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2,260 stories from Chicago Theater Beat

Review: Reasons to Be Happy (Profiles Theatre) by Scotty Zacher

The comedy-drama Reasons to Be Happy revisits four characters from his Tony-nominated play *reasons to be pretty* three years later, and while it's not as robust a play as its predecessor, i…

SOURCE: Chicago Theater Beat at 12:59pm on September 13, 2014

Review: Endgame (The Right Brain Project) by Scotty Zacher

The Right Brain Project once again stays true to its mission to "defy preconceived notions and challenge the contemporary theatre experience" in this unique production of Beckett's masterpie…

SOURCE: Chicago Theater Beat at 4:10pm on September 10, 2014

Review: Since I Suppose (one step at a time like this & Chicago Shakespeare) by Scotty Zacher

Based on Shakespeare's Measure for Measure, Since I Suppose is a masterpiece in experiential story telling, taking individuals on the multimedia journey through downtown Chicago that brillia…

SOURCE: Chicago Theater Beat at 11:14pm on September 9, 2014

Review: Who Is Tyler Durden? (Bare Knuckle Productions) by Scotty Zacher

Given the cult fascination with the film Fight Club, there's bound to be some interest in a theatrical adaptation. Who is Tyler Durden? might do well to go further from its source material t…

SOURCE: Chicago Theater Beat at 3:04pm on September 7, 2014

Review: References to Salvador Dalí Make Me Hot (Something Incredibly Marvelous Happens) by Scotty Zacher

With a little work, the script's weaknesses could be overcome, if the affection between the characters, and the characters behind the words were fleshed out and developed. This group has the…

SOURCE: Chicago Theater Beat at 8:08pm on September 4, 2014

Review: My Name Is Asher Lev (TimeLine Theatre) by Scotty Zacher

Chaim Potok's 1972 novel, so far as I can tell, has never been produced as an audio book. This stage adaptation by Aaron Posner, at least as it's performed here, doesn't get much beyond the …

SOURCE: Chicago Theater Beat at 5:18pm on August 31, 2014

Review: Methtacular! (About Face Theatre) by Scotty Zacher

The Chicago premiere of Steven Strafford's one-man show Methtacular! is like no drug-addiction story I've ever seen. Through comedy, music and storytelling, Strafford deftly paints a picture…

SOURCE: Chicago Theater Beat at 9:49pm on August 28, 2014

Review: The Arsonists (Strawdog Theatre) by Scotty Zacher

Even updated, The Arsonists is unabashedly old-fashioned, with its Greek-style chorus of firemen and symbolism as blatant as any horror movie. Alistair Beaton's update under Matt Hawkins' di…

SOURCE: Chicago Theater Beat at 5:25pm on August 28, 2014

Review: Churchill (Greenhouse Theater and SoloChicago) by Scotty Zacher

In this co-production by newly-formed SoloChicago and Greenhouse Theater, Ronald Keaton, the adaptor and sole actor in Churchill, manages to breathe life into a history lesson that many peop…

SOURCE: Chicago Theater Beat at 6:34pm on August 27, 2014

Review: Ecstasy (Cole Theatre) by Scotty Zacher

Though it runs quite long for a small dramedy, ultimately Ecstasy is well worth the two hour run time. Director Shade Murray and the newly formed Equity company Cole Theatre have the knowled…

SOURCE: Chicago Theater Beat at 8:16pm on August 26, 2014

Review: Stupid Fucking Bird (Sideshow Theatre) by Scotty Zacher

The entire cast is dead-on, with impeccable chemistry and outstanding performances that hold up through the final scene. Aaron Posner's script, a spoof on Chekhov's The Seagull, is - simply …

SOURCE: Chicago Theater Beat at 11:48pm on August 25, 2014

Review: The Yellow Wallpaper (The Mill Theatre) by Scotty Zacher

Semi-autobiographical, The Yellow Wallpaper was based on Gilman's own experiences with helplessness in the Victorian age. Though this adaptation doesn't live up to its hype, this is still an…

SOURCE: Chicago Theater Beat at 8:21pm on August 25, 2014

Review: Some Men (Pride Films and Plays) by Scotty Zacher

Times have changed for the LGBTQ community. Terrence McNally's Some Men is an entertaining, if slight, look at at gay life from the 1920s to present, and how we get where we are today. (rea…

