Look Away, Disneyland
THEATER REVIEW: BERKELEY Show #61: Working for the Mouse, Impact Theatre, June 24. By Sam Hurwitt When you're a little kid at Disneyland, you may understand on some level that the Donald Duc…
THEATER REVIEW: BERKELEY Show #61: Working for the Mouse, Impact Theatre, June 24. By Sam Hurwitt When you're a little kid at Disneyland, you may understand on some level that the Donald Duc…
THEATER REVIEW: SAN FRANCISCO Show #57: Fighting Mac!, Theatre Rhinoceros, June 11. By Sam Hurwitt The artistic director of San Francisco's Theatre Rhinoceros, which lays claim to being "the…
THEATER REVIEW: SAN FRANCISCO Show #56: Assassins, Ray of Light Theatre, June 11. By Sam Hurwitt That Stephen Sondheim has picked some perverse subjects for his musicals shouldn't be much of…
THEATER REVIEW: SAN FRANCISCO Show #54: Armistead Maupin's Tales of the City: A New Musical, American Conservatory Theater, June 5. Show #50: The Edenites, No Nude Men Productions, June 3. S…
THEATER REVIEW: EAST BAY Show #49: Care of Trees, Shotgun Players, June 2. Show #58: Down a Little Dirt Road, Just Theater, June 12. Show #60: Metamorphosis, Aurora Theatre Company, June 18…
THEATER REVIEW: SAN FRANCISCO Show #53: Nobody Move, Intersection for the Arts/Campo Santo, June 5. By Sam Hurwitt Everybody in Nobody Move is on the move. More specifically, they're on the …
Show #55: Tiny Alice, Marin Theatre Company, June 7. I reviewed Marin Theatre Company’s season-closing production of Edward Albee’s 1964 play Tiny Alice for today’s Marin I…
THEATER REVIEW: BERKELEY Show #46: Disassembly, Impact Theatre, May 14. By Sam Hurwitt There's such a thing as being accident-prone, but when your body is covered with scars from freak incid…
THEATER REVIEW: SAN JOSE Show #47: Love in American Times, San Jose Repertory Theatre, May 18. By Sam Hurwitt When people see a very wealthy, much older man married to a very attractive, muc…