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35,713 stories from The Guardian

The week in theatre: Maryland; The Tragedy of Macbeth; White Noise by Susannah Clapp

Royal Court Upstairs; Almeida; Bridge, LondonLucy Kirkwood's raw response to the murders of Sabina Nessa and Sarah Everard captures a moment of terrible rage. And Saoirse Ronan commands as L…

SOURCE: The Guardian at 6:36am on October 17, 2021

The Enemy review " Ibsen goes digital by Clare Brennan

Dundee RepA powerful overhaul of An Enemy of the People weaves texts and emails seamlessly into the action Kieran Hurley's take on Henrik Ibsen's An Enemy of the People was about to go into …

SOURCE: The Guardian at 6:36am on October 17, 2021

Road review " community spirit turns sour in Thatcher's Britain by Mark Fisher

Northern Stage, NewcastleLittle leavens the air of hopelessness in Jim Cartwright's 1986 collage of awkwardly staged monologues Angela Rayner would probably approve of the "Tory scum" slogan…

SOURCE: The Guardian at 6:32am on October 16, 2021

Braids/Cheer Up Slug review " lively double bill mines young identity by Mark Fisher

Live theatre, NewcastleThe Durham miners' gala features in both these short plays exploring contrasting experiences of race and class What are the chances of the Durham miners' gala making …

SOURCE: The Guardian at 6:24pm on October 15, 2021

Enniskillen mounts Oscar Wilde tribute with flight of gold-leaf swallows by Alison Flood

Installation inspired by The Happy Prince will be accompanied by similar celebration of Samuel Beckett, who like Wilde was educated in the town In The Happy Prince, one of Oscar Wilde's most…

SOURCE: The Guardian at 1:03pm on October 15, 2021

The Good Life review " self-sufficiency sitcom loses the plot on stage by Brian Logan

Theatre Royal BathThe much-loved TV series becomes a series of set-pieces rather than a satisfying drama in this stage adaptation Much is made, in the publicity around this stage refit of Th…

SOURCE: The Guardian at 1:03pm on October 15, 2021

The Dante Project review " Wayne McGregor moves heaven, earth and hell by Lyndsey Winship

Royal Opera House, LondonThe Divine Comedy is brilliantly reimagined by McGregor with music by Thomas Adès, sets by Tacita Dean and a poetic send-off for Edward Watson For his new ballet, W…

SOURCE: The Guardian at 1:03pm on October 15, 2021

'We know they can do it when it suits them': theatre became more accessible during Covid. Will it last? by Lucy Webster

Doors may be open again, but some theatres remain inaccessible for disabled audiences. Online performances have helped " but many have already stopped streaming Going to the theatre in a pre…

SOURCE: The Guardian at 1:03pm on October 15, 2021

Home review " captivating revival of a neglected classic by Mark Lawson

Minerva theatre, ChichesterDavid Storey's intense drama of cross-talking patients in an institution has gained fresh relevance from the pandemic Harry and Jack " distinguished-looking older …

SOURCE: The Guardian at 1:54am on October 15, 2021

The Tragedy of Macbeth review " Yaël Farber's blood-curdling terror by Arifa Akbar

Almeida theatre, LondonSaoirse Ronan and James McArdle star in a production with emotional spark, palpable dread and a horrifying beauty The psychological terror is slow to rear and does not…

SOURCE: The Guardian at 7:32pm on October 14, 2021

Rice review " office politics brought sharply to life by Miriam Gillinson

Orange Tree theatre, RichmondMichele Lee's two-hander is a thoughtful take on the power of women at work The Orange Tree theatre is creating a series of internationally focused plays with Ac…

SOURCE: The Guardian at 3:12pm on October 14, 2021

debbie tucker green: 'Sometimes it feels a little trite, a little rat-tat-tat, to say your film is activism' by Ellen E Jones

In a rare interview, the Olivier award-winning dramatist discusses her new film, ear for eye, the frustratingly slow pace of progress for black film-makers " and her preference for lower-cas…

SOURCE: The Guardian at 1:03pm on October 14, 2021

Liz Kingsman: One-Woman Show review " wicked, whip-smart skewering of Fleabag and co by Brian Logan

