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35,713 stories from The Guardian

Basquiat and Warhol's 'intimate friendship' explored in Young Vic drama by Chris Wiegand

Jeremy Pope and Paul Bettany play the art legends in The Collaboration staged by artistic director Kwame Kwei-Armah It promised to be a knockout exhibition, with both artists wearing boxing …

SOURCE: The Guardian at 11:06am on November 24, 2021

Paint the stage red: plays about artists " in pictures

As the Young Vic announces it will premiere The Collaboration, Anthony McCarten's play about Andy Warhol and Jean-Michel Basquiat, look back at shows about Picasso, Kahlo, Dalí and other …

SOURCE: The Guardian at 11:06am on November 24, 2021

Manor review " this state-of-the-nation satire is clumsy, crass and unconvincing by Arifa Akbar

Lyttelton theatre, LondonThere is a prevailingly saggy sitcom vibe as characters shelter in an English country house in a production with many failings Moira Buffini's new play tries to be e…

SOURCE: The Guardian at 10:06am on November 24, 2021

Standup comedy? For me, it is like surfing and making love all at once by Deborah Frances-white

As I stepped on stage and started riffing with the audience something glorious happened " a part of me I thought had died for ever roared back to life My first time back on stage doing stand…

SOURCE: The Guardian at 6:48am on November 24, 2021

Redemption review " a powerful journey of hope, grief, grime and soul by Kate Wyver

The Big House, LondonThis immersive show creates a raucous energy as Maz runs away from her care home and tries to carve her place in the music scene Every year there are new immersive shows…

SOURCE: The Guardian at 6:48am on November 24, 2021

Fishnets, French kisses and fireworks: inside Moulin Rouge! The Musical by Lyndsey Winship

After winning 10 Tony awards on Broadway, an adaptation of Baz Luhrmann's high-kicking, pop song-mashing film hits both the West End and Melbourne. Its creators draw back the red velvet curt…

SOURCE: The Guardian at 1:18am on November 24, 2021

Luisa Omielan: God Is a Woman review " faith, feminism and family by Brian Logan

Komedia, BrightonThe comic's swaggering take on religion is ebullient before a handbrake-turn brings emotional candour too Luisa Omielan's last show, Politics for Bitches, ostensibly about p…

SOURCE: The Guardian at 10:12am on November 23, 2021

Interruptions review " Stephen Jeffreys' powerful inquiry into democracy by Arifa Akbar

Jacksons Lane, London Through intriguing group scenarios, the impressive Represent cast consider politics and tyranny without resorting to pat solutions Interruptions interrogates the rights…

SOURCE: The Guardian at 9:03am on November 23, 2021

'We thought we'd get kickback but it's done with love': Clint Dyer and Roy Williams on Death of England by Tosin Thompson

As their new film for the National Theatre is broadcast, the duo look back on a phenomenal series of stories on class, race, sport and British identity "Quiet on set, please!" They are not t…

SOURCE: The Guardian at 11:18am on November 22, 2021

'Roger Moore collapsed one night. I thought he'd died': how we made The Play What I Wrote by Interviews By Andrew Dickson

'Ralph Fiennes strode into the dressing room and said he loved the show " we booked him there and then. The whole thing was very kick-bollocks-scramble' Sean Foley, co-writer and performer I…

SOURCE: The Guardian at 10:12am on November 22, 2021

Alan Cumming and Forbes Masson: 'People say double acts are like marriage without the sex' by Harriet Gibsone

The actors recreate their Victor & Barry comedy duo " and recall their unique creative spark Alan Cumming and Forbes Masson met at Glasgow's Royal Scottish Academy of Music and Drama in …

SOURCE: The Guardian at 8:03am on November 22, 2021

And Breathe dominates Black British theatre awards by Harriet Sherwood Arts and Culture Correspondent

Yomi á¹¢ode's one-hander and Regent's Park production of Romeo and Juliet win four awards each A one-man play about grief and a contemporary version of a Shakespearean classic have domina…

SOURCE: The Guardian at 8:03am on November 22, 2021

The week in theatre: The Wife of Willesden; Rare Earth Mettle " review by Susannah Clapp

