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6,804 stories from Stage and Cinema

Theater Review: THE CHER SHOW (North Shore Music Theatre In Boston) by Lynne Weiss

CLOTHES MIGHT MAKE THE MAN, BUT NOT THIS SHOW Costumes were essential to the success of superstar Cher. She and her singing partner and husband Sonny Bono first burst on the music scene in t…

SOURCE: Stage and Cinema at 2:58am on October 26, 2025

Theater Review: STRANGE CARGO: THE DOOM OF THE DEMETER (City Lit & Black Button Eyes) by C.j. Fernandes

A Bite Out of Minimalism: Timothy Griffin's imaginative adaptation turns Stoker's most chilling chapter into a voyage of dread, myth, and mind In 1897, Bram Stoker published a gothic horror …

SOURCE: Stage and Cinema at 2:00am on October 26, 2025

Theater Review: THE SOUND OF MUSIC (National Tour at The Nederlander in Chicago) by C.j. Fernandes

YOU'RE NEVER GOING TO SEE A BETTER PRODUCTION OF THIS EVERGREEN MUSICAL. JUST BRING SOME CAUTIOUS OPTIMISM. How do you solve a problem like the schmaltz in The Sound of Music? Or even, how d…

SOURCE: Stage and Cinema at 2:19am on October 25, 2025

Theater Review: CYMBELINE (Antaeus Theatre Company in Glendale) by Ernest Kearney

THANKS TO ANTAEUS, CYMBELINE RIDES AGAIN Who knew Cymbeline could gallop? Director Nike Doukas's new staging at Antaeus Theatre Company turns one of Shakespeare's most notoriously unwieldy p…

SOURCE: Stage and Cinema at 3:17am on October 24, 2025

Theater Review: CHICAGO: QUEERLY ADAPTED FROM THE PLAY YOU’VE NEVER HEARD OF THAT INSPIRED THE MUSICAL YOU CAN’T GET AWAY FROM (Redtwist) by C.j. Fernandes

ROXIE'S BACK IN TOWN! MY KIND OF PLAY, CHICAGO IS In Jazz Age Chicago, 1924 to be precise, Beulah Annan and Belva Gaertner were tried and subsequently acquitted of murder. A young Tribune re…

SOURCE: Stage and Cinema at 2:58am on October 24, 2025

Theater Review: JULIA MASLI: HA HA HA HA HA HA HA (Pasadena Playhouse) by Shari Barrett

HA HA HA HA HA HA HA OFFERS UNITY THROUGH AN ABSURDIST GROUP THERAPY SESSION I had no idea what I was walking into when I drove out to the Pasadena Playhouse (more than an hour's drive durin…

SOURCE: Stage and Cinema at 2:52am on October 24, 2025

Dance Review: GRAVITY (Ballet Preljocaj at The Joyce) by Paola Bellu

Angelin Preljocaj has carved out a daring niche in the dance world, fusing classical ballet with contemporary flair to invent a unique, bold alphabet of movements. Now, the US premiere of Ba…

SOURCE: Stage and Cinema at 2:59am on October 23, 2025

Theater Review: MOTHER MINE (Boston Playwrights' Theatre) by Lynne Weiss

LOVE IN UNEXPECTED PLACES Two women, from quite different backgrounds, meet in Boston in 1968, a time and a place where ancient grudges and present-day conflicts seem sure to keep them apart…

SOURCE: Stage and Cinema at 2:55am on October 23, 2025

Concert Review: HAVE YOU EVER HEARD OF ETTA JAMES? (MUSE/IQUE at The Skirball) by Shari Barrett

HAVE YOU EVER HEARD OF ETTA JAMES? MUSE/IQUE SCHOOLS US IN SOUL Presented by MUSE/IQUE at The Huntington Library and The Skirball MUSE/IQUE's concerts have never been simple performances; th…

SOURCE: Stage and Cinema at 5:10pm on October 22, 2025

Theater Review: THE INHERITANCE, PART 2 (The Bent) by Stan Jenson

The Bent Theatre Company Tackles " and Conquers " Part 2 of Matthew Lopez's Epic The Inheritance This past May, Palm Springs' LGBTQ+ company The Bent Theatre staged The Inheritance, Part 1 a…

SOURCE: Stage and Cinema at 4:35pm on October 22, 2025

Theater Review: THE MARK (Babes With Blades Theatre Company at the Edge) by C.j. Fernandes

A revolution without an end game misses the mark, but only by this much. Babes With Blades, a theatre company that uses stage combat to create striking, thought-provoking theatre, presents a…

SOURCE: Stage and Cinema at 4:13pm on October 22, 2025

Theater Review: REVOLUTION(S) (Goodman Theatre) by C.j. Fernandes

A REVOLUTION LOST IN THE (BEAUTIFUL) NOISE Revolution(s) is the first Owen Theatre production of Goodman's centennial celebration. With a book by Zayd Ayers Dohrn and music and lyrics by mul…

SOURCE: Stage and Cinema at 8:20am on October 22, 2025

Highly Recommended Broadway Streaming: PUNCH (Manhattan Theatre Club, League of Live Stream Theater) by Tony Frankel

