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35,713 stories from The Guardian

The Memory of Water review " how not to behave upon losing a parent by Chris Wiegand

Hampstead theatre, LondonSet during the strange, out-of-time days between a death in the family and the funeral, Shelagh Stephenson's 1996 play precariously balances riotous humour and patho…

SOURCE: The Guardian at 1:24pm on September 12, 2021

Romeo + Juliet review " glistens with potential by Sarah Crompton

Birmingham HippodromeMagical movement is weighed down by plot as the Rosie Kay Dance Company graft Shakespeare on to modern Midlands life I worry about the dominance of Shakespeare's Romeo a…

SOURCE: The Guardian at 7:54am on September 12, 2021

The week in theatre: Frozen; Rockets and Blue Lights " review by Susannah Clapp

Theatre Royal Drury Lane; Dorfman, LondonWill the West End ever let go of this glinting new adaptation of the beloved Disney film. Back in the real world, a telling historical mashup from Wi…

SOURCE: The Guardian at 7:54am on September 12, 2021

Cat on a Hot Tin Roof review " powerhouse performances by Clare Brennan

Curve, LeicesterAnthony Almeida's staging is driven by Peter Forbes and Oliver Johnstone, magnificent in the roles of Big Daddy and Brick In this new production of Tennessee Williams's Pulit…

SOURCE: The Guardian at 7:54am on September 12, 2021

Trevor Noah review " a master of classic standup by Rachael Healy

O2 Arena, LondonHis arena show about the global experience of the pandemic " with some added jokes for a UK crowd about footie and Meghan Markle " shows Noah to be a skilled performer with m…

SOURCE: The Guardian at 7:54am on September 12, 2021

The Beauty Queen of Leenane review " Martin McDonagh's raging black comedy returns by Arifa Akbar

Minerva theatre, ChichesterThis tale of a claustrophobic mother-daughter relationship takes contrived turns, but the starkly moving performances remain compelling Much has changed in Ireland…

SOURCE: The Guardian at 4:24pm on September 10, 2021

Wings Around Dundee review " dive into the city's uncomfortable past by Mark Fisher

Dundee RepJohn McCann's imaginative play follows its characters' search for answers to tough questions during lockdown " watched over by a pair of very unusual seagulls For the seagulls, the…

SOURCE: The Guardian at 3:18pm on September 10, 2021

Death in the Black Forest: how a historical tragedy became a play for today by Kate Connolly

In 1936, five English schoolboys on a hike died at the whim of a foolhardy teacher " and became fodder for Nazi propaganda. Now the story of populist idiocy is being retold for our times The…

SOURCE: The Guardian at 7:42am on September 10, 2021

Gregory Doran takes leave from RSC to care for terminally ill Antony Sher by Chris Wiegand

The Royal Shakespeare Company's artistic director has taken compassionate leave to look after his husband, the celebrated actor The actor Sir Antony Sher has been diagnosed with a terminal …

SOURCE: The Guardian at 7:42am on September 10, 2021

Pink Lemonade review " a lewd, jubilant induction to the queer black body by Claire Armitstead

Bush, LondonHumiliation meets humour as Mika Onyx Johnson tells of his hard-won transformation through rap, storytelling and dance From the moment Mika Onyx Johnson bounces on to the stage, …

SOURCE: The Guardian at 6:36am on September 10, 2021

White Witch review " slavery drama turned into awkward farce by Arifa Akbar

Bloomsbury theatre, LondonBarry Reckord's sexually charged play about freedom and rebellion is drowned out by chaotic comedy The Jamaican playwright Barry Reckord broke several boundaries in…

SOURCE: The Guardian at 2:12am on September 10, 2021

Demon twins and sci-fi raves at Galway's gobsmacking arts fest by Helen Meany

With theatre for an audience of one, a whirlwind set of Kevin Barry stories and sparky songs, the Irish festival is in fine form Adapting to Covid-19 restrictions with ingenuity, Galway inte…

SOURCE: The Guardian at 6:32pm on September 9, 2021

Olga Koch review " uproarious, gleefully obscene comedy by Brian Logan

Soho theatre, LondonThe Russian-born comic racks up the punchlines as she auditions to be a Bond girl, considers British quirks and recalls her schooldays The comedian from far afield, obser…

