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2,070 stories from The Theatre Times

Willy Hudson's Welcome Home at the Soho Theatre: messy queer sci-fi show by Aleks Sierz

Willy Hudson is a writer and performer from Exeter " his Willy Hudson Ltd theatre company advertises itself as making "fabulous queer theatrical extravaganzas to make you go ooh, argh and oh…

SOURCE: thetheatretimes.com at 5:46am on February 5, 2023

"La Cupa" of Mimmo Borrelli: A Lunar Fable Turning to be the Most Powerful and Poetic Theatrical Event of 2022 in Naples by Sabrina Sabatino

Naples. Last October and November, Naples was traversed by a cultural event that aimed to reassign theatre to its former role as a cultural vector within civil society. This ambitious task m…

SOURCE: thetheatretimes.com at 12:02pm on February 3, 2023

How British Theatre Censorship Laws Have Inadvertently Created a Rich Archive of Black History by Kate Dossett

In an age of so-called "cancel culture" it's important to remember that for much of British history, it was the state, not the masses, who censored the work of artists. Between 1737 and 1968…

SOURCE: thetheatretimes.com at 12:02pm on February 1, 2023

"Al Capone the musical" à la Francaise by Lisa Monde

The Italian American gangster " Al Capone (Alphonse Gabriel Capone), who reigned as a crime boss in 1920-1930s during the Prohibition Era in Chicago " even one hundred years later, his perso…

SOURCE: thetheatretimes.com at 5:22pm on January 31, 2023

Review: "Crimea 5 am" at The Kiln Theatre by Josephine Burton

Before the war, in what now feels like another lifetime but in reality is just over a year ago, I was in Kyiv, premiering Dash's show Songs for Babyn Yar. One evening, our Ukrainian partners…

SOURCE: thetheatretimes.com at 12:32pm on January 27, 2023

Trap Door Theatre's "Princess Ivona": Piercing yet Healing by Susanna Sun

Located at the end of a long, narrow corridor, seating the audience near the stage and close to the actors, Trap Door Theatre fosters an intimate viewing experience. With a vintage and relax…

SOURCE: thetheatretimes.com at 12:31pm on January 26, 2023

"Trade/Motorhead" at PROTOTYPE 2023 Festival by Jingyi Zhang

A double bill by Irish composer Emma O'Halloran and her uncle, librettist Mark O'Halloran, Trade/Mary Motorhead, presents two psychological portraits of "extraordinary ordinary people" in th…

SOURCE: thetheatretimes.com at 11:40am on January 22, 2023

"Sonne, los jetzt!": Elfriede Jelinek's Reversed Heliotropism for the End Times by Zainabu Jallo and Toni Hildebrandt

Sonne, los jetzt!, Elfriede Jelinek's new theater piece, is imperative with an unknown addressee. Is it the Sun or humanity that needs to make a change? Obviously, this is a first of many rh…

SOURCE: thetheatretimes.com at 11:40am on January 22, 2023

"Undine" at PROTOTYPE 2023 Festival by Jingyi Zhang

Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic transformed the originally staged production into a digital format, which bought about ne…

SOURCE: thetheatretimes.com at 11:40am on January 21, 2023

Digital Access Research Project (DARP) Launches at metaLAB (at) Harvard by The Theatre Times

A collaboration between metaLAB (at) Harvard and the Berkman Klein Center for Internet and Society, the Digital Access Research Project (DARP) developed out of metaLAB's FutureStage project,…

SOURCE: thetheatretimes.com at 12:14am on January 21, 2023

"In Our Daughter's Eyes" at PROTOTYPE 2023 Festival by Jingyi Zhang

In Our Daughter's Eyes, composed by Pulitzer prize winning composer Du Yun and librettist Michael Joseph McQuilken, is a probing one-act monodrama, which interrogates what manhood and father…

SOURCE: thetheatretimes.com at 11:40am on January 20, 2023

Toronto's Next Gen Theatre Makers are Looking for Answers to Big Questions by Katherine Cappellacci

When I thought about why I wanted to write this article, a simple, almost childlike thought came to mind: because I'm downright giddy that Toronto theatres have reopened. And what's most exc…

