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35,713 stories from The Guardian

Chicken and Biscuits review " under-baked Broadway comedy by Gloria Oladipo

Circle in the Square Theatre, New York A funeral at a Black church promises chaotic and culturally specific comedy but the end-product feels more like a broad, lukewarm sitcom "It's not a fu…

SOURCE: The Guardian at 1:34pm on October 11, 2021

Ripe for revival: classic views of The Cherry Orchard " in pictures

As a new production opens at Theatre Royal Windsor, look back at some of the most memorable stagings of Anton Chekhov's final play Continue reading...

SOURCE: The Guardian at 11:36am on October 11, 2021

Club Origami review " a mellow crescendo to a paper party by Lyndsey Winship

The Place, LondonThis imaginative stage show is ripping fun for under-fives, who will be mesmerised by the paper birds and monsters My son Jamie has just turned four and he's seen a few show…

SOURCE: The Guardian at 7:12am on October 11, 2021

The Border Game review " wit and wisdom on Ireland's schism by Helen Meany

Lyric, BelfastEx-lovers attempt to rebuild a fence in Michael Patrick and Oisín Kearney's play marking the centenary of the partition of Ireland An invisible line bisecting a boggy field …

SOURCE: The Guardian at 7:12am on October 11, 2021

Send us to Coventry! How the Turner Prize and a touring bin put the city on the map by Claire Armitstead

It started with lockdown and a broken angel, but Coventry's year as city of culture is highlighting its reputation for resilience Shortly before midnight on 23 January 2020, security camera…

SOURCE: The Guardian at 4:54am on October 11, 2021

Salad Days: the bittersweet musical with an evergreen charm by Ethan Mordden

He fell for it as a boy on holiday in London " and American author Ethan Mordden is still obsessed by this whimsical show. Why? 'It's a lesson in being openly what you are' My parents took m…

SOURCE: The Guardian at 4:54am on October 11, 2021

Aaliyah: After Antigone review " Sophocles's moral dilemmas play out in Bradford by Mark Fisher

Impact Hub Bradford and onlineStruggling zero-hours sisters risk everything as Kamal Kaan's angsty play transplants the action from Ancient Greece There is a home secretary hell bent on prot…

SOURCE: The Guardian at 1:42am on October 11, 2021

50% of UK theatres streaming shows online during Covid revert to in-person only by Harriet Sherwood Arts Correspondent

Drop off in digital performances sparks fears better access provided by online shows may be lost More than half of UK theatres that offered online performances during the Covid pandemic have…

SOURCE: The Guardian at 10:24pm on October 10, 2021

Mo Gilligan review " expert social anthropology from the boy next door by Brian Logan

Hammersmith Apollo, LondonGilligan's cartoonish parade of misunderstandings and manipulations have perspective and heart When you get rich and famous for your relatable comedy, how do you st…

SOURCE: The Guardian at 10:24pm on October 10, 2021

Dracula: The Untold Story review " gripping vampire tale with added bite by Clare Brennan

Leeds PlayhouseImitating the Dog's technical marvel of a show turns an updated version of Bram Stoker's novel into a live-action graphic novel New Year's Eve; a police interrogation room in …

SOURCE: The Guardian at 9:12am on October 10, 2021

'This had to happen now': Lucy Kirkwood on Maryland, her 30-minute 'howl' of a play by Arifa Akbar

Galvanised by the killings of Sabina Nessa and Sarah Everard, the playwright tells how she penned the eviscerating drama in just two days It usually takes Lucy Kirkwood two years to write a …

SOURCE: The Guardian at 9:12am on October 10, 2021

The Royal Ballet: Romeo and Juliet review " intoxicating, instinctive and full of new detail by Lyndsey Winship

Royal Opera House, LondonFrancesca Hayward and William Bracewell reprise their roles with new partners as they give a fresh feel to one of the Royal Ballet's most performed works In Michael …

SOURCE: The Guardian at 9:12am on October 10, 2021

The week in theatre: Hamlet; The Mirror and the Light; What If If Only by Susannah Clapp

Young Vic; Gielgud; Royal Court, LondonCush Jumbo is a perfect prince, Ben Miles bows out as Hilary Mantel's Cromwell, while Caryl Churchill gets to the heart of love and loss in under 20 mi…