SOURCE: The Guardian at 3:18pm on September 9, 2021

Cat on a Hot Tin Roof review " Big Daddy's birthday party still blazes by Mark Lawson

Curve, LeicesterAn imaginative staging of Tennessee Williams' classic foregrounds the southern drama's roots in Greek tragedy One of the catchiest titles in the theatrical canon will always …

SOURCE: The Guardian at 11:03am on September 9, 2021

Romeo + Juliet review " an intense rush of love and hate by Sanjoy Roy

Birmingham HippodromeTaking elements of contemporary, hip-hop, classical Indian and streetdance, Rosie Kay's version of Shakespeare has a clamour of activity and ideas This autumn brings a …

SOURCE: The Guardian at 6:36am on September 9, 2021

Pandemic mutual aid has shown us an altogether different way of doing politics | Rachel Shabi by Rachel Shabi

Food banks and volunteers have put into practice the universalist principle that once underpinned the welfare state When Slung Low theatre in Leeds closed during the first lockdown in March …

SOURCE: The Guardian at 5:36am on September 9, 2021

Hilary Mantel on staging The Mirror and the Light: 'I should have been doing this all my life' by Mark Lawson

As the third part of her Thomas Cromwell trilogy hits the stage, the writer talks about the perils of political powerplay, fleeing Brexit to Ireland and setting her next novel in more recent…

SOURCE: The Guardian at 2:12am on September 9, 2021

Frozen review " stunning musical extravaganza creates its own magic by Arifa Akbar

Theatre Royal Drury Lane, LondonBeyond the visual thrills and powerful ballads, this adaptation brings an unexpected depth to the relationship between two tortured sisters This musical extr…

SOURCE: The Guardian at 7:42pm on September 8, 2021

London's Royal Docks 'just keeps changing' " as a new outdoor show reveals by Chris Wiegand

Arrival, co-created with the local community, will take audiences on a journey around the historic industrial area set to welcome City Hall When the mayor of London, Sadiq Khan, completes t…

SOURCE: The Guardian at 7:42pm on September 8, 2021

(Not) the End of the World review " a terrifying, daring look at climate hypocrisies by Gareth LlÅ·r Evans

Schaubühne, BerlinThe multiverse in Chris Bush's Kein Weltuntergang, directed by Katie Mitchell, lays bare our contradictions and complicity in the climate crisis Ambivalence and contradict…

SOURCE: The Guardian at 11:54am on September 8, 2021

Leopards review " prowling, twisty thriller about sex and power by Miriam Gillinson

Rose theatre, LondonAlys Metcalf's drama is packed with quips and playfully directed but gets lost when the action moves to the bedroom A vengeful female lead in a tight bright dress stalks …

SOURCE: The Guardian at 8:36am on September 8, 2021

'The laughs hit me in the heart': a view from the stage at Shakespeare's Globe by George Fouracres

After months of uncertainty and being told to retrain, I got my chance to act at a beautiful and iconic theatre. Fair bit of pressure not to be rubbish … It's difficult to describe the fee…

SOURCE: The Guardian at 8:36am on September 8, 2021

Hangovers and hang-ups: Matthew Bourne's The Midnight Bell steps into 30s Soho by Lyndsey Winship

The choreographer's new show brings together lonely souls from the London novels of Patrick Hamilton. Expect regret, fumbling and a hint of mystery "Understanding a particular time, a code o…

SOURCE: The Guardian at 2:12am on September 8, 2021

'This is still here': Bess Wohl's story of seduction in a Nazi summer camp by Alexis Soloski

The US playwright's new drama, at the Old Vic in London, is a tragicomic romance amid swastika-shaped flowerbeds. She talks about finding a dark past on a trip to Long Island In May 2020, th…

SOURCE: The Guardian at 2:12pm on September 7, 2021

Disabled and clinically vulnerable shut out from return of live music and theatre by Rhian Jones

As social distancing disappears at UK arts venues, artists and audiences who need to shield are uncertain of the future Performers and audiences who are clinically extremely vulnerable (CEV)…

SOURCE: The Guardian at 2:12pm on September 7, 2021
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