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6,591 stories from Stage and Cinema

Theater Review: BRIGADOON (Pasadena Playhouse) by Michael M. Landman-karny

BRIGADOON EARNS ITS MIRACLE Pasadena Playhouse’s revelatory new production treats Lerner and Loewe’s fable not as nostalgia, but as a question of faith, sacrifice, and survival Dormancy …

SOURCE: Stage and Cinema at 9:45pm on May 22, 2026

LIGHTING ON A SHOESTRING: HOW INDIE THEATERS CAN UPGRADE THEIR STAGE LIGHTS WITHOUT BLOWING THE BUDGET by Lamont Washington

For small and mid-size theaters, keeping the lights on is more than a figure of speech. Older tungsten rigs gulp electricity, chew through gel rolls, and leave crews sweating under followspo…

SOURCE: Stage and Cinema at 9:44pm on May 22, 2026

Theater Review: THE HULA-HOOPIN’ QUEEN (Young People’s Theatre Chicago) by C.j. Fernandes

HOOP DREAMS IN HARLEM Young People’s Theatre closes its season with a charming, energetic celebration of childhood, friendship, and community In The Hula-Hoopin’ Queen, the stakes are ve…

SOURCE: Stage and Cinema at 9:44pm on May 22, 2026

Theater Review: SCARAMOUCHE (City Lit Theater / Edgewater Presbyterian Church / Chicago) by C.j. Fernandes

EN GARDE, YOU FOOLS A spirited cast and plenty of swashbuckling fun can’t quite compensate for a forgettable score “He was born with a gift of laughter and a sense that the world was mad…

SOURCE: Stage and Cinema at 9:44pm on May 22, 2026

Concert Review: LOUIS ARMSTRONG, A CELEBRATION OF THE FATHER OF JAZZ (Kaye Playhouse at Hunter College) by Paulanne Simmons

WHAT A WONDERFUL WORLD Hunter College’s American Voices series salutes the musician who changed the sound of America When it comes to American music few artists are as iconic and represent…

SOURCE: Stage and Cinema at 9:44pm on May 22, 2026

Comedy Review: THE ARABISH IMPROV SHOW (The Arabic Theater Company / Balance Arts Center) by Kevin Vavasseur

LOST IN TRANSLATION? NOT TONIGHT The Arabic Theater Company blends improv chaos, bilingual comedy, and cultural specificity into a fun night of laughs First, take eight appealing actors, all…

SOURCE: Stage and Cinema at 9:44pm on May 22, 2026

Theater Review: OEDIPUS EL REY (Huntington Theatre Company / Boston) by Lynne Weiss

GREEK TRAGEDY WITH A LOWRIDER HEART Luis Alfaro’s barrio reimagining of Sophocles turns Greek tragedy into a vibrant, joyous story of identity, fate, and survival Playwright Luis Alfaro’…

SOURCE: Stage and Cinema at 8:05pm on May 18, 2026

Off-Broadway Review: THE MYSTERY OF EDWIN DROOD (AMT Theater) by Rob Lester

WHO KILLED EDWIN DROOD? WELL, IT’S UP TO THE AUDIENCE The musical whodunit is done with panache by the reliable J2 Musical Theater Company The unpleasant fact about life is that everybody …

SOURCE: Stage and Cinema at 2:00am on May 18, 2026

Theater Review: EXIT THE KING (A Noise Within / Pasadena) by Ernest Kearney

LONG LIVE THE ABSURD Michael Michetti’s visually stunning staging transforms Ionesco’s meditation on death into a thing of eerie beauty It is rare, nowadays, when a play by the Romanian …

SOURCE: Stage and Cinema at 4:00am on May 17, 2026

Theater Preview: AIN’T MISBEHAVIN’ (Ebony Rep / Nate Holden Performing Arts Center / Los Angeles) by Tony Frankel

FATS WALLER’S JOINT IS JUMPIN’ AGAIN Ledisi and an all-star cast bring the Harlem Renaissance roaring back to life at the Nate Holden Center Ain’t Misbehavin’ is a sizzling celebrati…

SOURCE: Stage and Cinema at 2:00am on May 17, 2026

Theater Review: CRIME AND PUNISHMENT (TUTA Theatre / Chicago) by C.j. Fernandes

GUILT TRIP TUTA Theatre turns Dostoevsky’s sprawling masterpiece into a feverish psychological horror story of conscience, damnation, and salvation Fyodor Dostoevsky’s masterpiece Crime …

SOURCE: Stage and Cinema at 4:54am on May 16, 2026

Theater Review: A ROOM IN THE CASTLE (Moxie Theatre / San Diego) by Milo Shapiro

THE WOMEN LEFT OFFSTAGE Lauren Gunderson reclaims Shakespeare’s sidelined women in a sharp, emotionally intelligent companion piece to Hamlet The women in Hamlet exist largely to reflect H…

