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2,260 stories from Chicago Theater Beat

Review: This Is Our Youth (Steppenwolf Theatre) by Scotty Zacher

This Is Our Youth is often used to test the stage skill of screen actors (including Matt Damon, Colin Hanks, Jake Gyllenhaal, Anna Paquin), but the performers of Steppenwolf's revival (Micha…

SOURCE: Chicago Theater Beat at 6:13pm on June 21, 2014

Review: Trafford Tanzi (Prologue Theatre) by Scotty Zacher

Trafford Tanzi is a mixed bag " the acting and music are fun and engaging, but the plot, premise, and recreation of the 70's are a total miss. All that is UK about this show is the accents. …

SOURCE: Chicago Theater Beat at 9:48pm on June 20, 2014

Review: Regarding the Just (Trap Door Theatre) by Scotty Zacher

Regarding the Just, in its concise, muscular way, is an engaging morality play. An historical story about Tsarist Russia, it's an intensely relevant play for these times in which an escalati…

SOURCE: Chicago Theater Beat at 5:56pm on June 20, 2014

Review: Love Tapes (The Inconvenience) by Scotty Zacher

At its core, Love Tapes is a tale of star crossed lovers reaching for each other through the walls of pretense and protection that we all don to varying degrees before heading out the door e…

SOURCE: Chicago Theater Beat at 2:55pm on June 20, 2014

Review: A Musical Tribute to the Andrews Sisters (Theo Ubique Cabaret Theatre) by Scotty Zacher

Directed and choreographed by David Heimann, A Musical Tribute to the Andrews Sisters is fun, upbeat and defined by the impossibly tight, bright vocal blend that Patty, Maxene and LaVerne An…

SOURCE: Chicago Theater Beat at 6:16pm on June 18, 2014

Review: Piano Diaries (Salt Muse Inc. at Athenaeum Theatre) by Scotty Zacher

With Piano Diaries, self-described "musical philosopher" Peter Saltzman presumes a level of audience interest that is never earned. By constantly interrupting his playing with stories from h…

SOURCE: Chicago Theater Beat at 4:06pm on June 18, 2014

Review: Monstrous Regiment (Lifeline Theatre) by Scotty Zacher

Replete with running gags and blink-and-you'll-miss them jokes, Monstrous Regiment even manages a few surprises and largely transcends its fantasy roots. Whimsical summer fun rarely come as …

SOURCE: Chicago Theater Beat at 4:46pm on June 17, 2014

Review: Macbeth (Organic Theater) by Scotty Zacher

Far beyond the simple, tired trick of placing a Shakespearean play into a more modern setting, Organic Theater has used clever innovation to change the way we look at the tragedy of Macbeth.…

SOURCE: Chicago Theater Beat at 7:31pm on June 16, 2014

Review: Ask Aunt Susan (Goodman Theatre) by Scotty Zacher

Ask Aunt Susan attempts to satirize the effects of the internet on interpersonal relationships. Unfortunately, most of the satire falls flat due to uninspiring characters and an overly-compl…

SOURCE: Chicago Theater Beat at 4:01pm on June 16, 2014

Review: Eat Your Heart Out (Rivendell Theatre) by Scotty Zacher

Delving into the dark world of image - body image, images of gentility, and the illusion that love is dependent upon image, Rivendell's masterful production is a vivid look at the struggle f…

SOURCE: Chicago Theater Beat at 5:45pm on June 15, 2014

Review: Dark of the Moon (New American Folk Theatre) by Scotty Zacher

Though the talented cast makes a valiant effort, not everything improves with time, and this 75-year old play did not age well. Perhaps the play was extremely effective in 1939, but in 2014…

SOURCE: Chicago Theater Beat at 11:41pm on June 14, 2014

Review: One Hit Wonders (Black Ensemble Theater) by Scotty Zacher

When people are singing, One Hit Wonders is great fun, and sung well enough to be recommended for a visit by anyone who loves these songs. It would have been a better show with about 30 more…

SOURCE: Chicago Theater Beat at 9:11pm on June 13, 2014

Review: Jack Lemmon Returns (Royal George Theatre) by Scotty Zacher

At its most basic level Jack Lemmon Returns offers the pleasure of spending 80 minutes in the company of that most likeable, seemingly approachable guy that was Jack Lemmon's persona. Spendi…

