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2,260 stories from Chicago Theater Beat

Review: One Flea Spare (Ghost Light Productions) by Scotty Zacher

It's obvious that director Jeffrey Clark Stokes is passionate about this work. However, a passion for the source material only goes so far. Though intentions may have been pure, the end pro…

SOURCE: Chicago Theater Beat at 10:48pm on July 18, 2014

Review: The Qualms (Steppenwolf Theatre) by Scotty Zacher

With fantastic writing, robust direction and brilliant acting, The Qualms is an intense 90-minute journey that's personal, hilarious and ultimately rewarding. (read Lauren Whalen's entire re…

SOURCE: Chicago Theater Beat at 4:42pm on July 17, 2014

Review: Charlotte's Web (Emerald City Theatre and Broadway in Chicago) by Scotty Zacher

This summer production is a loving, faithful adaptation of the classic story so delightful that adults will find themselves nostalgically back in Zuckerman's barn, and children will adore th…

SOURCE: Chicago Theater Beat at 7:09pm on July 16, 2014

Review: Men Should Weep (Griffin Theatre) by Scotty Zacher

This 67-year-old Scottish family tragedy hasn't been seen in this country since 1983. Its return is more than overdue, given its own non-negotiable worth and Griffin Theatre's piledriving r…

SOURCE: Chicago Theater Beat at 9:18pm on July 14, 2014

Review: Dead Man's Cell Phone (The Enthusiasts Theatre) by Scotty Zacher

All in all, as social commentary, Dead Man's Cell Phone brings no epiphanies. As a fun night out, however, it succeeds. Recommended. (read more of Joy Campbell's review...)

SOURCE: Chicago Theater Beat at 4:54pm on July 13, 2014

Review: Godspell (Marriott Theatre) by Scotty Zacher

This Godspell is well worth the ticket price and trip to the suburbs. I left with my heart warmed and my whole being energized. If Director Matt Rafterty had let the source material speak fo…

SOURCE: Chicago Theater Beat at 9:29am on July 13, 2014

Review: The Late Henry Moss (The Artistic Home) by Scotty Zacher

The exceptional performances in this Artistic Home production alone make the show wholly worthwhile, but the material itself has a lot going for it as well. Absurdist humor, vibrant characte…

SOURCE: Chicago Theater Beat at 7:31pm on July 12, 2014

Review: The 25th Annual Putnam County Spelling Bee (Drury Lane Theatre) by Scotty Zacher

William Finn and Rachel Sheinkin's hilarious musical ode to the endearing magic of words is a Chicago favorite, and Scott Calcagno's latest big budget/big scale production at Drury Lane is n…

SOURCE: Chicago Theater Beat at 9:56pm on July 11, 2014

Review: Brigadoon (Goodman Theatre) by Scotty Zacher

Goodman's Brigadoon marks the first major revival of the classic musical in more than three decades. Lush production values, beautiful orchestrations and a surprising amount of gravity eleva…

SOURCE: Chicago Theater Beat at 6:29pm on July 10, 2014

Review: Orville and Wilbur Did It! (The New Colony) by Scotty Zacher

David Zellnik's new production scores a lot of laughs through parodying a children's theater troupe, but then it falls apart in the second half. The actors play a big part in the developmen…

SOURCE: Chicago Theater Beat at 1:05pm on July 8, 2014

Review: Partners (LiveWire Chicago) by Scotty Zacher

Playwright Dorothy Fortenberry, whose work has been seen in some prestigious regional theaters, has overreached in this play, cramming in too many ideas and failing to fully develop the intr…

SOURCE: Chicago Theater Beat at 6:51pm on July 6, 2014

Review: Death and the Maiden (Victory Gardens Theater) by Scotty Zacher

What Death of the Maiden lacks in dramatic electricity or specificity, it makes up for in the depth of its pensive profundity. Maiden, especially with Sandra Oh's haunting performance, goes …

SOURCE: Chicago Theater Beat at 5:20pm on July 5, 2014

Review: Days Like Today (Writers Theatre) by Scotty Zacher

Writers Theatre's world premiere musical is all very neat and clean, with precise direction from Michael Halberstam and Doug Peck, but the production doesn't have much impact. Theater patron…

