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35,712 stories from The Guardian

Marvellous review " Neil Baldwin's life story gets more amazing by Mark Fisher

New Vic theatre, Newcastle-under-LymeSeven actors portray the charming friend to archbishops and circus stars in this freewheeling show The improbable story of Neil Baldwin gets more improba…

SOURCE: The Guardian at 7:03am on March 16, 2022

Loverly! My Fair Lady past and present " in pictures

As the Lincoln Center's award-winning show heads to the London Coliseum, look back at stage productions of the musical about a linguistics professor who tries to transform a Cockney flower s…

SOURCE: The Guardian at 6:03am on March 16, 2022

Cock review " Jonathan Bailey and Taron Egerton locked in a love triangle by Arifa Akbar

Ambassadors theatre, LondonJade Anouka's character causes an existential earthquake in Marianne Elliott's stylised revival of Mike Bartlett's comedy about sexual identity The world has at la…

SOURCE: The Guardian at 7:03pm on March 15, 2022

'It's like being possessed': Australia's star choreographer Lucy Guerin on 20 years of dance by Tim Byrne

Two decades since she launched her company Lucy Guerin Inc, Guerin is known for her dazzling and strange work. She talks about her new Melbourne show and considers her legacy Australian chor…

SOURCE: The Guardian at 2:36pm on March 15, 2022

'They draw bombs, tanks and wishes for peace': Ukraine's child mental health crisis by Lorenzo Tondo In Lviv

Theatre workshops and art classes have sprung up to offer temporary respite from war as doctors warn of widespread trauma Russia-Ukraine war: latest updates Two days after Russian forces ent…

SOURCE: The Guardian at 12:24pm on March 15, 2022

'I'm a TV producer's dream!' " Rosie Jones on the trouble with being the poster girl for disabled comedy by Rosie Jones

We're told comedy is becoming much more diverse. So why does the very busy Channel 4 star sometimes feel like she's the only disabled comedian in the country? I'm writing this article from a…

SOURCE: The Guardian at 12:24pm on March 15, 2022

Catherine Cohen: The Twist…? She's Gorgeous review " wickedly funny by Brian Logan

NetflixIn the TV version of her hit Edinburgh show, the standup's charisma, songs and self-absorbed swagger are still sparkling When Catherine Cohen's The Twist …? She's Gorgeous played th…

SOURCE: The Guardian at 12:24pm on March 15, 2022

This American Life's Ira Glass: 'We do stories where we think: that seems messed up' by Hadley Freeman

As he prepares to bring his new live show to the UK, Glass " host of the hit radio series " talks about fairness, 'podcast voice' and why Steve Martin has got it all wrong Ira Glass is a few…

SOURCE: The Guardian at 8:03am on March 15, 2022

Irish Annie's review " it's the Ricky Tomlinson show by Mark Fisher

Theatre Royal, St HelensThe actor and raconteur is in his element in Asa Murphy's jolly Irish bar-themed patchwork production Is that a look of delight or terror in the eyes of the cast when…

SOURCE: The Guardian at 8:03am on March 15, 2022

'Fancy a little top-up?' Teens throw a new Abigail's Party with guest list of 30 by Arifa Akbar

The eponymous do of Mike Leigh's 1977 play is reimagined in Abi's House Party, a youth production at the Watford Palace theatre. But what would Bev think? The drama in Abigail's Party focuse…

SOURCE: The Guardian at 6:48am on March 15, 2022

Ghosts of the Titanic review " conspiracy drama goes adrift by Arifa Akbar

Park theatre, LondonRon Hutchinson's play picks up intriguing themes about fake news and psychology but fails to explore them in depth "What if the Titanic never hit an iceberg? What if it s…

SOURCE: The Guardian at 2:18pm on March 14, 2022

'It's like Heathrow control room': creating Wondrous Stories, Birmingham 2022's opening ceremony by Lyndsey Winship

Motionhouse artistic director Kevin Finnan reveals the challenges in preparing a spectacular start to a festival '"In the 60s, choreographer Yvonne Rainer came out with this whole manifesto:…

SOURCE: The Guardian at 9:48am on March 14, 2022

'Experience Shakespeare by seeing it " even better, be in it': inside the RSC's new epic by Michael Billington