SOURCE: Chicago Theater Beat at 5:58pm on June 12, 2014

Review: Juno (TimeLine Theatre) by Scotty Zacher

Filled with good humor set at odds to aching portrayals of doomed desire, Juno is a worthy adventure and thoroughly transportive. At long last in Chicago, this production is a delight too lo…

SOURCE: Chicago Theater Beat at 4:28pm on June 11, 2014

Review: The Lord of the Wrigley " The Fellowship of the Cubs (The Nerdologues) by Scotty Zacher

If you're truly a fan of "The Lord of the Rings" or Chicago baseball, avoid this show at all costs. Even if you're just out looking for some easy laughs while hammered, there are dozens of b…

SOURCE: Chicago Theater Beat at 5:36pm on June 10, 2014

Review: Damn Yankees (Light Opera Works) by Scotty Zacher

Whether or not you are familiar with Damn Yankees or have a fondness for the golden age of Broadway, you will find this production to be an absolute treat. A fun *baseball* twist on the Faus…

SOURCE: Chicago Theater Beat at 3:06pm on June 10, 2014

Review: Haymaker (The Neo-Futurists) by Scotty Zacher

As both a celebration and critique of "nerd" subculture, Haymaker confronts ideas that we form in youth and bring with us into adulthood. A frequently funny veneer laid atop a meditation on …

SOURCE: Chicago Theater Beat at 6:49pm on June 9, 2014

Review: The Half-Life of Memory (Cold Basement Dramatics) by Scotty Zacher

Buttressed by persuasive performances, director Sophie Blumberg moves Lindner's too-long, free-associating circus fairly fast. She needs to--in order to disguise the T.M.I. that ultimately w…

SOURCE: Chicago Theater Beat at 6:51pm on June 8, 2014

Review: Exit Strategy (Jackalope Theatre) by Scotty Zacher

Ike Holter's world premiere "Exit Strategy" is a tense and darkly funny 100 minutes that maybe will reveal why "Johnny can't read". Highly Recommended. (read more...)

SOURCE: Chicago Theater Beat at 2:47pm on June 7, 2014

Review: Summer Series 2014 (Hubbard Street Dance) by Scotty Zacher

In their season closer, Summer Series, Hubbard Street Dance Chicago is firing on all cylinders, showcasing well-loved pieces and a remarkable world premiere. (read more...)

SOURCE: Chicago Theater Beat at 9:00pm on June 6, 2014

Review: The Emperor of Atlantis / The Clever One (Chicago Opera Theater) by Scotty Zacher

Scaled economically to the Merle Reskin stage, the Chicago Opera Theater's usual reliance on austere decor is well served by creative staging and Sean T. Cawelti's inventive projection and p…

SOURCE: Chicago Theater Beat at 9:20pm on June 5, 2014

Review: The Passions of Emma Goldman (ShPIeL Theatre) by Scotty Zacher

Roslyn Alexander's performance deserves many superlatives, but at 90 minutes, a one-person show strains the patience when there's only one character on display, delivering what is essentiall…

SOURCE: Chicago Theater Beat at 1:39pm on June 5, 2014

Review: Vieux Carre (Raven Theatre) by Scotty Zacher

Sincerely staged by Cody Estle, Vieux Carre is a sardonic celebration of desperation - it's never wrong to spend 150 minutes in Tenneessee Williams' complex company. (read more and watch pro…

SOURCE: Chicago Theater Beat at 1:15pm on June 4, 2014

Review: Henry V (Chicago Shakespeare Theater) by Scotty Zacher

If Director Christopher Luscombe had not tried so hard, and instead trusted Shakespeare's language, Henry V may have been a far more successful production. Instead, it is a well-acted but dr…

SOURCE: Chicago Theater Beat at 9:27pm on June 2, 2014

Review: Carrie the Musical (Bailiwick Chicago) by Scotty Zacher

Happily free of any demeaning camp, the well-meaning, impeccably produced musical proves itself worthy of a visit this summer. Recommended! (read more...)

SOURCE: Chicago Theater Beat at 5:52pm on June 2, 2014
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