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13,354 stories from The Financial Times

The Devil Wears Prada 2 — bland new look isn’t a patch on the 2006 collection

Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci are together again for a flashy but less zinging reunion

SOURCE: The Financial Times Subscription at 11:00am on April 30, 2026

Devastating drama Mass confronts the aftermath of a school shooting

Two sets of parents meet for an attempt at restorative justice in Fran Kranz’s deeply human play at London’s Donmar Warehouse

SOURCE: The Financial Times Subscription at 8:06am on April 30, 2026

Rooster — Steve Carell gets up to mischief in new show from Ted Lasso creator

The star plays an oblivious dad baffled by the modern age in this tender college campus series on Sky/HBO

SOURCE: The Financial Times Subscription at 12:00am on April 30, 2026

Can performance art still shock?

A century after its invention, the form seems to have lost its nerve — but in Venice, two bold artists are preparing to test audiences’ limits

SOURCE: The Financial Times Subscription at 12:00am on April 30, 2026

Driftwood — vivid RSC show tackles ownership and belonging in colonial Trinidad

The play at Stratford-upon-Avon’s The Other Place combines family drama with a country’s struggle for independence

SOURCE: The Financial Times Subscription at 12:00pm on April 29, 2026

The Met Opera is struggling to keep the lights on — and the Iran war is a new blow

The institution has tapped into its endowment and put its Chagall murals up for sale. Now the cancelling of Saudi investment has deepened its existential crisis

SOURCE: The Financial Times Subscription at 7:19am on April 29, 2026

Widow’s Bay — superb comedy-drama is like American Horror Story in its heyday

Following a well-meaning mayor of a haunted island town in New England, the show is as funny as it is terrifying

SOURCE: The Financial Times Subscription at 12:00am on April 29, 2026

Malina — Ingeborg Bachmann’s bleak and twisty novel gets musical premiere

Karola Obermüller and Peter Gilbert co-composed the music for the show at Germany’s Schwetzingen SWR Festival

SOURCE: The Financial Times Subscription at 12:00pm on April 28, 2026

Please Please Me — new play about The Beatles sorely misses the songs

Centring on manager Brian Epstein and his relationship with John Lennon, a great idea is hampered by an overloaded script at London’s Kiln Theatre

SOURCE: The Financial Times Subscription at 12:00pm on April 28, 2026

A South African artist’s act of mourning was banned from the Venice Biennale — now it’s back

Gabrielle Goliath’s ‘Elegy’, which pays tribute to a Palestinian poet killed by an Israeli strike, will be shown at the Chiesa di Sant’Antonin

SOURCE: The Financial Times Subscription at 7:00am on April 28, 2026

Dree Hemingway: ‘My most Sagittarius trait is my bluntness’

The actor and model loves Catherine Tate, cashmere sweaters and her Panthère de Cartier watch

SOURCE: The Financial Times Subscription at 12:00am on April 28, 2026

At 67, Louise Lecavalier is a one-woman wonder in Danses Vagabondes

The star shows she is still a force to be reckoned with in an extraordinary, high-speed performance at Sadler’s Wells East

SOURCE: The Financial Times Subscription at 10:51am on April 27, 2026

Wozzeck — the music could hardly be better sung in highlight of Southbank’s Multitudes festival

A concert performance of Berg’s gritty opera at the Royal Festival Hall was combined with photos by Ilya Shagalov

SOURCE: The Financial Times Subscription at 7:00am on April 27, 2026

Lawrence Abu Hamdan: the ‘private ear’ who investigates government cover-ups

The Turner Prize winner’s forensic work is fuelled by a belief that sounds can reveal hidden violence

SOURCE: The Financial Times Subscription at 12:00am on April 27, 2026

Criminals loved his cop show. Now he’s lifting the lid on casinos

Having scored a hit with ‘The Responder’, Tony Schumacher is exposing the realities of gambling in ‘The Cage’

SOURCE: The Financial Times Subscription at 12:00am on April 25, 2026

Ava Pickett on rewriting Tudor history: ‘I wanted it to feel dangerous’

As her debut ‘1536’ opens in the West End, the playwright talks about giving voice to history’s forgotten women

SOURCE: The Financial Times Subscription at 12:00am on April 25, 2026

Britons may be sceptical of Saturday Night Live UK " but its debut episode shows promise

With Tina Fey as guest host and some close-to-the-bone humour, Sky's SNL translation was often inventive and sharp

SOURCE: The Financial Times Subscription at 8:21pm on March 21, 2026

'Vladimir' and the enduring appeal of campus satire

Weird rules, shifting cultural politics, contested parking spaces " universities still have all the ingredients for drama

SOURCE: The Financial Times Subscription at 1:00am on March 21, 2026

Playwright Kimberly Belflower: 'Has a lot changed since #MeToo? Not really'

As the award-winning 'John Proctor is the Villain' comes to London, its creator reflects on the power of language to confront trauma

SOURCE: The Financial Times Subscription at 1:00am on March 21, 2026

'Russia is a country dominated by the culture of criminals': filmmaker Sergei Loznitsa on the legacy of Stalinism

The Ukrainian director's 'Two Prosecutors' depicts a 1937 fight for justice but, he says, its relevance to today is all too clear

SOURCE: The Financial Times Subscription at 1:00am on March 21, 2026

Will Saturday Night Live work in the UK?

Sky is placing a multimillion-pound bet on remaking the long-running US comedy show for a British audience

SOURCE: The Financial Times Subscription at 1:00am on March 20, 2026

Have protest songs lost their voice?

The 1960s heyday is long behind us, but a comeback may be brewing

SOURCE: The Financial Times Subscription at 1:00am on March 20, 2026

Jury Duty Presents: Company Retreat " a workplace twist on the chaotic hoax show

An unsuspecting civilian is plunged into a rapidly unravelling corporate getaway in the second season of the hit show

SOURCE: The Financial Times Subscription at 1:00pm on March 19, 2026

Does AI offer dance boundless possibilities? Not according to Alexander Whitley

'Mirror' displays a deliberately restricted vocabulary while his 'Rite of Spring' finds real and virtual dancers going through the motions

SOURCE: The Financial Times Subscription at 1:00pm on March 19, 2026

Stephen Graham takes a brutal approach to correction in The Good Boy

The 'Adolescence' star and Andrea Riseborough lead twisted tale of a couple who attempt to 'cure' a young delinquent

SOURCE: The Financial Times Subscription at 12:06pm on March 19, 2026
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