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8,108 stories from DC Theatre Scene

Capital Fringe review: Hexagon 2019: E Pluribus Screw 'Em by Dan Desai Martin

Catchy musical numbers and an intoxicated Pierre L'Enfant drawing D.C.'s confusing street layout were the highlights of E Pluribus Screw 'Em!, a hit-and-miss sketch-comedy-musical-political-…

SOURCE: DC Theatre Scene at 6:24pm on July 10, 2019

Capital Fringe review: The Face Zone, Surreal Daydreams to Trip Your Imagination by Kate Gorman

Upbeat and whimsical, The Face Zone meanders between philosophical musings and autobiographical tales in a Sark-esque combination of drawings and poetry. Bopping from thought to thought, Mar…

SOURCE: DC Theatre Scene at 6:24pm on July 10, 2019

Capital Fringe review: A History of Laughter by Kate Gorman

Matt Dundas doesn't let facts get in the way of telling a good story, particularly if they are making fun of politicians past and present. His one-man show, performed as a walk along Pennsyl…

SOURCE: DC Theatre Scene at 6:24pm on July 10, 2019

Capital Fringe review: Judge Me Not by Jeffrey Walker

With raw emotion, dashes of humor, and a bold style, Judge Me Not comes out swinging from its first moments. Broken hearts, abused bodies, life and death " all the ups and downs of a group o…

SOURCE: DC Theatre Scene at 6:24pm on July 10, 2019

Fringe review: Surfacing: An Inventory of Helplessness by Tim Treanor

Surfacing: An Inventory of Helplessness is less a story than a meditation on a condition. And the condition is grim. A (Yvonne Paretsky) seeks refuge in Vienna. The law is that if she can es…

SOURCE: DC Theatre Scene at 12:54pm on July 10, 2019

Fringe review: We're All Going to Fucking Die! by Missy Frederick

It's probably safe to say that We're All Going to Fucking Die! is the only Fringe show where you stand a chance at taking home a prostate massager. Despite the cheekily morbid title, this br…

SOURCE: DC Theatre Scene at 12:54pm on July 10, 2019

Fringe review: 33 1/3 Chorus Girls by Missy Frederick

In 33 1/3 Chorus Girls, seven comedic sketches are linked by the loose thread of "show business." A klutzy stand-up comedienne tells academic jokes about Harry Potter, surrounded by hecklers…

SOURCE: DC Theatre Scene at 12:54pm on July 10, 2019

Fringe review: An Eye for an Eye by Hannah Berk

There's nothing like a Greek tragedy to go from zero to 100 in just over an hour. In this case, we go from the broodings of a slighted god to a mother wielding her own son's head on a pike. …

SOURCE: DC Theatre Scene at 12:54pm on July 10, 2019

Fringe review: Hatpin Panic by Jill Kyle-keith

With its clever script by playwright Iris Dauteman, Hatpin Panic weaves a terrific Mobius strip of a largely unknown scrap of history from America's turn of the century women's suffrage move…

SOURCE: DC Theatre Scene at 10:24am on July 10, 2019

We're All Going To Fucking Die!, a Fringe solo show about joy by Guest Writer

Twanna A. Hines, a sexual and reproductive health educator and creative entrepreneur, answers our questions about her Capital Fringe show at Arena Stage. Where did the idea for your show com…

SOURCE: DC Theatre Scene at 11:24pm on July 9, 2019

33 1/3 Chorus Girls. Overheard conversation with Fringe sketch comedy author by Guest Writer

We listened as Allison Malcomstogle sat down with Robert Kittredge, the uthor of 33 1/3 Chorus Girls, to talk about the upcoming festival. Some of what we heard was barely believable. Malcom…

SOURCE: DC Theatre Scene at 11:24pm on July 9, 2019

Review: Vivian's Music 1969 from The Essential Theatre by Jayne Blanchard

Somebody cared enough about a young black girl killed by a white cop in the powder keg summer of 1969 to give her a story. Nothing much was known about the girl"just her name, age and how sh…

SOURCE: DC Theatre Scene at 11:24pm on July 9, 2019

Review: A Welcome Guest (a Psychotic Fairy Tale) at Contemporary American Theater Festival by Tim Treanor

