6:07am on October 22, 2022

The Solid Life of Sugar Water, Orange Tree Theatre review - two-hander gets a punchy refresh by Helen Hawkins

Jack Thorne's wickedly funny play offers plum roles to two riveting disabled actors This is not a play for the squeamish: here be blood and cum and unsavoury descriptions of genitalia, male …

SOURCE: The Arts Desk at 5:03am on October 21, 2022

My Neighbour Totoro, Barbican review - dazzling stage adaptation of a Japanese classic by Saskia Baron

Ingenious puppetry and music brings a classic 2-D animation to life on stage As 10-year-old Satsuki observes as she arrives in the countryside with her little sister Mei, "We're not in Tokyo…

SOURCE: The Arts Desk at 11:19am on October 20, 2022

Good, Harold Pinter Theatre review - brilliant but half-baked by Laura De Lisle

David Tennant is a bone-chillingly affable Nazi in C P Taylor's uneven look at morality "The bands came in 1933." So begins C J Taylor's Good, a play that tries its hardest to resist being G…

SOURCE: The Arts Desk at 4:37am on October 13, 2022

The Band's Visit, Donmar Warehouse review - still waters run bittersweet by Matt Wolf

Feted Broadway musical finds an apt London fit Not much happens but, in its way, everything does in The Band's Visit, the gentle, sweet-natured musical that rather unexpectedly storme…

SOURCE: The Arts Desk at 8:43am on October 10, 2022

The Doctor, Duke of York's Theatre review - Juliet Stevenson will see you now by Laura De Lisle

Robert Icke's whip-smart adaptation puts identity politics on the dissection table Robert Icke is an expert in corporate tragedy. I don't mean that in a bad way - just that he has a penchant…

SOURCE: The Arts Desk at 4:25am on October 10, 2022

Ravenscourt, Hampstead Theatre review " strong, but slender by Aleks.sierz

New play about therapy is powerfully emotional, but sadly predictable Therapy is inherently dramatic. After all, it's all about character " and it has the aim of producing a recognizable cha…

SOURCE: The Arts Desk at 2:03pm on October 7, 2022

The Caucasian Chalk Circle, Rose Theatre review - new production of classic proves a gruelling experience by Gary Naylor

★★ THE CAUCASIAN CHALK CIRCLE, ROSE THEATRE Uncompromising adaptation of Brecht outstays its welcome Carrie Hope Fletcher one of few bright sparks on a tough evening for the audi…

SOURCE: The Arts Desk at 8:37am on October 7, 2022

The Boy with Two Hearts, National Theatre review - poignant yet humorous story of family forced to flee Afghanistan by Rachel Halliburton

Engaging adaptation and sympathetic playing still leave viewers longing for more detail It's particularly poignant to watch this story in the knowledge that a little over a year after US-led…

SOURCE: The Arts Desk at 7:19am on October 6, 2022

James IV: Queen of the Fight, Festival Theatre, Edinburgh review - revelatory historical drama by David Kettle

Kingship, tolerance and the trappings of power are among the many themes of Rona Munro's passionate, timely new play "The poem is real," intones entertainer-turned-courtier Ellen solemnly as…

SOURCE: The Arts Desk at 1:49am on October 6, 2022

Only an Octave Apart, Wilton's Music Hall review - instant charm, infinite variety by David Nice

Justin Vivian Bond and Anthony Roth Costanzo in an absolutely fabulous double act You know you're in good company the minute these two appear on stage: they are so splendidly what they are, …

SOURCE: The Arts Desk at 6:55am on October 4, 2022

Iphigenia in Splott, Lyric Hammersmith review - raises as many questions as answers by Gary Naylor

★★★ IPHIGENIA IN SPLOTT, LYRIC HAMMERSMITH THEATRE Howl of protest at the cost of austerity leads to a different conclusion seven years on Timely revival of Gary Owen's sol…

SOURCE: The Arts Desk at 8:37am on October 1, 2022

The Crucible, National Theatre review - visually stunning revival of Miller's classic drama by Mert Dilek

Lyndsey Turner paints this seminal drama with disturbing colours How can this beauty arise from such ugliness? The Crucible, Arthur Miller's 1953 drama about the Salem witch trials of 1692, …

SOURCE: The Arts Desk at 9:43am on September 30, 2022
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