DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
35,712 stories from The Guardian

David Cross: I'm from the Future review " a sneering shot at the right by Brian Logan

Available onlineThe American standup takes aim at anti-vaxxers and rightwingers but his contempt also erodes the fun As high-wire openings to a standup show go, this will take some beating. …

SOURCE: The Guardian at 9:54am on February 7, 2022

'I wanted to know what the human body is capable of': the drama set entirely in water by Kate Wyver

Morgan Lloyd Malcolm's new play is a story of sisters, pain and the gruelling long-distance swim to cross the Channel Grief, says playwright Morgan Lloyd Malcolm, is an endurance test. "It f…

SOURCE: The Guardian at 3:18am on February 7, 2022

The Invisible Man review " HG Wells in the psychiatrist's room by Mark Fisher

Northern Stage, NewcastleTroubled young man Simon Griffin is invisible to society even before the vanishing act, while his therapist has the opposite problem The legacy of The Invisible Man …

SOURCE: The Guardian at 12:06am on February 7, 2022

Milton Jones review " nothing is as it seems in this brain-warping cartoon comedy by Brian Logan

De La Warr Pavilion, Bexhill-on-Sea The twisty little lexical tricks just keep coming as Jones explores the infinite flexibilities of the English language You thought of him as a big-haired,…

SOURCE: The Guardian at 2:12pm on February 6, 2022

The White Handkerchief review " Bloody Sunday powerfully relived by a local cast by Clare Brennan

Guildhall, DerryDrama, music and movement are combined to potent effect in this new play depicting the tragic events of 30 January 1972 Iconic photographs give this new musical play its titl…

SOURCE: The Guardian at 12:03pm on February 6, 2022

The week in theatre: A Number; The Glow " review by Susannah Clapp

Old Vic; Royal Court, LondonLennie James and Paapa Essiedu illuminate Caryl Churchill's great cloning play, while a fine cast lift Alistair McDowall's wordy new dystopia It is proving to be …

SOURCE: The Guardian at 6:24am on February 6, 2022

The PappyShow: What Do You See? review " a freewheeling exploration of cultural diversity by Sanjoy Roy

Shoreditch Town Hall, LondonThe 13-strong cast dive with gusto into the gap between seeing and looking, us and them, and you and me "What do you see when you look at me?" chant The PappyShow…

SOURCE: The Guardian at 6:24am on February 6, 2022

'I was right to speak out about slavery money that built Bristol Old Vic' by Tom Wall

Tom Morris explains why he had to antagonise some of its donors in his effort to drive change Bristol Old Vic's outgoing artistic director Tom Morris has defended his decision to publicly hi…

SOURCE: The Guardian at 12:48pm on February 5, 2022

On my radar: Rose Matafeo's cultural highlights by Kathryn Bromwich

The Starstruck ​creator and ​​star reveals her passion for ​Joan Collins,​ J-pop and all-you-can-eat vegetarian buffets Born in Auckland, New Zealand in 19…

SOURCE: The Guardian at 10:36am on February 5, 2022

MJ the Musical review " mesmerizing parade of hits doesn't look in the mirror by Adrian Horton

Neil Simon Theatre, New York The new Broadway jukebox musical on the life and pop catalog of Michael Jackson is a romp that only glances at the elephant in the room MJ, a megawatt new jukebo…

SOURCE: The Guardian at 3:48pm on February 4, 2022

Alexander Zeldin: 'We need to find a way to talk about things we don't want to see' by Laura Cappelle

The playwright found acclaim with works about the devastation caused by austerity. He returns with a drama exploring the realities of ageing There is one no-no in an Alexander Zeldin rehears…

SOURCE: The Guardian at 2:48pm on February 4, 2022

Hamlet review " an indie prince of infinite jest but little tragedy by Arifa Akbar

Sam Wanamaker Playhouse, LondonAlthough Sean Holmes's production has some nice touches, it fails to plumb the play's existential depths and lacks emotional intensity George Fouracres, best k…

SOURCE: The Guardian at 11:33am on February 4, 2022

Tanztheater Wuppertal Pina Bausch: Kontakthof review " the miseries of mating by Lyndsey Winship

Sadler's Wells, LondonTender, brutal and humorous, the choreographer's 1978 piece about gender wars and sexual mores still feels acutely contemporary It was 40 years ago that choreographer P…