SOURCE: Chicago Theater Beat at 6:19pm on August 25, 2014

Review: Clemente " The Legend of 21 (NightBlue Performing Arts and ArtoCarpus) by Scotty Zacher

Luis Caballero's play-with-music, with the help of his talented and immensely likeable cast, connects us with the Clemente behind the batting statistics. Despite a number of inspired moments…

SOURCE: Chicago Theater Beat at 5:28pm on August 24, 2014

Review: The Importance of Being Earnest (American Players Theatre) by Scotty Zacher

The Importance of Being Earnest will have you laughing until you weep, and then confounded with awe at the singular, subversive genius of Oscar Wilde. Highly Recommended. (read Catey Sulli…

SOURCE: Chicago Theater Beat at 12:53pm on August 23, 2014

Review: On the Town (Marriott Theatre) by Scotty Zacher

Everything clicks in Marriott Theatre's exuberant revival. And highlighting it all is Alex Sanchez' eye-popping, mind-blowing, heart-stopping choreography. The young and proven ensemble are …

SOURCE: Chicago Theater Beat at 6:00pm on August 21, 2014

Review: Witch Slap! (Babes With Blades) by Scotty Zacher

               Witch Slap! Written by Jeff Goode    Directed by Delia Ford Raven Theatre West Stage, 6157 N. C…

SOURCE: Chicago Theater Beat at 12:43am on August 21, 2014

Review: The Boxer (Pursuit Productions) by Scotty Zacher

Pursuit Productions and Director Kacie Smith have created a multimedia production that's truly unique and enjoyable; see it before the boxing bell rings! (read Keith Glab's entire review....)

SOURCE: Chicago Theater Beat at 3:41pm on August 20, 2014

Review: The Most Ado: A Party Play (Nothing Special Productions) by Scotty Zacher

Yeah, it's a little gimmicky at times, but this can be forgiven because the fun becomes contagious. William Shakespeare could be a rude crude dude, and in this age of political correctness, …

SOURCE: Chicago Theater Beat at 12:35am on August 20, 2014

Review: Musas (Water People Theater) by Scotty Zacher

Even with its flaws, the show still manages to be entertaining, as the cast is excellent and the energy stays high. Live guitar accompaniment by Samuel Ocean adds a nice touch. If you are fa…

SOURCE: Chicago Theater Beat at 3:21pm on August 19, 2014

Review: Hank Williams, Lost Highway (American Blues Theater, 2014) by Scotty Zacher

Directed by Damon Kiely, the story of a skinny, dirt-poor kid from the outskirts of nowheresville, Alabama is at once sad, funny, and rich with the raw, gorgeously unpolished, true country s…

SOURCE: Chicago Theater Beat at 9:33pm on August 18, 2014

Review: One Day When We Are All Robots (Chicago Slam Works) by Scotty Zacher

The ten poetry/drama performers in Chicago Slam Works' latest incarnation deliver a very disciplined warning of the perils of being over-connected and the dangers of seeking phony cyber dest…

SOURCE: Chicago Theater Beat at 8:48pm on August 17, 2014

Review: Home of the Gentry (On the Spot Theatre) by Scotty Zacher

Ivan Turgenev's 1858 novel "Home of the Gentry" is a cautionary, bittersweet tale about a Russian emigre's inability to find happiness when he returns home. Seen in a final preview, adaptor/…

SOURCE: Chicago Theater Beat at 12:01am on August 17, 2014

Review: Coraline (Black Button Eyes Productions) by Scotty Zacher

               Coraline By Stephen Merritt and David Greenspan   Directed by Ed Rutherford at City Lit Theater, 102…

SOURCE: Chicago Theater Beat at 12:04pm on August 16, 2014

Review: Medea (Dream Theatre Company) by Scotty Zacher

In Jeremy Menekseoglu's creative re-imagining of the Euripides tale of a woman scorned, the classic tragedy is made more complex with the addition of personal and marital issues of our age. …

SOURCE: Chicago Theater Beat at 8:41pm on August 15, 2014
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