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8,108 stories from DC Theatre Scene

Julianne Brienza on Capital Fringe 2019: how did they handle the heatwave, and where to next year? by Julian Oquendo

Today, the Capital Fringe Festival 2019 starts its final week. While audiences are picking out the shows to catch, Julianne Brienza, (CEO and Capitol Fringe Festival Founder) and CF staff ar…

SOURCE: DC Theatre Scene at 3:32pm on July 23, 2019

How LadyM, begun as a look at Macbeth's witches, became a menstruation comedy by Julian Oquendo

Rachel Hynes is excited. She is a few hours away from the Friday night performance of LadyM, a devised production based on interviews with D.C. women on their experiences with menstruation. …

SOURCE: DC Theatre Scene at 12:42pm on July 22, 2019

Review: Sam Hunter's The Few: excellent performances from Unexpected Stage by Tim Treanor

"Only connect," wrote the novelist E.M. Forster, "Live in fragments no longer." Ah, but that's easier said than done, E.M., particularly in the windblown wilds of the Western U.S., the so-ca…

SOURCE: DC Theatre Scene at 12:42pm on July 22, 2019

Capital Fringe review: Emil Amok! All Pucked Up: Harvard, NPR and more by John Bavoso

"The best thing about majoring in Invisibility Studies," jokes Emil Guillermo early on in his one-person show, Emil Amok! All Pucked Up: Harvard, NPR and more, making its DC premiere right n…

SOURCE: DC Theatre Scene at 10:12am on July 22, 2019

Review: Jayne Atkinson in Ann at Arena Stage by Jeffrey Walker

Wit, wisdom, and class are all on display through the southern, Texas charm and steely resolve of the late Ann Richards at Arena Stage. As portrayed by stage and screen veteran Jayne Atkinso…

SOURCE: DC Theatre Scene at 1:03pm on July 20, 2019

The Bacchae Review: Euripides Tragedy Becomes Harlem Entertainment by Jonathan Mandell

What would Euripides say about the liberties being taken with his tragedies in New York? Medea, one of his last and most-produced plays, has been turned into the harrowing tale of an undocum…

SOURCE: DC Theatre Scene at 5:18pm on July 19, 2019

Review: Prologue Theatre's The Explorers Club by Meaghan Hannan Davant

Playwright Nell Benjamin's (Legally Blonde) The Explorers Club lambasts the last bastion of the manly man"an 1879 London gentleman's club where explorers and scientists of great renown impar…

SOURCE: DC Theatre Scene at 4:06pm on July 19, 2019

Review: American Spies and Other Homegrown Fables by Hannah Berk

American Spies and Other Homegrown Fables emanates an understated sensory clash before any actor sets foot on stage. The play's world is a simple 1940s living room and bedroom, decked out in…

SOURCE: DC Theatre Scene at 1:03pm on July 19, 2019

Review: LadyM from The Welders by Guest Writer

This review by Jennifer Georgia was first published by DC Metro Theater Arts on July 15, 2019. We are unable to attend the performance and are very grateful to DCMTA for permission to reprin…

SOURCE: DC Theatre Scene at 1:03pm on July 19, 2019

As the heat wave hits DC this weekend, Capital Fringe discounts its tickets by Lorraine Treanor

Washington DC faces near record breaking heat and humidity this weekend, with temperatures in the upper 90s and higher and a heat index of 110 to 115. Capital Fringe reports that all shows a…

SOURCE: DC Theatre Scene at 1:03pm on July 19, 2019

Capital Fringe review: Mayhem and Other Delights by John Bavoso

DC is (in)famous for being a "transitional" city"people move here, stay for a few years, and then leave. But what happens when you discover your love of playwriting here and then move back t…

SOURCE: DC Theatre Scene at 1:03pm on July 19, 2019

Capital Fringe review: Pride of Doves by John Bavoso

Darkness. Silence. The flapping of wings. A gunshot. A single dead dove hovering above the stage. These are the opening moments of Douglas Robinson's surreal look at the senselessness and cy…

SOURCE: DC Theatre Scene at 5:36pm on July 18, 2019

Capital Fringe review: DancEthos by Arielle Ostry

Few things in life are genuinely unexplainable. One of those is undoubtedly modern dance. You may not make a habit of visiting intimate black box theaters to see premieres by small, relative…

