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13,356 stories from The Financial Times

Ruth Gipps: Symphonies Nos 2 and 4

Highly enjoyable work from one of the 20th century's first major female composers

SOURCE: The Financial Times Subscription at 10:19am on October 26, 2018

Julia Holter: Aviary

The album unfolds at a leisurely pace, revealing an engaged intelligence and a dreamlike sense of drift

SOURCE: The Financial Times Subscription at 10:19am on October 26, 2018

Music born in the trenches: The Harlem Hellfighters at the Barbican

Why American pianist Jason Moran is paying tribute to bandleader James Reese Europe a century after his return from war

SOURCE: The Financial Times Subscription at 10:19am on October 26, 2018

Robyn: Honey

After a long wait, the independent popstar's return is informed by grief and heartbreak

SOURCE: The Financial Times Subscription at 10:19am on October 26, 2018

Charlie Haden & Brad Mehldau: Long Ago and Far Away

A fine album that plays on the musicians' differences, with vivid harmonies and acres of space

SOURCE: The Financial Times Subscription at 10:19am on October 26, 2018

Snapshot: Saul Fletcher at the Anton Kern Gallery

The self-taught photographer's work weaves memories of the past with his present life in Berlin, his home for 20 years

SOURCE: The Financial Times Subscription at 10:17am on October 26, 2018

The last Pre-Raphaelite: Edward Burne-Jones at Tate Britain

A retrospective informed by the artist's yearning for a pre-industrial age

SOURCE: The Financial Times Subscription at 10:17am on October 26, 2018

All eyes on Saudi Arabia, Raisin weekend and the migrant caravan

Financial Times picture editors showcase the best photographs from around the world

SOURCE: The Financial Times Subscription at 8:07am on October 26, 2018

Shirkers, Netflix " an exceptional documentary from the ashes of a failed movie

Sandi Tan's film chronicles how a group of punky teenagers rebelled against the constraints of 1990s Singapore

SOURCE: The Financial Times Subscription at 6:55am on October 26, 2018

Chef Mark Hix: 'More people will see good art in a restaurant than a gallery'

An interview with the restaurateur who taught Tracey Emin to cook and opened Pharmacy 2 with Damien Hirst

SOURCE: The Financial Times Subscription at 5:56am on October 26, 2018

Hadestown " the hit New York musical comes to London's National Theatre

The creators of a new working of the ancient story of Orpheus and Euridyce discuss its echoes for today

SOURCE: The Financial Times Subscription at 12:00am on October 26, 2018

Mike Leigh: not all my characters are 'de facto f**ked up'

The director on his new film 'Peterloo' and why 'Abigail's Party' still resonates today

SOURCE: The Financial Times Subscription at 12:00am on October 26, 2018

Heaven on Earth by TJ Clark " paradise lost

A finely wrought, heartfelt consideration of artists' attempts " from Giotto to Picasso " to represent the after life

SOURCE: The Financial Times Subscription at 12:00am on October 26, 2018

Tap Dogs/Medusa " blokey hoofers and Jasmin Vardimon's meandering mythology

Two contrasting shows at London's Peacock Theatre and Sadler's Wells

SOURCE: The Financial Times Subscription at 12:42pm on October 25, 2018

Martin McDonagh's A Very Very Very Dark Matter is a magnificent wild card of a show

Jim Broadbent and Phil Daniels star in this fabulistic new drama at London's Bridge Theatre

SOURCE: The Financial Times Subscription at 9:31am on October 25, 2018

Julia Roberts sparkles in Amazon Prime's Homecoming

The stylish 10-part amnesia thriller has been adapted from a hit podcast

SOURCE: The Financial Times Subscription at 12:00am on October 25, 2018

Silver screen blazes trail for gay tolerance

Outspokenness is part of coming out. And nowhere has it been possible for voices of challenge or protest to be more widely heard than in cinema

SOURCE: The Financial Times Subscription at 11:20pm on October 24, 2018

Verdi Requiem, Royal Opera House, London " a showcase for opera's hot new property

Norwegian soprano Lise Davidsen was the outstanding voice in this impressive performance

SOURCE: The Financial Times Subscription at 12:30pm on October 24, 2018

Bohemian Rhapsody " a stunningly bad Freddie Mercury biopic

The dialogue rarely sings in this ill-fated movie about the Queen frontman

SOURCE: The Financial Times Subscription at 12:29pm on October 24, 2018

The Hate U Give lays bare the bedlam of modern America

A searing screen adaptation of Angie Thomas's hugely popular young adult novel

SOURCE: The Financial Times Subscription at 12:28pm on October 24, 2018

Possum is an expertly clammy British thriller

Matthew Holness's directorial debut dwells in a timeless Norfolk limbo

SOURCE: The Financial Times Subscription at 12:26pm on October 24, 2018

Utøya " July 22 is a stark portrait of a massacre

The second cinematic account this month of Anders Behring Breivik's mass killing leaves the politics off camera

SOURCE: The Financial Times Subscription at 12:12pm on October 24, 2018

Robert Icke's Wild Duck at the Almeida " Ibsen for the post-truth age

This 'super smart' production toys with reality and theatricality

SOURCE: The Financial Times Subscription at 10:15am on October 24, 2018

From booing to Brexit sermonising: U2 preach solidarity at the O2 Arena, London

Having riled up Trump's heartland, the band bring a focused, visually striking show to the UK

SOURCE: The Financial Times Subscription at 8:26am on October 24, 2018

Christopher Eccleston is a grim and gruff Macbeth at the Barbican, London

Polly Findlay's Royal Shakespeare Company production comes to the capital

SOURCE: The Financial Times Subscription at 8:17am on October 24, 2018
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