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2,070 stories from The Theatre Times

Interview: The "Best Time to Be Alive" and The Reclamation of Identity by Melissa Denzer

On March 17, 2023, the Bedlam Theatre in New York will be debuting the musical showcase, Best Time to Be Alive, which has been an ongoing project for its artists since 2019. Ready to hit its…

SOURCE: thetheatretimes.com at 7:08pm on March 16, 2023

Broadway Bodies: An Interview with Ryan Donovan by Trevor Boffone

Productions of Broadway musicals have body issues. Full stop. From casting norms for Broadway choruses to the use of fat suits in Hairspray and Jennifer Holliday's well-documented struggles …

SOURCE: thetheatretimes.com at 12:12pm on March 15, 2023

You Came to See the Obscene?""2020: Obscene" by Lisa Moravec

Alexandra Bachzetsis's latest group performance, 2020: Obscene, estranges the word obscene from its sexual connotation and turns it into a stage play that challenges normative gender roles. …

SOURCE: thetheatretimes.com at 3:50am on March 13, 2023

Bjørg Vik's "The Journey To Venice" At the Finborough Theatre: Norwegian Memory Play Is Tender If Slight by Aleks Sierz

Bjørg Vik's The Journey to Venice at the Finborough Theatre: Norwegian memory play is tender if slight The full version of the article Bjørg Vik's "The Journey To Venice" At the Finbor…

SOURCE: thetheatretimes.com at 3:50am on March 13, 2023

Art and Tech Imaginings of Kat Mustatea by Alexander Fatouros

Creating art that reflects our time, Kat Mustatea is a playwright and technologist whose conceptual triumphs are rooted in narrative-led, drama. Her creative endeavors pay regard to the bear…

SOURCE: thetheatretimes.com at 9:08am on March 10, 2023

Remembering a silenced teacher: Xavier Bobés and Alberto Conejero's "El mar. Visión de unos niños que no lo han visto nunca"/"The Sea. Visi by Maria Delgado

Xavier Bobés is one of those remarkable artists able to conjure a world through a few objects that he animates with a magician's sense of the unexpected. His dramaturgy provides the spectat…

SOURCE: thetheatretimes.com at 8:54am on March 8, 2023

Speaking from Outside: Interview with Olga Voronkova by Allison Newey and Kasia Lech

Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer working with Belarus Free Theatre and Young Vic. Her work focuses on the intersection of act…

SOURCE: thetheatretimes.com at 7:49am on March 7, 2023

Matilda Feyiṣayọ Ibini's "Sleepova" at the Bush Theatre: Rather Predictable, but Fun Show about Coming of Age by Aleks Sierz

Is anyone still nostalgic about their teen years? The coming-of-age drama is a staple of contemporary British theatre, but surely there is something just a bit too predictable about stories …

SOURCE: thetheatretimes.com at 6:18am on March 7, 2023

Breaking Down Barriers through Cultural Policies: A Conversation with Artistic Director and Producer Jesús Cimarro by Natalia García-casarrubios

Jesús Cimarro is the current President of the Spanish Academy of Performing Arts (Academia de las Artes Escénicas de España), as well as the co-founder and director of the theatrical …

SOURCE: thetheatretimes.com at 9:49am on March 5, 2023

"Woman, Life, Freedom: Theatre and Protest in Iran": A Virtual Roundtable in Honor of World Theatre Day by The Theatre Times

Roshan Institute for Persian Studies at the University of Maryland, College Park, and The Theatre Times present "Woman, Life, Freedom: Theatre and Protest in Iran," a virtual roundtable in h…

SOURCE: thetheatretimes.com at 9:16am on March 5, 2023

Prototype Festival: "Mary Motorhead/Trade" and "In Our Daughter's Eyes" by Clare Cioffero

It has been so challenging to write these reviews of three recent works presented as part of the Prototype Festival, works, as the founders have said in various ways, that "skirt the line be…

SOURCE: thetheatretimes.com at 10:47am on March 1, 2023

Friendships and its discontents: Juan Mayorga's "Amistad" by Maria Delgado

Juan Mayorga, one of Spain's most decorated dramatists " a member of Spain's Spanish Royal Academy since 2019 and recipient of the Princess of Asturias Literature Prize in 2022 " is not aver…

SOURCE: thetheatretimes.com at 7:14pm on February 28, 2023

Sitting Down with Emerging Artist Thalia Ranjbar by Morgan Skolnik

The work of Thalia Ranjbar may be challenging" pushing beyond norms and expectations, but at its core it is kind. Her gentle, but relentless commitment to community can be felt both in the c…

