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35,712 stories from The Guardian

Uncanny Valley: the moving one-man play " starring an animatronic robot by Natasha Tripney

It was a play that gave us the word "robot" " and now an android is the performer in a groundbreaking new production. But can it make us laugh " and cry? A figure sits alone on stage, dres…

SOURCE: The Guardian at 5:03am on February 21, 2022

Moorcroft review " bittersweet football comedy is right on target by Mark Fisher

Tron, GlasgowInspired by stories of her father's youth, Eilidh Loan's vibrant debut tackles race, sexuality and illness " and is as funny in execution as it is serious in purpose Here is a p…

SOURCE: The Guardian at 8:12pm on February 20, 2022

Diaghilev and me: discovery reveals Ballets Russes maestro was also a monster by Dalya Alberge

The dance impresario 'cruelly' sabotaged the careers of others in a bid to keep all the glory to himself, according to a new biography He was the Russian genius who founded the celebrated Ba…

SOURCE: The Guardian at 8:03am on February 20, 2022

The week in theatre: Two Billion Beats; Running With Lions; The Forest; The Chairs " review by Susannah Clapp

Orange Tree, Richmond; Lyric Hammersmith; Hampstead; Almeida, LondonA Hindu schoolgirl challenges all around her; Toby Stephens and Gina McKee star in Florian Zeller's sketchy new play; and …

SOURCE: The Guardian at 6:54am on February 20, 2022

Anna Karenina review " overthought and underdone by Clare Brennan

Crucible, SheffieldThough well acted, this revival of Helen Edmundson's 1992 adaptation doesn't feel ready for the big stage "All ideas are good," according to the great theatre teacher Jac…

SOURCE: The Guardian at 6:54am on February 20, 2022

NDT2 review " utter and transfixing confidence by Sarah Crompton

Sadler's Wells, LondonThe magnetic young dancers of NDT2 shapeshift through a demanding triple bill with irresistible ease and assurance The youngest of the 18 dancers who make up Nederlands…

SOURCE: The Guardian at 4:42am on February 20, 2022

An Unfinished Man review " innovative drama can't quite break the hex by Anya Ryan

Yard theatre, LondonDipo Baruwa-Etti's thoughtful exploration of the Black experience is smartly acted but never fully builds on its themes Kayode (Fode Simbo) has been unemployed for seven …

SOURCE: The Guardian at 5:33pm on February 18, 2022

Ivan Michael Blackstock: 'On TV the imagery around young Black men is very violent' by Alex Mistlin

After working with Kylie and Beyoncé, the south London choreographer is interrogating perceptions about Black masculinity with his new show Traplord Ivan Michael Blackstock never stops movi…

SOURCE: The Guardian at 2:18pm on February 18, 2022

Much Ado About Nothing review " a lavish vision of space-age Shakespeare by Arifa Akbar

Royal Shakespeare theatre, Stratford-upon-Avon Afrofuturism meets comic-book kitsch in a radiant production whose dramatic impact cannot match its majestic design The first and last word on …

SOURCE: The Guardian at 2:18pm on February 18, 2022

Endgame review " Frankie Boyle brings fresh life to Beckett's dystopia by Helen Meany

Gate theatre, DublinThe comedian turns on the roguish charm as part of a dazzling cast that inject new poignancy into the absurdist classic One of Samuel Beckett's most celebrated plays, End…

SOURCE: The Guardian at 6:33am on February 18, 2022

Portia Coughlan review " blistering birthday tragedy of self-destruction by Helen Meany

Abbey theatre, DublinDenise Gough plays out Portia's bleak 30th, defined by family resentments, misogyny and the spectral presence of her dead twin, in this disturbing drama It is not only t…

SOURCE: The Guardian at 12:18pm on February 17, 2022

Ode to a Twitter spat: Simon Armitage and John Tiffany's bird play by Simon De Bruxelles

Poet laureate joined by theatre director to produce play of medieval poem The Owl and the Nightingale The Owl and the Nightingale may have been written 800 years ago, but its anonymous autho…

