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8,108 stories from DC Theatre Scene

Capital Fringe review: I Favor My Daddy by Michelle Rago

Jamie Brickhouse is a memorable mimic. His enthralling solo show, I Favor My Daddy, doesn't feel solo because of how vividly he inhabits his characters. We meet his parents, Mama Jean and Da…

SOURCE: DC Theatre Scene at 7:36pm on July 14, 2019

Review: Elvis Costello's opera, The Juliet Letters by Susan Galbraith

UrbanArias' Artistic Director Robert Wood continues to push the envelope of what makes for contemporary opera. In Elvis Costello, the famous Brit pop singer/song writer, he has found a compo…

SOURCE: DC Theatre Scene at 4:24pm on July 14, 2019

Capital Fringe review: An Evening with Lola Montez by Debbie Minter Jackson

If this were the 1850's, chances are you would know the name of Lola Montez. Mary Murphy is captivating in her portrayal of this alluring, crowd pleasing, coquettish, and controversial woman…

SOURCE: DC Theatre Scene at 10:24am on July 14, 2019

Capital Fringe review: The Hound by Tim Treanor

Although he wrote until his death in 1937, the horror writer H.P. Lovecraft was resolutely of the 19th century. His lurid prose, which frequently invoked evil in its most hideous forms, pres…

SOURCE: DC Theatre Scene at 10:24pm on July 13, 2019

Capital Fringe review: What I've all been waiting for by Tim Treanor

Rob Rafferty's been waiting for what we have all been waiting for " which is to say, for the fate which awaits us all. Poor Rob has been diagnosed with Brain Crabs, and so is reminded that h…

SOURCE: DC Theatre Scene at 10:24pm on July 13, 2019

Capital Fringe review: Mamita: Eulogies to the Living by Kelly Whealan George

One enters into the eulogy of Mamita by her grown daughter, Charla, played by the playwright Adriana Hillas. But this one-woman performance is much more than a eulogy that remembers a loved …

SOURCE: DC Theatre Scene at 10:24pm on July 13, 2019

Capital Fringe review: A Gentleman & a Liar by Jon Boughtin

"You should be honest with people, even when you're doing magic, which is essentially lying." That's according to Penn Jillette, the loquacious half of the magic duo Penn and Teller and " at…

SOURCE: DC Theatre Scene at 10:24pm on July 13, 2019

Capital Fringe review: Thanksgiving at Macbeth's by Kelly Whealan George

Anyone who considers reality TV as lowbrow should withhold final judgement until they see this play. William Shakespeare's words lend themselves as surprisingly appropriate in a "Real Housew…

SOURCE: DC Theatre Scene at 1:36pm on July 13, 2019

Capital Fringe review: Let's Fight and Say We Didn't by Michelle Rago

In Let's Fight and Say We Didn't, we witness a family at the breaking point. This student-run production from Anne Arundel Community College tackles mental health, child abuse, and the legac…

SOURCE: DC Theatre Scene at 1:36pm on July 13, 2019

Capital Fringe review: You Don't Have a Copyright on Your Mom's Legacy (and Other Dumb Things People Say When You're Mourning) by Dan Desai Martin

Greg DeLucia fully embraces the notion that the best way through a tough situation is laughter. His one-man storytelling show is both emotionally raw and steadfastly funny as DeLucia take us…

SOURCE: DC Theatre Scene at 1:36pm on July 13, 2019

Capital Fringe review: Rewiring Eden by Sarah Elizabeth Adler

Forget about Adam. In Rewiring Eden, Paradise is a women-only zone, home to Eve, Lilith, and a host of other female figures borrowed from legend and myth. Long maligned or misunderstood, the…

SOURCE: DC Theatre Scene at 10:24am on July 13, 2019

Capital Fringe review: How's That Workin' Out for Ya? 2.0 by Meaghan Hannan Davant

In case you haven't heard, the future is female"and fiercely funny. At least as told by the Pipeline Playwrights"a collective of sharp-tongued women playwrights from NoVa, each presenting on…