A KNOCKOUT OF CONSCIENCE NOW BECOMES A STREAM OF CONSCIENCE Stage and Cinema called the visceral and relevant Broadway hit Punch "a knockout of conscience." Now, Manhattan Theatre Club is gi…

SOURCE: Stage and Cinema at 4:31am on October 22, 2025

GUT INSTINCTS AND CURTAIN CALLS by Lamont Washington

Step backstage at any performance and you'll see nerves, anticipation, and last-minute choices"all fueled by instinct as much as rehearsal. In the performing arts, that gut feeling isn't jus…

SOURCE: Stage and Cinema at 12:00am on October 22, 2025

Theater Review TEATRO ZINZANNI CHICAGO (New Show for Fall/Winter, 2025-26) by C.j. Fernandes

A CIRCUS OF CULTURE, A CABARET OF CONSCIENCE: STEP RIGHT UP TO THE UNITED STATES OF ZINZANNI The gorgeous Art Deco Spielgeltent still sits on the fourteenth floor of the Cambria Hotel in the…

SOURCE: Stage and Cinema at 2:00pm on October 21, 2025

Theater Review: FOUR PLACES (4 Chair Theatre at the Bramble Arts Loft) by C.j. Fernandes

All happy families are alike; every unhappy family is unhappy in its own way.     " Leo Tolstoy The most remarkable thing about Joel Drake Johnson's Four Places is how it prepares you …

SOURCE: Stage and Cinema at 1:30am on October 21, 2025

Theater Review: JOE TURNER’S COME AND GONE (A Noise Within in Pasadena) by Michael M. Landman-karny

AMAZING THEATER HERE AND NOW Kai A. Ealy stands in a doorway wearing a coat that looks like it weighs forty pounds. Maybe it does. His Herald Loomis has just walked off seven years of forced…

SOURCE: Stage and Cinema at 2:51am on October 20, 2025

Off-Broadway Review: HEAUX CHURCH (Ars Nova) by Alex Simmons

A HEAUX-LY COMMUNION Ars Nova kicks off its 2025"2026 season with a salacious and sanctified evening featuring Brandon Kyle Goodman in Heaux Church"a sermon on unabashed self-love (and yes, …

SOURCE: Stage and Cinema at 2:50am on October 20, 2025

Theater Review: MISERY (Merrimack Repertory Theatre) by Lynne Weiss

MISERY LOVES COMPANY… AND A GOOD PLOT Karen MacDonald and Tom Coiner do a wonderful job of animating William Goldman's stage adaptation of Stephen King's intriguing, twisty novel by the sa…

SOURCE: Stage and Cinema at 4:30am on October 19, 2025

THREE STYLE INSPIRATIONS FROM THE PHANTOM OF THE OPERA AND WHERE TO FIND THEM ON VOGHION by Nia Liat

The Phantom of the Opera is a tale that not only captivates with its haunting storyline but also leaves an impression through its distinct and dramatic fashion. The iconic costumes worn by t…

SOURCE: Stage and Cinema at 3:00am on October 19, 2025

Theater Review: PARANORMAL ACTIVITY (North American Premiere Engagement at Chicago Shakespeare) by Emma S. Rund

Chicago Shakespeare Theater's North American premiere of Paranormal Activity is guaranteed to deliver the horror movie-style scares you're looking for this Halloween season, but if you're lo…

SOURCE: Stage and Cinema at 2:57am on October 19, 2025

Concert Review: YUNCHAN LIM, PIANIST (Debut at Walt Disney Concert Hall) by Michael Landman-karney

Pedal to the Monument: Yunchan Lim Reimagines the Goldberg Variations Last night, October 16, the audience fell quiet before Yunchan Lim, making his at Disney Hall debut, walked onstage, but…

SOURCE: Stage and Cinema at 10:31am on October 18, 2025

Theater Interview: JAILYN OSBORNE (Artistic Director of Point Loma Playhouse, Presenting “Little Shop of Horrors") by Milo Shapiro

OSBORNE TO DO LITTLE SHOP In 1960, a peculiar minor film (featuring a minor appearance by an up-and-coming Jack Nicholson) was released to no particular fanfare with good reason: It was pret…

SOURCE: Stage and Cinema at 2:59am on October 18, 2025

Broadway Review: RAGTIME (Lincoln Center Theater) by Carol Rocamora

THE DREAM REBORN: RAGTIME AWAKENS THE AMERICAN SOUL A momentous musical about American history, a momentous production in Lincoln Center Theater history, Ragtime, which opened last night, is…

SOURCE: Stage and Cinema at 4:57pm on October 17, 2025

Theater Review: PRODIGAL SON (Athenaeum Theatre) by C.j. Fernandes

DON'T KILL THE FATTED CALF JUST YET " THE PRODIGAL SON RETURNS EMPTY-HANDED "I was fifteen. Do you remember fifteen? For me, it was a special, beautiful room in Hell." That brilliant line op…

SOURCE: Stage and Cinema at 2:59am on October 17, 2025
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