1,623 stories from exeuntmagazine.com
Diamonds in a rhinestone world: Francesca Peschier writes on Dolly Parton's musical theatre extravaganza.
The post Review: 9 to 5 – The Musical at Savoy Theatre appeared first on Exeun…
The roaring twenties: J N Benjamin writes on Arthur Miller's suspenseful drama of an America in decline.
The post Review: An American Clock at The Old Vic appeared first on Exeunt Magazine.
Pure artifice: Ava Wong Davies writes on Ivo van Hove's stylish, performative recasting of the backstage movie.
The post Review: All About Eve at Noël Coward Theatre appeared first on Exe…
The screams are real: Hannah Greenstreet writes on Tom Scutt and Joel Horwood's chilling exploration of cinematic horror and aural illusions.
The post Review: Berberian Sound Studio, Donmar …
Keep the faith: Tracey Sinclair reviews the The Letter Room's uplifting, music-filled performance about overcoming depression.
The post Review: No Miracles Here at Northern Stage, Newcastle …
Mixed messages: Aniqah Choudhri reviews a dystopian, future-set adaptation of Brecht's political parable.
The post Review: Mother Courage and Her Children at the Royal Exchange, Manchester a…
Untranslatable: Henry Gleaden writes on Jaha Koo's melancholy performance about the personal impact of South Korea's financial crisis.
The post Review: Cuckoo at Attenborough Centre for the …
A familiar family: Ben Kulvichit writes on Chippy Lane Production's new play and its echoes of 20th Century American playwrights
The post Review: BLUE at Chapter Arts Centre, Cardiff appeare…
Sleepwalk Collective's Sammy Metcalfe writes on the impact of Brexit on the company, and why they're throwing a festival of work in Spain.
The post No Sleep Till Brexit appeared first on Ex…
The limits of goodness: Duska Radosavljevic writes on a staging of Brecht by Moscow Pushkin Drama Theatre.
The post Review: The Good Person of Szechwan at Barbican appeared first on Exeunt M…
Radio dramas and foley secrets: Rosemary Waugh writes on an ingenious staging of two vintage Pinters.
The post Review: A Slight Ache/The Dumb Waiter at Harold Pinter Theatre appeared first o…
Nightmare room: Eve Allin reviews Daniel Bailey's surreal production of Joe Penhall's dissection of systemic racism in the mental health care system.
The post Review: Blue/Orange at Birmingh…
Young adult: Emily Holyoake on Pilot Theatre's new staging of Malorie Blackman's novel and theatre for teenage audiences.
The post Review: Noughts and Crosses at Derby Theatre appeared first…
'A sharp, metallic taste you're not expecting': Ben Kulchivit writes on strangeness and power in the Yard's double-bill of live art by Tim Spooner & Tom Richards and Ira Brand.
The pos…
Sweating the small stuff: Sally Hales reviews Rose Lewenstein's new play, which explores climate change through an intimate depiction of a relationship.
The post Review: Cougar at Orange Tr…
Strange meeting: Tracey Sinclair reviews Gary Kitching and Steve Byron's two-hander about men left behind by social systems.
The post Review: Bacon Knees and Sausage Fingers at Alphabetti Th…
'Believing deep down that things are, should be, can be fair': Hailey Bachrach reviews Cressida Brown's production of a new take on the high-flying myth.
The post Review: Icarus at the Unic…
"A long, slow slide into horror after horror" " Frey Kwa Hawking writes on Nicôle Lecky's narrative of a young woman suffocated by anxieties.
The post Review: Superhoe at Royal Court app…
Alice Saville writes on ideas of relatability and representation in three Vault Festival shows.
The post Vault Odyssey: Hard Relate appeared first on Exeunt Magazine.
Missed the boat: Crystal Bennes reviews Scottish Opera's new commission about scientists on a research expedition to Greenland.
The post Review: Anthropocene at King’s Theatre, Edinbur…
'Generation Z are looking down the barrel of a gun': Jackie Montague reviews Erica Whyman's production of Shakespeare's staple as it heads out on a UK tour.
The post Review: Romeo and Juliet…
'Sharp and witty': Verity Healey reviews Kristine Landon-Smith's production of Anouilh's farce about a struggling orchestra in post-war France.
The post Review: The Orchestra at Omnibus The…
'Meticulous in depicting the reality of being a body dependent on another body to care for it': Rosemary Waugh writes on Martyna Majok's 'painstakingly realistic' play.
The post Review: Cos…
'demonstrating how hard true understanding - of both oneself and of another - is to achieve': Kate Wyver writes on the NOW Festival Week 3 double bill.
The post Review: NOW19 – Greg W…
...sorry, where were we? John Murphy reviews Third Angel's detective story about distraction and misdirection.
The post Review: The Department of Distractions at Sheffield Crucible appeared …