SOURCE: Chicago Theater Beat at 3:45pm on July 4, 2014

Review: Annapurna (Profiles Theatre) by Scotty Zacher

Directed by Eric Burgher, Profiles Theatre's production hits all the right hilarious and heartbreaking notes, thanks in large part to the tiny but dynamic cast. The result is a 90-minute pla…

SOURCE: Chicago Theater Beat at 4:38pm on July 3, 2014

Review: Myths and Hymns (BoHo Theatre) by Scotty Zacher

Composer Adam Guettel works in a variety of genres from gospel and hymns through folk-styled melodies and traditional musical theater. The cast are all stunningly good dramatic singers. The …

SOURCE: Chicago Theater Beat at 1:41pm on July 3, 2014

Sanity Break: Awkward Family Photos from 4th of July by Scotty Zacher

4th of July can be a fun time for the entire family, but that doesn't mean that everything will go smoothly, especially when taking family photos.  Here's some examples: Ignore the smok…

SOURCE: Chicago Theater Beat at 1:30pm on July 2, 2014

Review: Hello Failure (The Side Project) by Scotty Zacher

The slice-of-life story structure is entertaining, and sometimes so outrageous that it can only be true. Director Adam Webster keeps the pace quick so the lines don't feel set up, allowing t…

SOURCE: Chicago Theater Beat at 1:15am on July 2, 2014

Cirque du Soleil presents "Michael Jackson: The Immortal Tour" by Scotty Zacher

Cirque du Soleil has created a megawatt concert reenactment of Michael Jackson that is packed with dance, acrobatics, heart-stopping aerial choreography and live music. This is a jamming con…

SOURCE: Chicago Theater Beat at 7:14pm on July 1, 2014

Review: Unleash the Beats (Chicago Tap Theatre) by Scotty Zacher

Chicago Tap Theatre crowns their three-show season with this grand blowout at the Athenaeum Theatre's vast mainstage. Unleashing smiles and applause, this show definitely makes one look forw…

SOURCE: Chicago Theater Beat at 7:55pm on June 29, 2014

Review: The Last Ship (Broadway in Chicago) by Scotty Zacher

There's no denying the soaring magnificence of the score Sting has penned for The Last Ship, his Broadway-bound, operatic tale of a prodigal shipbuilder's son and a dying shipyard. There's a…

SOURCE: Chicago Theater Beat at 9:04pm on June 28, 2014

Review: Red Bull Flying Bach (Flying Steps at Civic Opera House) by Scotty Zacher

Red Bull Flying Bach is a nonstop 70-minute thrill ride of physicality, a tangibly electric ball of energy, a seamless blend of pure classic and edgy modern. (read more...)

SOURCE: Chicago Theater Beat at 4:00pm on June 27, 2014

Review: The Road Less Traveled (Theatre Momentum) by Scotty Zacher

Theatre Momentum's production springs from a compelling inspiration in theory, and there's good chemistry among the troupe as they riff off each other with a well-honed naturalism. However, …

SOURCE: Chicago Theater Beat at 4:03pm on June 25, 2014

Review: Assassins (Kokandy Productions) by Scotty Zacher

With a fearless cast, sharp staging by Rachel Edwards Harvith, and meticulous musical direction by Kory Danielson, Kokandy delivers a chilling production that lingers in the memory long afte…

SOURCE: Chicago Theater Beat at 8:48pm on June 24, 2014

Review: Laughter on the 23rd Floor (Eclectic Full Contact Theatre) by Scotty Zacher

Director David Belew keeps the pace frantic and gets his actors to commit to the roles fully, but Simon's script fails to fully bring us into these characters. Still, Eclectic Theatre should…

SOURCE: Chicago Theater Beat at 10:02am on June 23, 2014

Review: What to Listen For (Side Project Theatre) by Scotty Zacher

If you are a fan of Freud or Mahler, or want to see some cool staging, you might derive some pleasure from What to Listen For. Also, the relationship between Margaret and the librarian is s…

SOURCE: Chicago Theater Beat at 8:11pm on June 22, 2014
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