Kiln; Royal Court, LondonThe Wife of Bath is wonderfully at home in 21st-century Brent in Zadie Smith's inspired reworking of Chaucer. Meanwhile, the troubles of the Royal Court's big new pl…

SOURCE: The Guardian at 12:18pm on November 21, 2021

My Voice Was Heard But It Was Ignored " vital voices on racism by Clare Brennan

Leeds Playhouse and touringThe arrest of a man outside a shop provides the framework for a dramatic investigation of black people's experiences Nana-Kofi Kufuor's new two-hander opens with a…

SOURCE: The Guardian at 12:18pm on November 21, 2021

Botis Seva: Blkdog review " a skilful, relentless dive into depression by Sanjoy Roy

Sadler's Wells Theatre, LondonThe choreographer draws on his own experiences to create a powerful evocation of alienation, oppression and memory Depression is more than just dark, or down: i…

SOURCE: The Guardian at 12:18pm on November 21, 2021

Past Present/Connecting to Cohan " an inspirational journey into dance history by Sarah Crompton

Linbury theatre, Royal Opera House, LondonThe extraordinary work of the late choreographer Robert Cohan finds full expression in two heartfelt tribute shows by Yorke Dance Project When I fir…

SOURCE: The Guardian at 4:33am on November 21, 2021

'We were a little naive': staging Cabaret, in the 60s and now by Sarah Crompton

As a new staging of Cabaret starring Eddie Redmayne and Jessie Buckley opens in London, director Rebecca Frecknall and 94-year-old composer John Kander, the only survivor of the original cre…

SOURCE: The Guardian at 11:06am on November 20, 2021

Lin-Manuel Miranda: 'Doing Hamilton every night saved me. It kept my head from getting off the swivel' by Emma Brockes

When his Broadway show became a global phenomenon, the rigours of daily performance kept the actor and songwriter grounded. Then Disney and Hollywood came calling. Now, the 'musical theatre …

SOURCE: The Guardian at 3:33am on November 20, 2021

New organisation launched to tackle sexual harassment in live comedy by Rachael Healy

Get Off! was set up by Kiri Pritchard-McLean and Nina Gilligan in order to create safer workplaces within little-regulated industry An organisation has been established to tackle sexual hara…

SOURCE: The Guardian at 11:03am on November 19, 2021

La Clique review " intimate alt cabaret full of giddy thrills by Lyndsey Winship

Leicester Square Spiegeltent, LondonFrom a sword-swallowing fire-breather to high-risk rollerskaters and the Incredible Hula Boy, this is sexy, edgy, head-exploding stuff Taking the Edinburg…

SOURCE: The Guardian at 11:03am on November 19, 2021

The Brothers Grimm Present: Cinderella review " a turbo-charged fairytale by Arifa Akbar

Barn theatre, CirencesterThis bewitching but at times confusing adaptation offers a spin on the familiar story before swerving into panto mode The Grimm brothers' Aschenputtel is far from th…

SOURCE: The Guardian at 11:03am on November 19, 2021

John Lambert obituary by Tony McHale

My friend John Lambert, who has died aged 75 of cancer, was a director, performer and founder of the Q20 community theatre project in Bradford. He was also a Labour councillor for seven year…

SOURCE: The Guardian at 8:54am on November 18, 2021

Omari Douglas: 'After It's a Sin, I've realised that I was always supported for who I was' by Christine Ochefu

As he begins a West End run in the musical Cabaret, the It's a Sin star talks about his part in breaking down racial and sexual barriers in theatre and TV Omari Douglas is a natural performe…

SOURCE: The Guardian at 8:54am on November 18, 2021

The Wife of Willesden review " Zadie Smith's boozy lock-in is a bawdy treat by Kate Wyver

Kiln theatre, LondonThe author's debut play lets one of Chaucer's most revolutionary characters loose in modern-day Kilburn in a celebration of community and a life well-lived For her debut …

SOURCE: The Guardian at 8:54am on November 18, 2021

Little Women: The Musical review " a high-energy show fired with charm by Emma John

Park theatre, LondonLydia White is magnetic as the aspirational Jo in an uneven but stirring adaptation of Louisa May Alcott's classic Jo March is a heroine well suited to musical theatre. S…

SOURCE: The Guardian at 8:54am on November 18, 2021
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