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2,260 stories from Chicago Theater Beat

Review: The Laramie Project (AstonRep Theatre) by Lauren Whalen

The Laramie Project is one of AstonRep's strongest productions to date, and well-placed during Pride Month: a sober reminder of a defining moment in queer history, a sad reminder of what mig…

SOURCE: Chicago Theater Beat at 6:42pm on June 27, 2018

Review: Neverwhere (Lifeline Theatre, 2018) by Lauren Whalen

Neil Gaiman is a phenomenon for a reason - his stories contain a flawless blend of the fantastical and the deeply human. His book Neverwhere, adapted for the stage by Rebert Kauzlaric, is n…

SOURCE: Chicago Theater Beat at 6:48pm on June 25, 2018

Review: Memphis (Porchlight Music Theatre) by Lauren Whalen

Memphis is inspired by the life of Dewey Phillips, the first radio DJ to play Elvis Presley's music (and rock 'n roll music in general). While Memphis is not a direct biography of Phillips, …

SOURCE: Chicago Theater Beat at 10:18pm on April 26, 2018

Review: L'Imitation of Life (Hell in a Handbag Productions) by Lauren Whalen

L'Imitation of Life, which premiered in 2013 before this year's remount, is one of Hell in a Handbag's stronger parodies. Though it will mainly appeal to an older audience due to its skeweri…

SOURCE: Chicago Theater Beat at 3:54pm on April 24, 2018

Review: The Cake (Rivendell Theatre) by Lauren Whalen

Some plays hit you right where you live. The Cake is about, well, a wedding cake, but it's also about the pull between two worlds - the home you make as an adult, and the place you were born…

SOURCE: Chicago Theater Beat at 7:24pm on April 22, 2018

Review: 9 to 5: The Musical (Firebrand Theatre) by Lauren Whalen

Based on the 1980 movie, the musical 9 to 5 opened on Broadway in 2009, with music and lyrics by Dolly Parton. Sadly, the musical has an uneven score and an inconsistent, shallow book, and d…

SOURCE: Chicago Theater Beat at 4:42pm on April 16, 2018

Review: The Spitfire Grill (Refuge Theatre Project) by Lauren Whalen

Performed at the Windy City Café, the production is meticulously staged by director Christopher Pazdernik and features gorgeous acoustic musical direction courtesy of Jon Schneidman, who pl…

SOURCE: Chicago Theater Beat at 12:00am on April 7, 2018

Review: Pretty Woman the Musical (Broadway in Chicago) by Johanna Dalton

It would be hard to find a more beloved and iconic modern Cinderella story to bring to the musical stage than Pretty Woman. But this Broadway in Chicago world premiere of the Broadway-bound …

SOURCE: Chicago Theater Beat at 5:37pm on April 3, 2018

Review: Bad Girls"The Stylists (Akvavit Theatre) by Lauren Whalen

With its US premiere, Akvavit Theatre's Bad Girls-The Stylists is absurdly funny and strangely empowering. Michael Evans' translation of Astrid Saalbach's script is delightfully weird, revel…

SOURCE: Chicago Theater Beat at 7:50pm on March 25, 2018

Review: Women Laughing Alone With Salad (Theater Wit) by Lauren Whalen

It's difficult to make a play based solely on a popular stock photo image turned Internet meme. That's exactly what Theater Wit's Women Laughing Alone With Salad tries, and fails, to do. She…

SOURCE: Chicago Theater Beat at 5:52pm on March 25, 2018

Review: Why Do You Always Wear Black? (Organic Theater) by Scotty Zacher

                       Why Do You Always      Wear Black?   Based…

SOURCE: Chicago Theater Beat at 4:35pm on March 24, 2018

Review: Schiller's Mary Stuart (Chicago Shakespeare) by Lauren Whalen

Mary Stuart is thoughtfully executed from beginning to end, hitting it out of the park on all counts. The gowns are eye candy, the cast gifted and the production team thorough. Reimagined by…

