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3,544 stories from The Arts Desk

The Art of Illusion, Hampstead Theatre review - a hit from Paris conjures up strange-but-true stories by Helen Hawkins

A cast with an infectious gift for fun give this French confection a touch of stage magic First came Yasmin Reza's 1994 long-runner Art; now another French hit, The Art of Illusion, has arri…

SOURCE: The Arts Desk at 5:22am on January 14, 2023

A Streetcar Named Desire, Almeida Theatre review - Patsy Ferran rises above fussy staging by Gary Naylor

★★★★ A STREETCAR NAMED DESIRE, ALMEIDA THEATRE Torment, toxicity and trauma in New Orleans   Torment, toxicity and trauma in New Orleans It's a long way fr…

SOURCE: The Arts Desk at 6:20am on January 13, 2023

Watch on the Rhine, Donmar Warehouse review - Lillian Hellman's 1940 play is still asking awkward questions by Gary Naylor

★★★★ WATCH ON THE RHINE, DONMAR Country house comedy transforms into call to arms In wartime, when tough actions are needed to back up easy words, what do you do? …

SOURCE: The Arts Desk at 6:15am on January 11, 2023

Best of 2022: Theatre by Matt Wolf

In an iffy year for new plays and musicals, a post-pandemic London stage returned to life Where were the great new plays during 2022?  That question underscored weeks of playgoing that tu…

SOURCE: The Arts Desk at 2:32pm on December 27, 2022

Christmas shows 2022 round-up - panto is properly back by Veronica Lee

Glittery stars and local heroes What joy it is to have pantomime and Christmas shows back with full audiences up and down the country " everything from local shows to star-driven productions…

SOURCE: The Arts Desk at 8:48pm on December 22, 2022

Mother Goose, Duke of York's Theatre review - Ian McKellen returns as the Dame by Veronica Lee

Jonathan Harvey's (mostly) family-friendly script sparkles When Ian McKellen, one of our greatest Shakespearean actors, gave us his acclaimed Widow Twankey at the Old Vic in 2004, some wonde…

SOURCE: The Arts Desk at 8:48pm on December 21, 2022

Hakawatis: Women of the Arabian Nights, Sam Wanamaker Playhouse review - magical stories by candlelight by Laura De Lisle

Hannah Khalil's playful retelling of the 1001 Nights puts women centre stage Do you remember how the 1001 Nights ends? You know how it starts: Scheherazade has been married to a king who ki…

SOURCE: The Arts Desk at 7:06am on December 19, 2022

As You Like It, @sohoplace review - music-filled, warm-hearted celebration by Heather Neill

The first home-grown offering at this impressive new space is a playful paean to theatre The scene is set onstage in the first minutes. And it remains a stage throughout this harmonious prod…

SOURCE: The Arts Desk at 8:02pm on December 15, 2022

Dolly Parton's Smoky Mountain Christmas Carol, Queen Elizabeth Hall review - Scrooge goes to Tennessee by Gary Naylor

★★★ DOLLY PARTON'S SMOKY MOUNTAIN CHRISTMAS CAROL, SOUTHBANK CENTRE Great songs, but a sanitised book declaws Yuletide parable  Dolly and Dickens team up for dreams a…

SOURCE: The Arts Desk at 4:42am on December 15, 2022

Sons of the Prophet, Hampstead Theatre review - perfect mix of pain and comedy by Aleks.sierz

Stephen Karam's 2011 award-winning play is a subtle exploration of suffering Pain is, at one and the same time, something to avoid, and also something you can use. Kahlil Gibran, the Lebanes…

SOURCE: The Arts Desk at 12:02pm on December 13, 2022

Newsies, Troubadour Wembley Park Theatre view - bombastic musical let down by its songs by Laura De Lisle

Backflipping newsboys take on press barons in this hyper-energised UK premiere of the Broadway hit What do you mean you haven't heard of the newsboys' strike of 1899? It's a classic David an…

SOURCE: The Arts Desk at 5:32am on December 12, 2022

Kerry Jackson, National Theatre review - new writing nadir by Aleks.sierz

April De Angelis's latest has Fay Ripley, but precious little else Is British new writing in deep trouble? With the Arts Council defunding venues such as the Hampstead Theatre, the Donmar an…

SOURCE: The Arts Desk at 3:12pm on December 11, 2022

Othello, National Theatre review - ambitious but emotionally underpowered by Helen Hawkins