SOURCE: DC Theatre Scene at 5:36pm on July 17, 2019

Capital Fringe review: meg jo beth amy & louisa by Kelly Whealan George

meg jo beth amy & louisa is a fictional depiction of how Louisa May Alcott's "Little Women" evolved into the classic story we know. True, Alcott was pressured by her publisher to abandon…

SOURCE: DC Theatre Scene at 1:33pm on July 17, 2019

Review: The Mollusc from Quotidian Theatre by Roy Maurer

Over 100 and some years ago, The Mollusc was the best-known work of an Englishman considered to be in affinity with the likes of Oscar Wilde. About 10 years ago, my colleague at DC Theatre S…

SOURCE: DC Theatre Scene at 1:33pm on July 17, 2019

Review: Michael Urie returns as Hamlet in STC's rocket ship of a production by Tim Treanor

Simon Godwin is poised to take the reins of the Shakespeare Theatre Company, but the presence of Michael Kahn hangs over it like a mist. If you have any question, you should see the free-for…

SOURCE: DC Theatre Scene at 4:42pm on July 16, 2019

Dust writer sets clashing beliefs at the heart of her Capital Fringe love story by Guest Writer

It was a windy spring day, and I was taking a moment to zone out during rugby practice. As I looked up, noticing a plane flying above me, my mind wandered, as minds often do. "I wonder what …

SOURCE: DC Theatre Scene at 4:42pm on July 16, 2019

Capital Fringe review: Air Mail/Par Avion by Julian Oquendo

As the doors to the theatre open, five jazz musicians play to the crowd, setting a comfortable flow to the dance of finding our seats. These are talented performers, and much of the joy from…

SOURCE: DC Theatre Scene at 10:36am on July 16, 2019

Capital Fringe review: Dreamer/Seeker by Julian Oquendo

An actor, Nick (Matt Calvert) goes into rehearsal for William Shakespeare's A Midsummer Night's Dream, to reprise his role as Bottom. Bottom is the (both literally and figuratively) donkey-h…

SOURCE: DC Theatre Scene at 10:36am on July 16, 2019

Review: Bright Colors and Bold Patterns at Studio Theatre by John Bavoso

Well, it's mid-July, so we're deep in the thick of it and there's no turning back now… it's officially wedding season. It was fitting, then, that I was returning to DC from a lovely weeken…

SOURCE: DC Theatre Scene at 10:36am on July 16, 2019

Capital Fringe review: H.P. Lovecraft's The Call of Cthulhu by Jon Boughtin

First it was just strange dreams. Then it was sinister voices. Now, the followers of Cthulu roam the streets in search of the servants and sacrifices that can bring the Old Ones " specifical…

SOURCE: DC Theatre Scene at 12:24pm on July 15, 2019

Review: Be More Chill from Monumental Theatre Company by Missy Frederick

Broadway musicals' 11 o'clock numbers are often defiant, triumphant character studies or orchestra-swelling realizations of love " think "Rose's Turn" from Gypsy or "She Used to Be Mine" fro…

SOURCE: DC Theatre Scene at 12:24pm on July 15, 2019

Capital Fringe review: Caribbean Command by Tim Treanor

Imagine that you are a soldier " an intelligence analyst " deployed to the Caribbean Command in Key West, Florida. Your daily tasks involve reading reports and commenting on them in air-cond…

SOURCE: DC Theatre Scene at 11:24am on July 15, 2019

Capital Fringe review: Before the Fall by Jon Boughtin

It's been more than a day since I left Before the Fall, and I still don't know for sure that I can say what I think about it. That's a crummy thing for a theater critic to admit, but I'm hop…

SOURCE: DC Theatre Scene at 11:24am on July 15, 2019

Capital Fringe review: Energie: A Rock Musical by Emily Priborkin

Thomas Edison was really good at selling himself. Media attention and ruthlessness helped him claim sole credit for inventing the light bulb. In reality it was the work of many scientists. E…

SOURCE: DC Theatre Scene at 11:24am on July 15, 2019
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