Woman of the year BY PETER FILICHIA
George Street comedy portrays a woman of determination
George Street comedy portrays a woman of determination
An often ravishing visual evocation of low-life 1890s Paris, "Belle Epoque" is the stage equivalent of a vintage French postcard -- spicy yet ultimately thin, with little room for words.
Tap dancer Savion Glover makes an easy fit with his current touring partner, vocalist Bobby McFerrin.
Laugh all the way to purgatory at this one-woman show about Catholicism at Pax Amicus
Cold War tale makes 'Democracy' a tough sell
Frank Wildhorn, the man who set "Jekyll & Hyde" to music, has written a musical about an almost equally tempestuous pair.
'Whoopi' keeps 'em laughing 20 years later
Shepard's cynical drama portrays government as ultimate evil
Another 'Good Body' of work with social significance from artist Eve Ensler
Great makers of musicals, Richard Rodgers and Oscar Hammerstein II were also known to be exacting professionals whose shows were expertly produced.
So it's a wonder that their angry spirits did not materialize to smite the New York City Opera management that threw up the team's "Cinderella" in a careless revival at the New York State Theatre.
Falco gets into character's troubled soul
Amy Irving is perfect for the part of a playwright in 'Celadine,' created just for her
Greeting the season
It's already Christmas in a typically big way over at Radio City Music Hall, where the "Radio City Christmas Spectacular" bowed for the 72nd year.
'Rounding Third' provides level playing field for sharp exchanges on competition
There's that famous line about an accident on the highway: You can't look at it, but you can't look away from it, either.
'Immigrant' tale is based on Jewish family's early struggles in America
'People Are Wrong!' blends quirky story, tuneful score
Solo show takes a good whack at the legend of Lizzie Borden
So will the audiences at Dreamcatcher Repertory Theatre in South Orange be laughing wildly at "Laughing Wild"?
Yes, at least for the first act of Christopher Durang's 1987 farce.