SOURCE: thetheatretimes.com at 4:03am on January 18, 2023

"note to a friend" at PROTOTYPE 2023 Festival by Jingyi Zhang

note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera inspired by three texts by Japanese author Ryunosuke Akutagawa, the father of Japanese short stor…

SOURCE: thetheatretimes.com at 4:01am on January 18, 2023

"Morning//Mourning" at PROTOTYPE 2023 Festival by Jingyi Zhang

Gelsey Bell's Morning//Mourning is a quirky, experimental opera that defies categorization. It is part narration, part singing, part electronic music, and part science fiction. Set in a post…

SOURCE: thetheatretimes.com at 3:59am on January 17, 2023

Marching the Streets with an Empty Protest Board: Where Lies the Power of Protest? by Vera Bonder

On Saturday 19 November 2022, I witnessed the performance Hands Up! by dancer and choreographer AgnietÄ— LisičkinaitÄ— whose performance was for the first time shown in a Dutch cont…

SOURCE: thetheatretimes.com at 3:35pm on January 15, 2023

Kennedy Center Dramaturgy Intensive 2022 by Lydia Cochran

During a summer of uncertainty and anxiety for American theatres and artists alike, a cohort of emerging and established dramaturgs was offered a space to reflect, imagine, and share at the …

SOURCE: thetheatretimes.com at 3:34pm on January 14, 2023

"The Fall" at Soho Playhouse by Clare Cioffero

On a cold November, New York Friday night, when temperatures approached freezing, the shivering audience waiting to experience Albert Camus' The Fall at the Soho Playhouse checked in at the …

SOURCE: thetheatretimes.com at 11:49am on January 11, 2023

New Australian Play "D*ck Pics in the Garden of Eden" is Bold, Funny " And Very, Very Lewd by Helen Trenos

Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last Great Hunt. We see this played out in the media: famous men, a dick pic unwisely texted, reputat…

SOURCE: thetheatretimes.com at 11:45am on January 11, 2023

"Lazarus 1972"2022" by Ping Chong by Clare Cioffero

The show Lazarus 1972-2022 is difficult to pin down. How can what a thought looks like be described? It's this sort of impediment that does not allow for easy categorization. The show is bei…

SOURCE: thetheatretimes.com at 11:46am on January 10, 2023

Unjust Laughter: Representations of Equity-Deserving Groups in Contemporary Iraqi Comedy by Amir Al-azraki

Introduction The ongoing unsettling shift of my identity from a "white" Iraqi back home (in Iraq) to a person of color in Canada, where I am surrounded by conversations about and personally …

SOURCE: thetheatretimes.com at 1:49am on January 7, 2023

"Zahhak: The Legend of the Serpent King" and Dialogue of Civilizations at American Repertory Theater: An Interview with the Creative Team by Heather Waters

Zahhak: The Legend of the Serpent King, will be performed January 12 " 15, 2023, at the Loeb Drama Center's Experimental Theater located in Cambridge, MA. Zahhak is presented by Boston…

SOURCE: thetheatretimes.com at 3:11am on January 6, 2023

"Ain't No Mo Play" on Broadway at Belasco Theatre by Ademola Bello

The young playwright Jordan E. Cooper deserves kudos for writing the play Ain't No Mo. He is also one of the actors in the show where he played the role of a drag queen character called "Pea…

SOURCE: thetheatretimes.com at 3:04am on January 6, 2023

Black Theatre in Asia"Spotlight Query by Todd Sullivan

It began as a direct message conversation between two black creatives: Ghanniy Oyedele from Nigeria, and Todd Sullivan from the United States. We met through a Taipei Facebook Writing Group,…

SOURCE: thetheatretimes.com at 3:02am on January 6, 2023

Art, Dance, and Film of Ingrid Nachstern and Cate McNider by Alexander Fatouros

It was a chance meeting at MoMA's dance series "Some sweet day" that brought Ingrid Nachstern and Cate McNider together. The artistic collaborators first struck creative sparks off each othe…

SOURCE: thetheatretimes.com at 3:43pm on January 5, 2023

Kenyans Get A Taste Of "The French Shakespeare" by Alexander Nderitu

Molière (real name Jean-Baptiste Poquelin) was born 400 years ago in Paris, France. He remains the most popular French playwright, a satire supremo, and is often compared to England's Willi…

SOURCE: thetheatretimes.com at 9:07am on January 4, 2023
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