158 stories from newyorkmetro.com
How the former Sex and the City star learned to hide in plain sight.
A new revival reaches for the high notes in August Wilson's Seven Guitars.
The Treatment takes a ï¬rm stand against ... torture. But does that really make it a political play?
Once a Broadway breakout star, Sara Ramirez is finally living large on Gray's Anatomy.
A new revival reaches for the high notes in August Wilson's Seven Guitars.
The return of Nathan Lane, Eve Ensler, A Chorus Line, and more.
Brace yourself, Stoppard fans: The master brings a nine-hour drama to Lincoln Center.
John Doyle made waves when he gave Patti LuPone a tuba for Sweeney Todd. Will it work for "The Ladies Who Lunch"?
Julianne Moore on her role in David Hare's international-studies play The Vertical Hour-and how she almost skipped her return to Broadway.
Christine Ebersole chats about-and with-Little Edie Beale.
How a biweekly party for undressed gay men saved a children's puppetry theater.
Highlights from the third year of the 34-show New York Musical Theatre Festival, which promotes up-and-coming artists and theater companies (September 10 - October 1; $20 each; call 212-352-…
Yes, Martin Short's send-up of ego-trip one-man shows is funny. But is it healthy for Broadway to depend on Britney jokes?
With The Devil Wears Prada, A Prairie Home Companion, and now Mother Courage in Central Park, it's Meryl's moment. Yet again.
Grendel's visual pleasures can't overcome a blah score that's all pastiche.
No Child goes where theater rarely dares tread: a New York public high school.
No Child goes where theater rarely dares tread: a New York public high school.
The Busy World Is Hushed finds God in other people; School of the Americas seeks Him in a Marxist martyr.
Richard Greenberg almost captures a sepia-toned New York. Plus: Spring Awakening's kids are all right.
Coming face-to-face with everyday evil in a genuinely terrifying drama based on the Columbine massacre.