SOURCE: The Guardian at 6:06am on October 10, 2021

Dear Dave Chappelle, transgender comedians can take a joke, but why are yours so unfunny? | Dahlia Belle by Dahlia Belle

A regressive Netflix special only serves as further reminder that the once-groundbreaking star has lost his way (and his sense of humor) Dear Dave, We're both comedians. I guess that makes m…

SOURCE: The Guardian at 1:36pm on October 9, 2021

Top 10 books about theatre | Michael Billington by Michael Billington

From Anne Enright's novel about an actor's daughter to the diaries of former National Theatre director Peter Hall, the theatre critic chooses his favourite titles about the stage Theatre is …

SOURCE: The Guardian at 8:06am on October 9, 2021

Sindhu Vee and her father go back in time: 'As a child, I was always copying him' by Harriet Gibsone

The comedian and her dad recreate a childhood photo and talk about early days in India, agoraphobia and swapping banking for comedy Born in New Delhi in 1969, Sindhu Vee spent her childhood…

SOURCE: The Guardian at 8:06am on October 9, 2021

Matthew Bourne's The Midnight Bell review " to the dark heart of desire by Sarah Crompton

Sadler's Wells, LondonThe choreographer draws rich inspiration from the lonely, thwarted characters of the novelist Patrick Hamilton in this beautifully danced new work Sexy, smouldering and…

SOURCE: The Guardian at 8:06am on October 9, 2021

'There is a reason why famous people are often screwed up': Tim Minchin on quitting comedy by Tim Minchin

The Australian composer has returned to performing after a 10-year break. He writes about fame, failure and his surprise comeback In 2003, I booked a tiny venue for Melbourne fringe festival…

SOURCE: The Guardian at 6:54am on October 9, 2021

Having a ball: the fairytale couple at heart of West End's revival by Chris Wiegand

Carrie Hope Fletcher is the star of Andrew Lloyd Webber's Cinderella; Oliver Ormson is in Disney's Frozen. The pair discuss romance, musicals and returning to the stage amid theatre's crisis…

SOURCE: The Guardian at 2:36am on October 9, 2021

Theatre in UK faces exodus of women after pandemic, study finds by Nadia Khomami Arts and Culture Correspondent

More than 60% consider leaving jobs amid concerns that 'safe' work by men could be prioritised Leading women in British theatre have expressed concern that cash-strapped theatres could prio…

SOURCE: The Guardian at 2:36am on October 9, 2021

@Home review " Didy Veldman explores where the heart is by Sanjoy Roy

Gulbenkian theatre, CanterburyActions speak louder than words as a talented cast take a guided tour of our most intimate relations Didy Veldman's @Home grew around the idea of being "at hom…

SOURCE: The Guardian at 8:03pm on October 8, 2021

Antigone review " gender switch sparks striking take on Sophocles by Chris Wiegand

Mercury theatre, ColchesterWendy Kweh plays Creon as a politically minded queen in Merlynn Tong's adaptation steeped in grief and decay The chorus has been banished, the cast of five has no …

SOURCE: The Guardian at 3:42pm on October 8, 2021

Ballerina Georgina Pazcoguin: 'We owe it to younger dancers not to stay silent' by Fiona Sturges

In her new memoir, New York City Ballet's first Asian-American soloist speaks out about racism and sexual bullying in ballet. Now she wants to overhaul the industry from within When Georgina…

SOURCE: The Guardian at 11:24am on October 8, 2021

Far from her comfort zone: Natalia Osipova feels the beat by Lyndsey Winship

Lockdown's dance legacy is evident in a new series of films, including one that matches the ex-Bolshoi ballerina with hip-hop choreographer Joseph Toonga Just because we can get back into th…

SOURCE: The Guardian at 11:24am on October 8, 2021

The Long Song review " a vivid, harrowing staging of Andrea Levy's novel by Mark Lawson

Chichester Festival theatreTara Tijani and Llewella Gideon are superb in this unblinking portrait of dignity amid moral horror, which follows a Jamaican woman looking back on her life An add…

SOURCE: The Guardian at 11:24am on October 8, 2021
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