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2,221 stories from stagebuddy.com

Interview: Christiane Noll and Deborah Winer on the Songs of Rodgers and Hart by Jose Solis

Tony nominee Christiane Noll and producer Deborah Winer are celebrating the songs of Rodgers and Hart in a new show at Feinstein’s/54 Below, we spoke to them about discovering songs th…

SOURCE: stagebuddy.com at 11:00am on March 21, 2018

Interview: Tom Lenk on Playing Oscar Winner Tilda Swinton, and What Musical He'd Love to See Her In by Jose Solis

Academy Award winner/trendsetter/celestial being Tilda Swinton has yet to make her New York stage debut, but while we await for her to grace us with her presence, comedian/Buffy alum Tom Len…

SOURCE: stagebuddy.com at 5:29pm on March 20, 2018

Review: Joshua Harmon's Controversial 'Admissions' Misses the Mark by Arpita Mukherjee

What it's about: Lincoln Center Theater’s Admissions explores the ideals and contradictions of a liberal white family in New England. Sherri Rosen-Mason is head of the admissions…

SOURCE: stagebuddy.com at 2:00pm on March 20, 2018

Review: Klezmer Music and the Search for Human Connection Fuel 'Old Stock: A Refugee Love Story' by Erin Kahn

Old Stock: A Refugee Love Story (at 59E59 Theaters) is definitely a different kind of theatrical experience. Conceptually, it’s beautiful: a cast and set that emerge from a giant sh…

SOURCE: stagebuddy.com at 1:26pm on March 20, 2018

Interview: Director Aedín Moloney and 'Little House on the Prairie's' Melissa Gilbert on the Olivier-nominated 'My Brilliant Divorce' by Saima Huq

This spring, New Yorkers get the chance to see the iconic actress Melissa Gilbert star in the solo show My Brilliant Divorce. The limited engagement, directed by Fallen Angel Theatre Produci…

SOURCE: stagebuddy.com at 1:05pm on March 20, 2018

Review: Musicals Tonight! Closes Shop after 20 Years with 'Calamity Jane' by Elyse Trevers

March is Women's History Month. What better way to spend a few hours than with Calamity Jane, a real life frontierswoman and professional scout?  Presented by Musicals Tonight!, the music…

SOURCE: stagebuddy.com at 5:30pm on March 19, 2018

Review: The Gallery Players Take on Neil Simon's Hilarious 'Plaza Suite' by Tami Shaloum

Three separate couples occupy room 719 at the Plaza Hotel on different days in 1966 to hilarious effect in Neil Simon's classic three-act comedy Plaza Suite. Directed by Alexander Harrington…

SOURCE: stagebuddy.com at 4:00pm on March 19, 2018

Review: A Psychiatrist Conducts his Patients in Song in 'Good for Otto' by Kathryn Kelly

Good for Otto, presented by the New Group at Signature Theater, offers a master class in acting from its impressive cast, yet the meandering plot and three-hour running time diminish the pot…

SOURCE: stagebuddy.com at 12:44pm on March 19, 2018

Review: 'Dogs of Rwanda' Imagines the Horror of Being a Witness to Genocide by Bill Crouch

In Urban Stages’ solo show Dogs of Rwanda a character who was witness to the 100 days of genocide in Rwanda struggles with the isolation that such knowledge brings. With exquisite writ…

SOURCE: stagebuddy.com at 12:38pm on March 19, 2018

Interview: Donell James Foreman on Madonna, Chaka, and Janet (Oh, My!) by Jose Solis

After making his Broadway debut in The Book of Mormon, Donell James Foreman is paying tribute to the artists he loves in The Dirty 30 Tour or Play-List: a Pop Music Memoir, a show in which h…

SOURCE: stagebuddy.com at 11:00am on March 19, 2018

Interview: 'The Cover of Life' Is a Family Affair, Onstage and Off by Saima Huq

The newly-revived The Cover of Life is a family affair both on-stage and off-stage. Director Stephen S. Miller shares with us his exuberance and anticipation in bringing to life a work writt…

SOURCE: stagebuddy.com at 1:55pm on March 15, 2018

Interview: Hammaad Chaudry on Framing His Own Narrative in 'An Ordinary Muslim' by Arpita Mukherjee

In An Ordinary Muslim, Hammaad Chaudry brings to life the Bhatti family, who have immigrated to England from Pakistan. Through a myriad of conflicts and conversations, Chaudry reveals to us …

SOURCE: stagebuddy.com at 1:37pm on March 15, 2018

Review: How Does Keen Company's Revival of A.R. Gurney's 'Later Life' Fare? by Mark Dundas Wood