Clint Dyer's new take makes Othello a victim of mob mentality Clint Dyer is the first black director of Othello at the National Theatre, a venue that once staged the piece with its actor …

SOURCE: The Arts Desk at 5:06am on December 10, 2022

Mandela, Young Vic review - baffling bio-musical by Mert Dilek

This new musical about the early life of Nelson Mandela is a mawkish misfire As bio-musicals continue to have their heyday, it makes sense for the Young Vic to throw its hat in the ring and …

SOURCE: The Arts Desk at 6:06am on December 9, 2022

Sarah, Coronet Theatre review - a one-man whirlwind by Helen Hawkins

Jonathan Slinger commands the stage in this dark, funny monologue The American author of The Sarah Book, on which the monologue Sarah is based, is called Scott McClanahan, as is his main cha…

SOURCE: The Arts Desk at 5:48am on December 8, 2022

Hex, National Theatre review - 12 months after being sent to sleep by Covid, Rufus Norris's show is back by Gary Naylor

Victoria Hamilton-Barritt brings superstar quality and emotional depth to villainous ogre Hovering way, way above us, three aptly named high fairies, in voluminous chiffon, open a show that …

SOURCE: The Arts Desk at 8:06am on December 7, 2022

Orlando, Garrick Theatre review - Emma Corrin is incandescent in an underwhelming adaptation by Mert Dilek

Charming performances in this watered-down version of Virginia Woolf's novel Identity is thorny business. This was the parting thought of Anna X, the play that marked Emma Corrin's West End …

SOURCE: The Arts Desk at 3:32am on December 6, 2022

Best of Enemies, Noel Coward Theatre review - opposites attract, sort of by Matt Wolf

James Graham play hits the West End on the way, presumably, to Broadway Opposition (and history) are the apparent mainstays of the ceaselessly busy James Graham, and he conjoins the two to …

SOURCE: The Arts Desk at 1:06pm on December 2, 2022

The Kola Nut Does Not Speak English, Bush Studio review - an engaging debut by Helen Hawkins

Tania Nwachukwu creates a warm hour of music and memories with hidden bite The Bush studio space is proving a fruitful launch pad, not just for new writing but for new performers. It previo…

SOURCE: The Arts Desk at 6:36am on December 2, 2022

Arms and the Man, Orange Tree Theatre review - a rollicking take on Shaw's satirical classic by Helen Hawkins

Absurdly romantic notions about love and war have never been funnier For his final bow as artistic director of the Orange Tree, Paul Miller has decided to go out with a bang, amid much gigg…

SOURCE: The Arts Desk at 3:48am on November 29, 2022

Baghdaddy, Royal Court review " Middle-Eastern magic realism by Aleks.sierz

New play about an Iraqi exile and his daughter is strong if a bit messy What is the best way of talking about the Middle East? Should plays take a documentary or verbatim approach, all the b…

SOURCE: The Arts Desk at 7:54pm on November 27, 2022

Henry V, Shakespeare's Globe review - anatomy of a violent, murky world of leadership by Rachel Halliburton

The play is stripped down to expose sinister undercurrents of nationalism and honour-culture It begins in darkness. All that can be heard is the sound of a human struggling painfully for bre…

SOURCE: The Arts Desk at 7:36am on November 26, 2022

Elf, Dominion Theatre review - hit musical revival slays it again by Gary Naylor

★★★★ ELF, DOMINION THEATRE Plenty of presents for all the family in a spectacular show based on the much loved film  Buddy the Elf charms everyone on either sid…

SOURCE: The Arts Desk at 7:36am on November 26, 2022

Dinner with Groucho, Arcola Theatre review - often opaque by Helen Hawkins

Frank McGuinness's new play about T S Eliot and Groucho Marx is a poetic puzzle The set at the Arcola for Frank McGuinness's Dinner with Groucho naturally features a table with two place set…

SOURCE: The Arts Desk at 5:18am on November 25, 2022

A Christmas Carol, The Old Vic review - more poignant, and more joyous than ever by Demetrios Matheou

This annual rendering of the Dickens classic feels particularly resonant during the economic crisis It's been five years since I saw the Old Vic's first Christmas Carol, adapted by Jack T…

SOURCE: The Arts Desk at 4:06am on November 24, 2022
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