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35,713 stories from The Guardian

Athena review " teenage duellists take a hesitant stab at friendship by Kate Wyver

Yard theatre, LondonTwo vividly portrayed fencers shuffle towards a climactic battle in this smart, galvanising coming-of-age drama The verbal sparring is sharp and pointed in Gracie Gardne…

SOURCE: The Guardian at 8:06am on October 8, 2021

Eight candidates for the next UK city of culture announced by Nadia Khomami Arts and Culture Correspondent

Areas will receive £40,000 grants to support the next step of their applications to succeed Coventry Armagh City, Bradford, County Durham and Stirling are among the eight places in the UK…

SOURCE: The Guardian at 4:48am on October 8, 2021

Glamrou: From Qur'an to Queen review " coming-of-age comedy with pizzazz by Brian Logan

Soho theatre, LondonAmrou Al-Kadhi's drag alter ego, poised between self-absorption and self-irony, delivers a tart, funny and swaggering tale "Too gay for Iraq, too Iraq for gay." That's Am…

SOURCE: The Guardian at 4:48am on October 8, 2021

We Are As Gods review " big-time sensuality by Sanjoy Roy

Battersea Arts Centre, LondonSome 70 dancers reacquaint audiences with the BAC building in a sumptuous feast from James Cousins Company Though it features some 70 dancers, James Cousins' We …

SOURCE: The Guardian at 9:12pm on October 7, 2021

The Legend of Sleepy Hollow review " butchered plotting, bloodless horror by Catherine Love

York Theatre RoyalA scrambled script and an over-reliance on dry ice leave this version of Sleepy Hollow tired and empty Outside Sleepy Hollow, a sign implores visitors: "Don't pass by. Stay…

SOURCE: The Guardian at 7:03pm on October 7, 2021

Matthew Bourne's The Midnight Bell review " raise a glass to this dazzling dance by Lyndsey Winship

Sadler's Wells, LondonA zany array of characters gather in a 1930s pub for a poignant, chilling and understated portrait of love, lust and longing The Midnight Bell is Matthew Bourne's bleak…

SOURCE: The Guardian at 2:36pm on October 7, 2021

Njambi McGrath: Accidental Coconut review " a fresh take on colonialism by Brian Logan

Soho theatre, LondonMcGrath is smart and sardonic about the after-effects of British imperialism in Africa " even if she's just skimming the surface The Berlin Conference of 1884, the legacy…

SOURCE: The Guardian at 10:12am on October 7, 2021

Metamorphoses review " riotous night of vice, profanity and shocks by Kate Wyver

Sam Wanamaker Playhouse, LondonAncient Greek myths are retold with stripped-back simplicity and no little bloodshed in a hugely enjoyable show "Welcome in," calls Irfan Shamji as latecomers …

SOURCE: The Guardian at 6:48am on October 7, 2021

The Mirror and the Light review " Cromwell's spell is finally broken by Claire Armitstead

Gielgud theatre, LondonThe climactic play based on Hilary Mantel's magisterial trilogy has wit and grace but no great dramatic release It's a truism all too well known to Thomas Cromwell tha…

SOURCE: The Guardian at 10:06pm on October 6, 2021

Dave Chappelle: The Closer review " aggressive gags and feeble protests by Brian Logan

NetflixRather than explore the blind spots within modern gender and racial thinking, the comedian's latest special triples down on the phobia 'I'm going all the way," is Dave Chappelle's ref…

SOURCE: The Guardian at 10:03am on October 6, 2021

The Boy With Two Hearts review " an Afghan refugee family's story of fear and hope by Chris Wiegand

Wales Millennium Centre, CardiffThe true story of a family forced to flee the Taliban and seek lifesaving health treatment in the UK brings the search for home movingly to life This true sto…

SOURCE: The Guardian at 6:42am on October 6, 2021

Jeremy O Harris pulls Slave Play from LA theater over its male-dominated season by Dani Anguiano In Los Angeles

Playwright says he hopes a female colleague's work can replace his celebrated drama The playwright Jeremy O Harris has pulled his popular work Slave Play from a forthcoming run in Los Angele…

SOURCE: The Guardian at 4:32am on October 6, 2021

Actor Renu Arora: 'I saw my leg go under the bus and thought I was dead and gone' by Claire Armitstead