SOURCE: The Guardian at 7:06am on February 4, 2022

Comedian Catherine Bohart: 'When Covid hit it was, "there goes my next six months earnings"' by Brian Logan

The Irish standup faced the Covid situation newly single, dealing with OCD and with her livelihood in tatters. Now she's back on tour, making comedy from mental health and heartbreak You tho…

SOURCE: The Guardian at 1:54pm on February 3, 2022

Jo Kendall obituary by Anthony Hayward

Actor in the high-spirited Footlights revue Cambridge Circus in the 1960s who was a founding cast member of Emmerdale FarmThe actor Jo Kendall, who has died aged 81, was catapulted to fame a…

SOURCE: The Guardian at 1:54pm on February 3, 2022

The inspirational rise of drag kings: 'We are smashing down doors left, right and centre!' by Ella Braidwood

Drag queens enjoy mainstream success, yet their masculine-dress allies remain an exciting subculture. With so many artists now making waves, that may be about to change In an east London pub…

SOURCE: The Guardian at 9:33am on February 3, 2022

James McAvoy: 'Play Hamlet? Nah " he's always seemed a bit of a moaner to me' by Arifa Akbar

He came blazing out of Glasgow like a rocket, scoring hits and acclaim. As he returns to the stage in a hard-rapping, homoerotic Cyrano de Bergerac, the star talks about partygate, snout siz…

SOURCE: The Guardian at 4:03am on February 3, 2022

A Number review " Lennie James and Paapa Essiedu scintillate as father and sons by Arifa Akbar

Old Vic theatre, LondonThe powerhouse duo's effortless chemistry and emotional realism brings Caryl Churchill's cloning tragedy blazing into new life 'They've taken your cells," says a fathe…

SOURCE: The Guardian at 10:24am on February 2, 2022

Walking With Ghosts review " Gabriel Byrne's trip down Dublin's memory lanes by Chris Wiegand

Gaiety theatre, DublinThe actor adapts his impressionistic memoir for the stage, giving life to the characters he observed as a boy in the 'theatre of the street' Gabriel Byrne's 2020 book W…

SOURCE: The Guardian at 7:06am on February 2, 2022

'Shakespearean' Donald Trump to be subject of play in blank verse by Harriet Sherwood Arts and Culture Correspondent

The 47th by Mike Bartlett stars Bertie Carvel as the ex-president making attempt to regain the White House The author of an acclaimed play about the future of the monarchy has taken on the "…

SOURCE: The Guardian at 3:42pm on February 1, 2022

Spike review " capering tribute summons the wise-cracking Goon's spirit by Brian Logan

Watermill theatre, NewburyFast-paced portrait of Spike Milligan hurls us between the comic's anarchic Goon Show sketches, cartoonish clashes with the BBC and the trauma of war Spike Milligan…

SOURCE: The Guardian at 8:06am on February 1, 2022

Galina Samsova obituary by Jane Pritchard

Ballet dancer with a distinctive Russian style who was noted for her musicality and acting abilityGalina Samsova, who has died aged 84, was a ballerina with a distinctive Russian style, who …

SOURCE: The Guardian at 8:06pm on January 31, 2022

'There is nothing more magical': resurrected theatre brings ancient Greece to life by Helena Smith In Epidavros

New passion for reviving country's monuments is returning Little Theatre of Epidavros to heart of community For nearly two millennia, the Little Theatre of Epidavros lay underground. Its eng…

SOURCE: The Guardian at 8:03am on January 31, 2022

'I know what anxiety is. And guilt': Florian Zeller on his nightmarish new play by Laura Cappelle

The French prodigy, who won an Oscar for The Father, talks about The Forest, his labyrinthine new drama following a man whose life unravels after an affair Florian Zeller has made a speciali…

SOURCE: The Guardian at 8:03am on January 31, 2022

The Winston Machine review " the joys and dangers of dreaming about the past by Miriam Gillinson

New Diorama theatre, LondonA young woman escapes her present through reveries of her grandparents' wartime romance in Kandinsky theatre's playful, probing work The Winston Machine is a typic…

SOURCE: The Guardian at 8:03am on January 31, 2022
« Previous 25   Page 278 of 1,429   Next 25 »