Soho theatre, LondonKingsman spoofs the look-at-me egotism that sometimes animates solo shows, as she heaps meta layer upon layer in a tour de force It seems like five minutes ago that Phoeb…

SOURCE: The Guardian at 10:42am on October 14, 2021

The Enemy review " Ibsen thrust into the social media age by Mark Fisher

Dundee RepA conscientious citizen stands against the forces of fake news and self-interest in the National Theatre of Scotland's provocative adaptation Lewis den Hertog's images have the sh…

SOURCE: The Guardian at 7:36am on October 14, 2021

The Cherry Orchard review " Ian McKellen is brilliantly poignant in resonant adaptation by Mark Lawson

Theatre Royal WindsorArtfully combining clumsiness with precision, McKellen's Firs is the highlight of a production marked by arresting gestures and modern parallels Having recently played …

SOURCE: The Guardian at 6:24am on October 14, 2021

Upping the Dante: Wayne McGregor and Tacita Dean's Divine Comedy dance by Lyndsey Winship

The choreographer and artist discuss creating The Dante Project for the Royal Ballet " and their own visions of heaven and hell When Wayne McGregor's reimagining of epic poem The Divine Come…

SOURCE: The Guardian at 3:06am on October 14, 2021

Foxes review " shattering tale of faith and family by Kate Wyver

Theatre 503, LondonDexter Flanders' tender debut about a fractured family shows the tensions and compromises faced by Black gay men Through the story of one beautiful, fractured family, thi…

SOURCE: The Guardian at 1:03pm on October 13, 2021

'If I'm funny, no one cares who I sleep with': queer comedians on finding a stage by Rachael Healy

Standups including Suzi Ruffell, Paul Sinha and Lee Peart reveal how hecklers, bookers and 'the gay slot' have affected their appearances in the spotlight The comedian Stephen Bailey was hos…

SOURCE: The Guardian at 1:03pm on October 13, 2021

White Noise review " an enormous provocation of a play by Arifa Akbar

Bridge theatre, LondonIn Suzan-Lori Parks' darkly witty four-hander, a black man persuades a white college buddy to be his slave-master for 40 days "It's a great time to be black, right?" as…

SOURCE: The Guardian at 1:03pm on October 13, 2021

A moment that changed me: Patrick Stewart on the teacher who spotted his talent " and saved him by Patrick Stewart

I skipped the 11-plus and was failing at school. Then I met Cecil Dormand, the extraordinary English teacher who transformed my life for ever I never sat my 11-plus. On the day of the test, …

SOURCE: The Guardian at 6:24am on October 13, 2021

Michelle Gayle: 'They said don't leave EastEnders " I never regretted it' by Arifa Akbar

From Grange Hill to the West End, via Eurovision and the Brit awards, the star has built multiple careers. She talks about stage-school pressure, TV diversity and playing Hermione in Harry P…

SOURCE: The Guardian at 6:24am on October 13, 2021

Forty days a slave: Suzan-Lori Parks on her incendiary new play White Noise by Alexis Soloski

In a drama that taps straight into these angry, anguished times, a Black artist responds to a police beating by becoming his white friend's 'enslaved person'. Pulitzer-winner Parks explains …

SOURCE: The Guardian at 10:42am on October 12, 2021

Dublin theatre festival review " compelling, exciting drama by Helen Meany

Various venues, DublinImmersive Irish history, unacknowledged Aids deaths and post-coital chats " this year's festival is challenging and entertaining Returning to live performance with a f…

SOURCE: The Guardian at 10:42am on October 12, 2021

A Place for We review " three generations keep London's flame alive by Anya Ryan

Park theatre, LondonIn Archie Maddocks' play, set in one building in Brixton, three families from different times strive to serve their ever-changing community Can tradition last forever? O…

SOURCE: The Guardian at 8:32am on October 12, 2021

Rob Beckett: 'You have to suppress your working-class rage to operate in comedy' by Zoe Williams

The award-winning standup is known for his exuberance, but, as he writes in his memoir, he has had to dodge snobbery throughout his career. He discusses family, fame and being funny Rob Beck…

SOURCE: The Guardian at 5:12am on October 12, 2021
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