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1,898 stories from The New Yorker

Stephanie Hsu Does the Time Warp by Rachel Syme

The "Everything Everywhere All at Once" actress returns to Broadway, playing the Susan Sarandon role in "Rocky Horror," at Studio 54.

SOURCE: The New Yorker Subscription at 6:00am on March 30, 2026

"Following Bashō's Narrow Walk Into the Interior," by Bob Holman by Bob Holman

"White water-filled spheres / Floating in a rock garden / Ah! Whose dream is this?"

SOURCE: The New Yorker Subscription at 6:00am on March 30, 2026

Lena Dunham on How She Became a Filmmaker by Lena Dunham

After college, I joined an odd little utopia of movie nerds working out of an office on lower Broadway. Then the sustainability of the setup started to seem questionable.

SOURCE: The New Yorker Subscription at 6:00am on March 30, 2026

How Arsenio Hall Dreamed Up His Life by Vinson Cunningham

The actor, comedian, and former talk-show host on his path from doing magic tricks and telling jokes to creating a TV show for the culture.

SOURCE: The New Yorker Subscription at 6:00am on March 29, 2026

In "Yes," an Israeli Filmmaker Charges Israel with Self-Satisfied Brutality by Richard Brody

Nadav Lapid's furiously satirical drama, about a musician's willful complicity in a war he reviles, tells a vast story of personal and national degradation.

SOURCE: The New Yorker Subscription at 6:00pm on March 27, 2026

John Lithgow on the Controversial Authors Roald Dahl and J. K. Rowling by David Remnick

The actor, who stars in the new Broadway production "Giant," about Dahl's fraught legacy, discusses whether we can separate the art from the artist.

SOURCE: The New Yorker Subscription at 2:00pm on March 27, 2026

"Jury Duty Presents: Company Retreat" and Age of the Prestige Prank Show by Inkoo Kang

The series, returning for a second season, is the latest example of a new breed"one that relies on elaborate, full-immersion experiments rather than on one-off stunts.

SOURCE: The New Yorker Subscription at 6:00am on March 27, 2026

Marie Antoinette-Era Fashion Plates, at the Frick by Rachel Syme, Brian Seibert, Zoë Hopkins, Sheldon Pearce, Dan Stahl, Vince Aletti, Richard Brody, Taran Dugal

Also: Daniel Radcliffe stars in "Every Brilliant Thing," Robert Plant sings roots folk in a cathedral, a soulful retrospective of Beuford Smith, and more.

SOURCE: The New Yorker Subscription at 6:00am on March 27, 2026

Liza Minnelli's Uncharacteristic Pivot to Self-Disclosure by Matt Weinstock

In a new memoir, Minnelli discusses her life more candidly than she has before. But her truest self has always emerged on stage.

SOURCE: The New Yorker Subscription at 6:00am on March 25, 2026

Michael Ian Black Enters the Cartoon Caption Contest by The New Yorker

The actor and comedian tries his hand at captioning New Yorker cartoons.

SOURCE: The New Yorker Subscription at 12:18pm on March 24, 2026

"Midnight in the Pain-Relief Aisle of CVS Thinking About 'The Cloud of Unknowing'," by Donna Masini by Donna Masini

"Pain ricochets around my skull / like an aspirin commercial from the sixties."

SOURCE: The New Yorker Subscription at 6:00am on March 23, 2026

Between Sting and the Deep Blue Sea by Sarah Larson

The Police front man's 2014 musical, "The Last Ship," was inspired by his gritty working-class childhood in England. Now a revamped production"featuring Shaggy"is docking at the Metropolitan…

SOURCE: The New Yorker Subscription at 6:00am on March 23, 2026

Steve Zahn's Father-Daughter Dance by Brian Seibert

At a Broadway studio, the actor busts a move with his daughter, Audrey, who also happens to be his inspiration (and co-star) for his new film, "She Dances."

SOURCE: The New Yorker Subscription at 6:00am on March 23, 2026

The "Baritenor" Michael Spyres Soars in the Met's New "Tristan und Isolde" by Alex Ross

At the Met, Michael Spyres uses his broad vocal range to stunning effect, but Lise Davidsen loses power when she leaves her brilliant upper register.

SOURCE: The New Yorker Subscription at 6:00am on March 23, 2026

How Bad Is Plagiarism, Really? by Anthony Lane

From ancient Rome to the era of A.I., people have prized originality, but the line where influence ends and cribbing begins is notoriously blurry.

SOURCE: The New Yorker Subscription at 6:00am on March 22, 2026

Amanda Peet on Getting Breast Cancer While Losing Her Parents by Amanda Peet

Both of my parents were in hospice, on opposite coasts. Then I found out that I had breast cancer.

SOURCE: The New Yorker Subscription at 6:00am on March 21, 2026

Julio Torres Makes Everything Funny"Including Color Theory

The comedian and writer on his new HBO special, "Color Theories," which comes out on March 27th.

SOURCE: The New Yorker Subscription at 2:00pm on March 20, 2026

An Elegy for the Kennedy Center by Alex Ross

A Washington, D.C., native says goodbye to the arts complex before Trump's wrecking crew goes to work on it.

SOURCE: The New Yorker Subscription at 4:40pm on March 19, 2026

Lisa Kudrow Is Back"Again by Michael Schulman

Twenty two years after the end of "Friends," the actress returns with a new installment of "The Comeback."

SOURCE: The New Yorker Subscription at 6:00am on March 16, 2026

Junior LaBeija, Master of Ceremonies by Michael Schulman

As the ballroom legend makes their Broadway début in "Cats: The Jellicle Ball," they reflect on accessorizing with raw chicken and dressing like Al Capone.

SOURCE: The New Yorker Subscription at 6:00am on March 16, 2026

Han Ong Reads "My Balenciaga"

The author reads his story from the March 23, 2026, issue of the magazine.

SOURCE: The New Yorker Subscription at 6:00am on March 15, 2026

"My Balenciaga," by Han Ong by Han Ong

It could have been an experiment by the master. An early draft. A failed caprice.

SOURCE: The New Yorker Subscription at 6:00am on March 15, 2026

Han Ong on Nora Aunor and Authentication by Deborah Treisman

The author discusses his story "My Balenciaga."

SOURCE: The New Yorker Subscription at 6:00am on March 15, 2026

Chloé Zhao on "Hamnet," Which Is Nominated for Eight Academy Awards

Zhao, a previous Oscar winner, for Best Director, discusses her acclaimed film with Michael Schulman.

SOURCE: The New Yorker Subscription at 2:00pm on March 13, 2026

"The Wild Party" Returns by Dan Stahl, Brian Seibert, Sheldon Pearce, Rhoda Feng, Hilton Als, Jane Bua, Rachel Syme

Also: FKA twigs, "Mother Russia," Caravaggio, and more.

SOURCE: The New Yorker Subscription at 6:00am on March 13, 2026
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