SOURCE: The Guardian at 9:03am on February 17, 2022

NDT2 review " dancing clean enough to eat your dinner off by Lyndsey Winship

Sadler's Wells, LondonThe incredible young dancers of NDT's satellite company easily navigate a triple bill of Hans van Manen, Marco Goecke and Johan Inger, fleet and varied NDT2 is a compan…

SOURCE: The Guardian at 9:03am on February 17, 2022

Saturday Night Fever review " don't drop that glitter ball! by Miriam Gillinson

Peacock theatre, LondonBig-hearted production ticks all the visual boxes of the 70s classic, and pro dancers tidy the raw edges but at times the floor fails to light up A kaleidoscope of dis…

SOURCE: The Guardian at 6:48am on February 17, 2022

Kit Harington on Henry V and life after Jon Snow: 'We need to start dealing with male anger' by Emine Saner

As the Game of Thrones star swaps furs for modern dress to play Shakespeare's monarch, he reflects on what the play tells us about masculinity, and how it addresses the issues that drove his…

SOURCE: The Guardian at 3:33am on February 17, 2022

Running With Lions review " grief haunts a British Caribbean family by Arifa Akbar

Lyric Hammersmith, LondonSian Carter's debut play tells an inter-generational story of hidden mental illness that is richly played, with real pain but also sparks of joy You are forced to "s…

SOURCE: The Guardian at 1:24pm on February 16, 2022

When the Long Trick's Over review " drowning in grief by Anya Ryan

New Wolsey theatre, IpswichA woman sets out to swim the Channel in memory of her dead sister in a play that is imperfectly written but brilliantly staged Grief can feel like drowning. And in…

SOURCE: The Guardian at 1:24pm on February 16, 2022

Tim Key review " unexpected laughs from lockdown-deferred dreams by Rachael Healy

Soho theatre, LondonKey swerves Covid cliches by recreating his professional crisis in silly poems, poignant prose and punchlines involving his five-foot teddy bear companion Struggling to a…

SOURCE: The Guardian at 10:06am on February 16, 2022

Donuts review " in sync with the delicate dynamics of friendship by Lyndsey Winship

The Place, LondonFusing funk styles with contemporary dance, Jamaal Burkmar's original voice and feelgood choreography is warm, fun and very watchable The programme notes for Jamaal Burkmar'…

SOURCE: The Guardian at 10:06am on February 16, 2022

Broken Wings review " loved-up Middle Eastern musical fails to take flight by Miriam Gillinson

Charing Cross theatre, LondonStriking singing and an unabashedly romantic score can't salvage this disappointingly one-note adaptation of the Kahlil Gibran novel This new musical is about lo…

SOURCE: The Guardian at 8:03am on February 16, 2022

Steve review " an ode to the lives and loves of Broadway fanatics by Ryan Gilbey

Seven Dials Playhouse, LondonThe staging and writing zing nicely as an ensemble cast convincingly struggle to hold on to their youth by sleeping around, sexting and experimenting with throup…

SOURCE: The Guardian at 5:42am on February 16, 2022

The Forest review " Florian Zeller's infidelity tale is masterfully executed by Arifa Akbar

Hampstead theatre, LondonA seductive production that jumbles chronology and blends memory with fantasy is undeniably slick and captivating to watch Florian Zeller's brand of psychological th…

SOURCE: The Guardian at 11:18am on February 15, 2022

Alan Russell obituary by Iain Mackintosh

Alan Russell, who has died of cancer aged 78, was the production manager at the Birmingham Rep when its new theatre on Broad Street was being planned in the early 1970s. Theatre Projects Con…

SOURCE: The Guardian at 1:33pm on February 14, 2022

Maria Friedman: 'Sondheim was a kind man, but God, he could be very direct' by Kate Kellaway

The musical theatre star on her new tribute show to Stephen Sondheim, her unconventional upbringing, and her happiest song… Maria Friedman, 61, is a singer, actor and director who has a na…

SOURCE: The Guardian at 8:03am on February 13, 2022

Hamlet review " a prince of wheeze by Susannah Clapp

Sam Wanamaker Playhouse, LondonThough standup George Fouracres brings pugnacious energy to the role, Shakespeare's tragedy is rendered way too glib The best thing about Sean Holmes's chaotic…

SOURCE: The Guardian at 8:03am on February 13, 2022
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