In Henry James' 1903 novella The Beast in the Jungle, a man named John Marcher fails to connect with a woman who cares for him. Marcher has a premonition that something horrible will befall …

SOURCE: stagebuddy.com at 9:00pm on March 14, 2018

Interview: 'Folk Wandering' Director Andrew Neisler on Why It's Important to Create a Safe Space with Collaborators by Erin Kahn

From Pipeline Theatre Company, Folk Wandering tells the stories of three different women across three different eras – Rosealia (1911), Kai (1933), and Hannah (1955). Conceived by Andr…

SOURCE: stagebuddy.com at 5:52pm on March 13, 2018

Review: American Conservatory Theatre's 'Vietgone' Disarms Politics with Humor by David Hammerbeck

Sex, motorcycles, the Vietnam War, refugee camps, potty-mouthed moms and soul-bearing raps: these and much more make up Qui Nguyen's Vietgone, currently playing at American Conservatory Thea…

SOURCE: stagebuddy.com at 5:24pm on March 13, 2018

5 Reasons We Can't Wait for NBC's New Musical Drama 'Rise' by Matt Smith

It'll soon be time to Rise (and shine), as the eponymous musical drama, from the brains of Parenthood's Jason Katims and Hamilton producer Jeffrey Sellers, readies for its highly-anticipated…

SOURCE: stagebuddy.com at 1:00pm on March 13, 2018

Review: Great Performances Anchor the Female-Centered 'The Cover of Life' by Saima Huq

In its first revival, appropriately debuting on International Women’s Day, R.T. Robinson’s work The Cover of Life depicts all the hopes and regrets women face, no matter how happ…

SOURCE: stagebuddy.com at 12:57pm on March 12, 2018

Review: 'Breitwisch Farm' Bridges Chasm Between Red and Blue America by Mark Dundas Wood

There's been some well-intentioned talk in the last couple of years about how artists might help bridge the chasm between red states and blue, or"maybe even trickier"the gap between red and …

SOURCE: stagebuddy.com at 3:12pm on March 8, 2018

Review: Why 'A Letter to Harvey Milk' Is the Feel Good Musical We Need by Arpita Mukherjee

What it's about: Set in San Francisco in 1986, the musical centers around Harry (Adam Heller), an amiable but lonely retired kosher butcher, who enrolls in a writing class taught by Barbara …

SOURCE: stagebuddy.com at 1:22pm on March 8, 2018

Review: Sarah Burgess and 'Hamilton' Director Thomas Kail Team Up for 'Kings', a Play about Money and Politics by Elyse Trevers

Playwright Sarah Burgess impressed theater audiences in 2016 with her play Dry Powder, an insightful behind-the scenes picture of private equity firms.  Directed by Thomas Kail (Hamilton)…

SOURCE: stagebuddy.com at 12:56pm on March 8, 2018

Review: The Signature Theater Offers a Rare Production of Albee's Complete 'At Home at the Zoo' by Kathryn Kelly

Edward Albee first wrote The Zoo Story in 1959, but feeling it could use a little more substance (particularly regarding one of the characters, Peter), decided to add on Homelife as the firs…

SOURCE: stagebuddy.com at 5:12pm on March 6, 2018

Review: Cherry Lane's 'A Walk With Mr. Heifetz' by Elyse Trevers

The title of the new play by James Inverne at The Cherry Lane Theatre is misleading.  A Walk With Mr. Heifetz sounds like a play focused upon the famous Russian-born Jewish violinist. …

SOURCE: stagebuddy.com at 4:23pm on March 6, 2018

Review: Performance Artist John Kelly Recreates His Lively Career in 'Time No Line' by Tami Shaloum

The downtown New York City art scene comes alive in performance artist John Kelly's multimedia solo show, Time No Line, playing at La MaMa. A play on the word timeline, Time No Line incorpor…

SOURCE: stagebuddy.com at 3:24pm on March 6, 2018

Review: The Zippy Black Comedy 'Stiff' Pokes Fun at NYC Theater by Emily Gawlak

What's fate without a little push? Certainly nowhere near as a funny as Stiff, Dallas playwright Jeff Swearingen's zippy, big-hearted black comedy, now onstage at Manhattan's TBG Theater. Th…

SOURCE: stagebuddy.com at 1:47pm on March 6, 2018

Review: The Glamorous Alter-Ego Jomama Jones Returns to the Public in 'Black Light' by Tami Shaloum

We are at a crossroads and Jomama Jones is here to guide us. The alter-ego of performance artist Daniel Alexander Jones, Jomama is a creature full of warmth, vitality, and poignant stories. …

SOURCE: stagebuddy.com at 1:37pm on March 6, 2018
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