SOURCE: Chicago Theater Beat at 5:55pm on March 23, 2018

Review: Anna Karenina (Lifeline Theatre) by Lauren Whalen

Leo Tolstoy's Anna Karenina has been adapted many times over the years for stage and screen, and Jessica Wright Buha's world premiere adaptation for Lifeline Theatre effectively captures the…

SOURCE: Chicago Theater Beat at 5:17pm on March 19, 2018

Review: Bunny Bunny (Mercury Theater) by Lauren Whalen

It's helpful to know Gilda Radner's body of work, particularly on SNL, before watching Bunny Bunny. That said, Chicago is a perfect city for this play, with its legacy of comedy and the peop…

SOURCE: Chicago Theater Beat at 6:52pm on March 15, 2018

Review: Plantation! (Lookingglass Theatre) by Lauren Whalen

Lookingglass Theatre's world-premiere by ensemble member Kevin Douglas, is a sharp, darkly funny 95-minute roller coaster, expertly directed by ensemble member David Schwimmer and beautifull…

SOURCE: Chicago Theater Beat at 5:45pm on March 14, 2018

Review: Kingdom (Broken Nose Theatre) by Lauren Whalen

Developed over two years with Broken Nose Theatre, Playwright Michael Allen Harris' newest work is a thoughtful, funny and a tragic meditation on a multi-generational African-American queer …

SOURCE: Chicago Theater Beat at 6:56pm on March 13, 2018

Review: A Story Told in Seven Fights (The Neo-Futurists) by Lauren Whalen

The Neo-Futurists have an incredibly distinctive style: either you like it or you don't. Either way, there is no other company in Chicago like them. If you like theater history and stage com…

SOURCE: Chicago Theater Beat at 4:38pm on March 8, 2018

Review: Southern Gothic (Windy City Playhouse) by Lauren Whalen

Creatively staged as an immersive experience where the audience is seated on the edges of different rooms and patio, Southern Gothic, by Leslie Liautaud, is a fascinating glimpse inside the …

SOURCE: Chicago Theater Beat at 7:35pm on March 1, 2018

Review: Merrily We Roll Along (Porchlight Music Theatre) by John Olson

With its story of mostly young (22-42 year old) people, Merrily We Roll Along is popular with high school and college groups, but it's rare to find a large scale professional production like…

SOURCE: Chicago Theater Beat at 9:16pm on February 21, 2018

Review: Fear and Misery of the Third Reich (Haven Theatre) by Lauren Whalen

Bertolt Brecht's series of vignettes following different characters as Germany approaches World War II is uncomfortable, sad and downright scary. It's also important and essential viewing. H…

SOURCE: Chicago Theater Beat at 5:58pm on February 16, 2018

Review: Nice Girl (Raven Theatre) by Scotty Zacher

                       Nice Girl Written by Melissa Ross Raven Theatre, 6157 N. Clark (map…

SOURCE: Chicago Theater Beat at 6:53pm on February 4, 2018

Review: The Humans (Broadway in Chicago) by Lauren Whalen

With the national tour of Stephen Karam's The Humans, there's a amazing melding of Karam's script, Mantello's direction and the excellent production team and cast accurately portraying the f…

SOURCE: Chicago Theater Beat at 11:21pm on February 2, 2018

Review: We're Gonna Be Okay (American Theater Co.) by Lauren Whalen

We're Gonna Be Okay, written by playwright Basil Kreimendahl, explores America's fear and paranoia of nuclear war in the early 1960's through the eyes of two neighboring families who decide …

SOURCE: Chicago Theater Beat at 8:05pm on January 31, 2018

Review: All My Sons (Court Theatre) by Lauren Whalen

There's a lot to love in Arthur Miller's All My Sons. Both Johanna McKenzie Miller and Abby Pierce give nuanced performances as neighborhood women, and John Judd expertly guides us through J…

SOURCE: Chicago Theater Beat at 11:37pm on January 25, 2018

Review: Boy (TimeLine Theatre) by Lauren Whalen

Playwright Anna Ziegler began Boy as a direct homage to David Reimer, who in1967 at 18-month-old, was left with damaged genitals due to a circumcision accident. Desperate, his parents turned…

SOURCE: Chicago Theater Beat at 1:27pm on January 24, 2018
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