SOURCE: DC Theatre Scene at 5:18pm on July 12, 2019

Capital Fringe review: Kafka's Metamorphosis: The Musical! by Jeffrey Walker

Franz Kafka and musical theatre might not automatically go together in the minds of most theatre-goers. But Fringe festivals often showcase such juxtapositions and thus we have the musical t…

SOURCE: DC Theatre Scene at 5:18pm on July 12, 2019

Review: The Band's Visit at The Kennedy Center by Susan Galbraith

The Band's Visit shows why it's a multiple Tony Award winner in its stop at The Kennedy Center. It's a musical that grabs your heart with the most unlikely thing in the world of showbiz: eco…

SOURCE: DC Theatre Scene at 2:54pm on July 12, 2019

Capital Fringe review: Codependent by Meaghan Hannan Davant

I'm going to come right out and admit it: I'm no millennial sympathizer.Too many years of sleeping under my desk and being forced (by corporate dress code) to wear nylons through DC's swelte…

SOURCE: DC Theatre Scene at 2:54pm on July 12, 2019

Capital Fringe review: Stuck by Michelle Rago

There are lots of ways to be stuck in life and many of them are explored in Stuck, an engaging two-hander written by Joy Cheriel Brown. Nickie, the winning MoNieshia Hunt, is an ambitious…

SOURCE: DC Theatre Scene at 1:42pm on July 12, 2019

A People's History: How Daisey does it by Guest Writer

As I write this, I have now seen Mike Daisey do 8 of the 18 consecutive chapters in his A People's History.  I've written a dispatch about each (which you can read here), and I'll be cove…

SOURCE: DC Theatre Scene at 12:36pm on July 12, 2019

Capital Fringe review: Office of the Speaker by Dan Desai Martin

If a dream deferred dries up like a raisin in the sun, what happens to a dream fulfilled, but at the expense of one's own principles? Office of the Speaker delivers a soul-wrenching explorat…

SOURCE: DC Theatre Scene at 12:36pm on July 12, 2019

Capital Fringe review: Would You Rather… by Kate Gorman

If Would You Rather… issued a warning label for real life situations it would read: Beware of elaborate questionnaires and their accompanying release forms. The play takes you into a swirl…

SOURCE: DC Theatre Scene at 4:12pm on July 11, 2019

Capital Fringe review: American Tranquility by Jeffrey Walker

Four for the price of one " what a deal! That's four characters making a strong impression in the one-person show American Tranquility, which deserves to play to sold-out audiences every nig…

SOURCE: DC Theatre Scene at 4:12pm on July 11, 2019

Capital Fringe review: Saucy Jack and the Space Vixens by Jill Kyle-keith

Plastic, leather, and love all reign supreme with Up In Your Face's production of Saucy Jack and the Space Vixens. Not familiar with the show? In 1995, this wildly campy space musical/murder…

SOURCE: DC Theatre Scene at 11:24am on July 11, 2019

Capital Fringe review: Love in the Time of Climate Change by Susan Galbraith

Rozina Kanchwala nails it: we in the U.S. live in a world of too many choices, where a girl can just ask Google to serve up a song instantly to match her mood. It's a time when everyone is s…

SOURCE: DC Theatre Scene at 11:24am on July 11, 2019

Capital Fringe review: Heartbeats & Algorithms by Michelle Rago

Oh wow," an audience member said as she stepped into the theater for Heartbeats & Algorithms. The world created by the light and the sound was palpable. The physical sensations continued…

SOURCE: DC Theatre Scene at 11:24am on July 11, 2019

Capital Fringe review: The Breakup by Dan Desai Martin

Breaking up might be hard to do, but watching The Break-Up is a joyful, poignant, moving, and laugh-filled adventure for the audience. We follow Aldi on his emotional roller-coaster journey …

SOURCE: DC Theatre Scene at 11:24am on July 11, 2019

Capital Fringe review: Shakespeare's Worst by Tim Treanor

Let's get this out of the way first. Two Gentlemen of Verona is not Shakespeare's worst play. Not by a long shot; not in a universe which has Timon of Athens and Coriolanus and Two Noble Kin…

SOURCE: DC Theatre Scene at 6:24pm on July 10, 2019
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