Four years ago, she was involved in a horrific accident. Little did she know it would leave her uniquely prepared to play a noblewoman hit by a falling elephant in the RSC's new Christmas mu…

SOURCE: The Guardian at 1:06pm on October 5, 2021

Putting It Together review " how Sondheim's Sunday in the Park With George was born by Anthony Quinn

James Lapine's account of how he and Stephen Sondheim braved bad previews and cast members jumping ship to create a hit musical is fascinating This book is a retrospective peep behind the cu…

SOURCE: The Guardian at 7:36am on October 5, 2021

Hamlet review " Cush Jumbo is a remarkable prince by Arifa Akbar

Young Vic, LondonGreg Hersov's sleek production focuses on familial grief, unfolds with the pace of a thriller and is full of fresh humour and chemistry We have been promised a "new kind of …

SOURCE: The Guardian at 7:36am on October 5, 2021

'We find our talent in unusual ways': the revolutionary circus of Extraordinary Bodies by Ammar Kalia

From first kisses to lockdown days, a cast of disabled and non-disabled performers lay their personal lives on the line in a moving new show, Human On a bare black stage, Jonny Leitch is rem…

SOURCE: The Guardian at 7:36am on October 5, 2021

Arts supremo Kully Thiarai: 'Break the rules! They need breaking' by Cheryl Robson

The creative director of Leeds 2023 on seeing 'beyond the chapati pan' of her working-class background and how British theatre reflects diversity now Who were your influences and role models…

SOURCE: The Guardian at 5:24pm on October 4, 2021

Purple Snowflakes and Titty Wanks review " bold mix of sacred and profane by Helen Meany

Abbey, DublinSarah Hanly embodies a range of characters in her punchy debut play that explores the pressures on teenagers "It's a holy show," Saoirse declares, as she comes round in hospital…

SOURCE: The Guardian at 2:12pm on October 4, 2021

'Soul of the town': Mostar's beloved bridge inspires tale of romance and war by Natasha Tripney

Igor Memic's award-winning drama Old Bridge, staged at the Bush theatre in London, charts teenage romance at a time 'when the world stopped spinning' The bridge in the middle of Mostar is th…

SOURCE: The Guardian at 8:42am on October 4, 2021

Emma Beddington tries … the Cyr wheel: 'I'm about as supple as an ironing board' by Emma Beddington

I have always dreamed of joining the circus and thought this could be the skill for me. Do I have the guts and grace to start spinning around? I love the circus. The first time I took my inf…

SOURCE: The Guardian at 5:24am on October 4, 2021

Age of Antigone: Sophocles's arresting tale of the debt we owe the dead by Michael Billington

With three new versions on stage this month, the ancient Greek classic " and its reflections on authority and devotion " remains as compelling as ever This October sees a rash of productions…

SOURCE: The Guardian at 5:24am on October 4, 2021

The Mountaintop review " Martin Luther King meets his match in a motel room by Arifa Akbar

Royal Exchange, ManchesterNtombizodwa Ndlovu is spellbinding in Katori Hall's intriguing drama about an imaginary meeting between King and a maid The Mountaintop is a bold shape-shifter of a…

SOURCE: The Guardian at 3:12am on October 4, 2021

How to Survive an Apocalypse review " dinner drama ducks deep questions by Kate Wyver

Finborough theatre, LondonJordan Hall's play dips its toes into surviving global apocalypse but only explores romantic disaster This play will not teach you how to survive an apocalypse. Pi…

SOURCE: The Guardian at 7:32pm on October 3, 2021

Harriet Walter: 'There are people who can play the game way better than me' by Tim Lewis

A peerless classical actor, Harriet Walter has recently hit new highs playing frosty matriarchsOur drinks have not arrived " hell, we've not even seen a menu " and the great Dame Harriet Wal…

SOURCE: The Guardian at 3:12pm on October 3, 2021

The 7 Fingers: Passagers review " wondrous acrobatics from Cirque du Soleil spinoff by Lyndsey Winship

Brighton DomeDance fills the gaps between routines in this dreamy, sometimes highly charged reflection on train travel Turning the act of, for example, swinging someone by their ankles from …

SOURCE: The Guardian at 11:54am on October 3, 2021
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