SOURCE: thetheatretimes.com at 1:14pm on February 27, 2023

Brecht, Kabarett, and Pussy Riot: The Impact of AnomalousCo's "(beyond) Doomsday Scrolling" by Rhiannon Ling

Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I find ourselves facing a half-built theatrical set, upstage canvas sign proclaiming "THEATRE S…

SOURCE: thetheatretimes.com at 5:06am on February 22, 2023

The Digital Spectator. Romanian Experiences During the Pandemic by Călin Ciobotari

The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence, with all of the implications that arise from such an encounter with a production or with a pe…

SOURCE: thetheatretimes.com at 10:38am on February 17, 2023

The House Where Phantom Lived"Part I: The Majestic Theatre, New York by Lisa Monde

Dedicated to the 35th anniversary of the Broadway musical "The Phantom of the Opera." It is known that the construction of the Grand Opera or the Palais Garnier in Paris inspired Gaston Lero…

SOURCE: thetheatretimes.com at 10:38am on February 17, 2023

Laura Horton's Breathless at the Soho Theatre: slender but heartfelt account of hoarding by Aleks Sierz

The female monologue is a well-established contemporary theatre form, but often the content is predictable and sometimes clichéd. No such doubts come to mind with Laura Horton's latest play…

SOURCE: thetheatretimes.com at 9:27am on February 16, 2023

Josep Maria Pou excels in a minimalist Catalan-language production of Florian Zeller's "The Father" by Maria Delgado

Florian Zeller's The Father, first produced in 2012, remains a timely play for various reasons. It provides a direct and confrontational examination of the challenges of living with dementia…

SOURCE: thetheatretimes.com at 3:38pm on February 14, 2023

Àlex Rigola's lean, mean riff on "Hedda Gabler" by Maria Delgado

Catalan director Àlex Rigola, the former artistic director of the Venice Biennale's theatre section, likes boxes. Many of his scenographic configurations have gravitated around a structu…

SOURCE: thetheatretimes.com at 5:19pm on February 13, 2023

The Geography of Theatre Imagination: A New "Endgame" at a New Irish Theatre Festival by S.e. Gontarski

Much of my approach to theatre, to performance, especially, consists in locating and assessing a production's center of gravity; that is, what are the dominating forces at work in realizing …

SOURCE: thetheatretimes.com at 12:44pm on February 13, 2023

The Poeticism of Woman's War: AnomalousCo's "(beyond) Doomsday Scrolling" by Rhiannon Ling

Only a week after the invasion of Ukraine, three creatives found themselves nestled around a bartop. Kathryn Mederos Syssoyeva, Diana Zhdanova, and Jeremy Goren, the artistic directors of fe…

SOURCE: thetheatretimes.com at 12:44pm on February 13, 2023

ENTRE: A Dispersed Festival of Literature and Theater in Goiania and São Paulo, Brazil by Martin Blaszk

An ambitious plan to fly from GdaÅ„sk, Poland to Goiânia, Brazil and co-organize as well as lead a four-day festival was realized by Tomasz WiÅ›niewski and Martin Blaszk in June 202…

SOURCE: thetheatretimes.com at 6:00am on February 10, 2023

Theatre and Social Justice in Brazil: The Successful Case of the São Paulo Theatre School by Ivam Cabral and Marcio Aquiles

Introduction São Paulo Theatre School was founded in 2009 with the aim to establish a democratic space and implement an innovative pedagogical system in agreement with the specific nature…

SOURCE: thetheatretimes.com at 5:59am on February 9, 2023

The ENTRE Festival in Midwest Brazil by Luis Guilherme Barbosa Dos Santos, Mariana Tagliari, Onira De Ávila Pinheiro Tancrede, Robson Corrêa De Camargo, and Ronei Vieira Nogueira

ENTRE, is a Portuguese verb in the imperative tense that invites us to enter. That says to us: Enter! Entre.Between.PomiÄ™dzy, a festival that took place in Midwest Brazil in 2022, extend…

SOURCE: thetheatretimes.com at 5:23am on February 7, 2023

The Brazilian Experience with Different Forms of Technopresence in Theatre: Os Satyros and SP Escola de Teatro by Rodolfo García Vázquez

Praça Roosevelt (Roosevelt Square) is a square located in downtown São Paulo. It was a historic place for culture and resistance against the military dictatorship (1964 " 1984) but aft…

SOURCE: thetheatretimes.com at 5:46am on February 6, 2023
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