Owen Horsley's new production of Henry VI, Parts 2 and 3, uses a cast of 120, including professionals and community participants, with some of them filming the action on stage I discovered r…

SOURCE: The Guardian at 4:18am on March 14, 2022

Cherry Jezebel " Liverpool's drag queens offer a darkly comic night of the soul by Mark Fisher

Everyman, LiverpoolWith merciless invective and scatter-gun put-downs, Jonathan Larkin's comedy is black to the point of cruelty in a bleak but uplifting play about after-hours queer culture…

SOURCE: The Guardian at 8:48pm on March 13, 2022

Jeremy Child obituary by Michael Coveney

Actor whose collection of stage and screen establishment figures included three TV foreign secretariesFor someone who succeeded to a baronetcy in 1971, the actor Jeremy Child, who has died a…

SOURCE: The Guardian at 2:07pm on March 13, 2022

William Forsythe: 'I want people to look forward to ballet, not endure it' by Sarah Crompton

The American choreographer on setting classical dance steps to James Blake, his friendship with Nureyev, and why he hugs trees One of the world's greatest dance-makers, William Forsythe, 72,…

SOURCE: The Guardian at 1:03pm on March 13, 2022

The week in theatre: Nora: A Doll's House; The Key Workers Cycle; Legacy by Kate Kellaway

Royal Exchange, Manchester; Almeida; Menier Chocolate Factory, LondonStef Smith's Ibsen update can't quite match the original for its sense of dread; the mystery play gets a Covid-era reboot…

SOURCE: The Guardian at 1:03pm on March 13, 2022

Macbeth review " an excess of sound and fury by Clare Brennan

Leeds PlayhouseEfforts to make Shakespeare accessible to all rub against confused staging and wayward delivery in Amy Leach's ambitious production Cacophonous crashes signal the opening. Sea…

SOURCE: The Guardian at 1:03pm on March 13, 2022

Katerina Andreou: BSTRD/Christian Rizzo: une maison review " a feat of endurance and desultory dramatics by Sanjoy Roy

Sadler's Wells, LondonWhile Andreou clearly pursues a path and a purpose with her 2018 work, Rizzo's directionless fantasy world is a rambling trip Minimalism has many guises. If the opening…

SOURCE: The Guardian at 1:03pm on March 13, 2022

Dogs of Europe review " art and activism combine in breathtaking spectacle by Arifa Akbar

Barbican, LondonFairytale imagery is mixed with absurdist humour in this prescient political thriller in which Russia has become a dictatorial superstate Given the political history of the B…

SOURCE: The Guardian at 1:03pm on March 13, 2022

Lyon Opera Ballet: Dance; Brigel Gjoka, Rauf 'RubberLegz' Yasit & Rusan Filiztek: Neighbours " review by Sarah Crompton

Sadler's Wells, LondonA Lucinda Childs postmodern gem sparkles anew, while two extraordinary dancers explore what unites people and tears them apart When George Balanchine created his three-…

SOURCE: The Guardian at 6:24am on March 13, 2022

'I like all of it': Neil Baldwin, Staffordshire local hero, on a new play about his remarkable life by Francis Beckett

A theatre adaptation of the TV film Marvellous, which starred Toby Jones, finds new insights into what makes this football mascot, clown and friend of archbishops special Today there will be…

SOURCE: The Guardian at 6:48am on March 12, 2022

I've faced a lot of hate. But I didn't realise how much until I saw myself on stage | Gina Miller by Gina Miller

A new play centres on my court case against Theresa May, and my treatment by the Daily Mail. Watching it was painful Gina Miller is a transparency campaigner who has won two supreme court ca…

SOURCE: The Guardian at 12:12pm on March 11, 2022

I Don't Think We've Met celebrates a golden age of cricketing chivalry | Michael Billington by Michael Billington

Ian Smith's moving tribute to the late Colin Cowdrey is a gentle reminder of the abiding link between the stumps and the stage Cricket and theatre have long been intimate bedfellows. Stroll …

SOURCE: The Guardian at 12:12pm on March 11, 2022

Wonder Boy review " a school play with soul-stirring super powers by Chris Wiegand

Bristol Old VicWith brilliant performances, eye-popping visuals and a gloriously profane script by Ross Willis, this is an unforgettable tale of adolescence Here is an audaciously inventive,…

SOURCE: The Guardian at 7:54am on March 11, 2022
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