SOURCE: Stage and Cinema at 4:30am on May 16, 2026

Theater Review: OCTET (Raven Theatre / Chicago) by C.j. Fernandes

LOG OFF AND SING Dave Malloy’s brilliant chamber musical turns doomscrolling, loneliness, and internet addiction into something unexpectedly humane I don’t know what I was expecting when…

SOURCE: Stage and Cinema at 5:00am on May 15, 2026

Off-Broadway Review: THE PEOPLE VERSUS LENNY BRUCE (Cause Célèbre at Theatre Row) by Alex Simmons

A TRIAL FOR LENNY—AND SOMETIMES THE VIEWER A courtroom drama that probes language, censorship, and the cost of pushing boundaries Unique among the performing arts, standup comedy is the on…

SOURCE: Stage and Cinema at 7:29pm on May 14, 2026

Theater Review: BIRTHDAY CANDLES (Buffalo Theatre Ensemble / Glen Ellyn) by Mitchell Oldham

MAKING A LIFE, ONE BIRTHDAY AT A TIME A meditation on aging, loss, and the small rituals that shape a lifetime After leaving Buffalo Theatre Ensemble’s sweet little play Birthday Candles l…

SOURCE: Stage and Cinema at 7:30pm on May 13, 2026

Concert Review: CONCERT OF THE CENTURY (Carnegie Hall / New York City) by Paola Bellu

FIFTY YEARS LATER, STILL MAKING HISTORY A glittering lineup of musical giants turned Carnegie Hall’s anniversary celebration into an overwhelming tribute to artistic endurance Move over ME…

SOURCE: Stage and Cinema at 2:55am on May 13, 2026

LOKI – THE END OF THE WORLD TOUR (World Premiere at Lifeline Theatre / Chicago) by C.j. Fernandes

IT’S TIME TO RAGNARÖK ‘N’ ROLL  An exuberant Norse rock opera with enough swagger to survive the apocalypse A corner of a decrepit night club greets you as you walk into Lifeline The…

SOURCE: Stage and Cinema at 10:17pm on May 12, 2026

Theater Review: PICASSO: LE MONSTRE SACRÉ (Odyssey Theatre Ensemble / Los Angeles) by Ernest Kearney

THE MINOTAUR IN THE MIRROR A powerful performance anchors a portrait that never fully reveals its subject The journey of Picasso: Le Monstre Sacré to the Odyssey Theatre in L.A. is both con…

SOURCE: Stage and Cinema at 4:07pm on May 12, 2026

Theater Review: DARK LIBRARY: THE TIME MACHINE (After Hours Theatre Company) by Michael M. Landman-karny

The Salon at the End of the Century: The Cardinal Assumption of Dark Library H.G. Wells published The Time Machine in 1895, The Island of Doctor Moreau in 1896, The Invisible Man in 1897, an…

SOURCE: Stage and Cinema at 4:47am on May 12, 2026

Theater Review: SANCTUARY CITY (Chance Theater / Anaheim) by Michael M. Landman-karny

THE COST OF STAYING A rigorously observed production that grips in silence, even as the play leans toward explanation There is a language people invent when citizenship can vanish with a kno…

SOURCE: Stage and Cinema at 5:58am on May 11, 2026

Theater Review: SWEPT AWAY (SpeakEasy Stage at Boston Center for the Arts) by Lynne Weiss

ADRIFT, AND MORALLY AT SEA A haunting, musically rich survival tale that probes faith, labor, and the cost of living on Directed by Jeremy Johnson and driven by the highly listenable roots-i…

SOURCE: Stage and Cinema at 2:04pm on May 10, 2026

Theater Review: ‘NIGHT, MOTHER (Redtwist Theatre / Chicago) by C.j. Fernandes

MOTHER KNOWS BEST— UNTIL SHE DOESN’T A devastating, clear-eyed revival that refuses comfort and lingers long after the lights go down I first watched ‘night, Mother, the Pulitzer-prize…

SOURCE: Stage and Cinema at 9:22pm on May 9, 2026

Theater Review: FREMONT AVE. (South Coast Repertory / Costa Mesa) by Michael M. Landman-karny

THE HOUSE THAT BUILT YOU A sweeping, structurally ambitious play that grips in the moment even as it searches for its final form There is a moment near the end of the first act of Fremont Av…

SOURCE: Stage and Cinema at 2:56am on May 8, 2026

Off-Broadway Review: BIKE SHOP: THE MUSICAL (Theater for the New City) by Rob Lester

PUT THIS IN YOUR WHEELHOUSE A show that takes its audience on a ride, and shifts gears from drama to comedy and back The oft-heard practical advice to authors hoping that their stories, nove…

SOURCE: Stage and Cinema at 2:51am on May 8, 2026

Theater Review: SOMETHING ROTTEN! (Lyric Stage Company of Boston) by Emily Brenner

HERE’S SOMETHING DECIDEDLY NOT ROTTEN A lively, joy-filled production wins over even the most reluctant musicalgoer I was not looking forward to Something Rotten! I’m not big into Shakes…

SOURCE: Stage and Cinema at 2:05am on May 8, 2026
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