In 2010, the Contemporary American Theater Festival staged something called The Eelwax Jesus 3-D Pop Music Show. It was the first musical they ever did. They've never done one since. The pla…

SOURCE: DC Theatre Scene at 12:06pm on July 9, 2019

A show truly on the Fringe: Marx in Soho, an interview with Karl herself by Guest Writer

Mary Myers is about to embark to the Edinburgh Fringe festival to play Karl Marx in Mark in Soho.  Before leaving, she's given us these words as she prepares for her last show in the Stat…

SOURCE: DC Theatre Scene at 12:06pm on July 9, 2019

Review: Wrecked at Contemporary American Theater Festival by Tim Treanor

In Hillel Mitelpunkt's The Accident, a self-involved man, somewhat drunk, hits and kills a Chinese immigrant at about eighty miles per hour. Then, with his passenger, an equally self-involve…

SOURCE: DC Theatre Scene at 12:06pm on July 9, 2019

Review: La traviata at Glimmerglass Festival by Susan Galbraith

A "new" production of La traviata shared the buzz opening weekend at Glimmerglass Festival. Nonetheless, as a co-production with Washington National Opera (and a handful of other opera compa…

SOURCE: DC Theatre Scene at 10:42am on July 9, 2019

Review: Show Boat at Glimmerglass Festival by Susan Galbraith

Glimmerglass Festival opened its 45th season with a sensational Show Boat. The musical, based on Edna Ferber's novel about a floating theater on the Mississippi, could have been delivered as…

SOURCE: DC Theatre Scene at 10:42am on July 9, 2019

Review: Support Group for Men at Contemporary American Theater Festival by Tim Treanor

Gaseous and unpredictable, witty and sentimental, Support Group for Men is ninety minutes traffic of our stage which seems longer, an earnest foray into secrets and feelings masked as a come…

SOURCE: DC Theatre Scene at 10:42am on July 9, 2019

Best late night hangouts on DC's SW Wharf by Julian Oquendo

Looking for a place to gather with your fellow Fringe-goers after an evening show? Want somewhere where the "last call" arrives just a little bit later? Looking to spend less than a small fo…

SOURCE: DC Theatre Scene at 8:06pm on July 8, 2019

Before the Fall author on life, death, and stripping away the small stuff by Guest Writer

So, I was reading "Norwegian Wood" by Haruki Murakami (yes, I also roll my eyes when someone casually mentions they were reading Murakami) and there is this beautiful line: "Life is here,…

SOURCE: DC Theatre Scene at 8:06pm on July 8, 2019

Would You Rather… in this Capital Fringe play, the ice breaker answers come to life by Guest Writer

After answering ice-breaker questions, three strangers mysteriously end up on a deserted island, premised on the classic "would you rather" scenario. Now all their answers are coming to l…

SOURCE: DC Theatre Scene at 8:06pm on July 8, 2019

Capital Fringe show, Veneer of Beauty, presents Sobriety's family 15 years later by Guest Writer

This play is the second in a trilogy of plays, all with a theme of domestic violence and its horrible multi-generational scourge on one family. The first play, Sobriety of Fear, was a one-pe…

SOURCE: DC Theatre Scene at 8:06pm on July 8, 2019

Eye for an Eye Fringe writer reaches back to Euripides and the Greek tragedies by Guest Writer

For Capital Fringe this year, I have adapted The Bacchae by Euripides. I am true to the source material, except for a surprise in the beginning and the end, where I bring in the work of a…

SOURCE: DC Theatre Scene at 8:06pm on July 8, 2019

Review: My Lord, What a Night at Contemporary American Theater Festival by Tim Treanor

The great opera contralto Marian Anderson (Angela Wildflower), has been denied accommodations at the Nassau Inn because of her race. So instead she stays at the home of one of her enthusiast…

SOURCE: DC Theatre Scene at 1:24pm on July 8, 2019

Capital Fringe show The Hound: Idle Hands in a Devil's Playground by Guest Writer

 One evening, in September of 1922, legendary horror writer, H.P. Lovecraft, visited an old Brooklyn graveyard and took home a small souvenir: a chip from a tombstone dated 1747.  Late…

SOURCE: DC Theatre Scene at 1:24pm on July 8, 2019
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