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35,712 stories from The Guardian

Coming to England review " Floella Benjamin story overlooks her ascent to Play School by Arifa Akbar

Birmingham RepWe see the shock of Windrush-era racism from a child's perspective, but miss the details of how she rose nontheless to become the face of children's TV It is fitting that an ad…

SOURCE: The Guardian at 9:48am on April 5, 2022

Johannes Radebe: Freedom review " Strictly star leaves it all on the floor by Lyndsey Winship

Peacock theatre, LondonThe dancer takes us on his personal journey from South African township to 2020s London with speed, sass and sequins If you're a fan of Strictly Come Dancing's Johanne…

SOURCE: The Guardian at 6:24am on April 4, 2022

Is Jerusalem the play of the century? Top playwrights give their verdicts by Interviews By Andrew Dickson

As Mark Rylance returns to the West End stage as the rambunctious Rooster in Jez Butterworth's shaggy state-of-the-nation play, six writers consider its power and legacy It was the play that…

SOURCE: The Guardian at 2:12am on April 4, 2022

Hattie Ladbury obituary by Blanche McIntyre

My friend Hattie Ladbury, who has died of cancer aged 47, was an actor at ease with any text and on any stage. She created the part of Sophie in Natasha Gordon's Nine Night at the National T…

SOURCE: The Guardian at 12:54pm on April 3, 2022

Telethon review " a 24-hour charity special is squeezed into 90 minutes, but it still feels too long by Kate Wyver

Shoreditch Town Hall, LondonMemes and the personal drama of worn-out celebrity take centre stage as an energetic trio of C-listers unite to fight the climate crisis A wealth of ideas have be…

SOURCE: The Guardian at 9:42am on April 3, 2022

Taron Egerton quits lead role in West End play for 'personal reasons' by Pa Media

The Rocketman star, who earlier in the run fainted and tested positive for Covid-19, was starring in Cock Taron Egerton has withdrawn from the lead role in his West End play due to "personal…

SOURCE: The Guardian at 8:36am on April 3, 2022

Katherine Ryan review " softer, more sympathetic but just as razor sharp by Brian Logan

London PalladiumMissus " an account of her unexpected marriage to her childhood sweetheart and their surprisingly traditional new life together " is quite a departure from Ryan's showy cynic…

SOURCE: The Guardian at 8:36am on April 3, 2022

The week in theatre: To Kill a Mockingbird; The Mozart Question; Clybourne Park " review by Susannah Clapp

Gielgud, London; Barn, Cirencester; Park, LondonRafe Spall is a fine Atticus in Aaron Sorkin's somewhat awkward spin on Harper Lee; Jessica Daniels steers a sublime adaptation of Michael Mor…

SOURCE: The Guardian at 7:33am on April 3, 2022

Jackie Sibblies Drury on race, creativity and the legacy of Mary Seacole by Sarah Crompton

The new play by the Pulitzer-winning writer of Fairview links the story of the pioneering Jamaican nurse in Crimea to female carers across history Seeing Fairview at the Young Vic in London …

SOURCE: The Guardian at 7:33am on April 3, 2022

The Wonderful Story of Henry Sugar review " Roald Dahl magic for the social media age by Clare Brennan

Perth theatreA talented cast and inventive creatives adapt a classic story of transformation into youth theatre at its best Earlier this year, a number of theatre professionals shared, via …

SOURCE: The Guardian at 7:33am on April 3, 2022

Black Ballet; Royal Ballet review " a mixed bag and beauty in motion by Sarah Crompton

Barbican; Royal Opera House, LondonThe dancers shone in a double bill to mark 20 years of Casso Pancho's company, while at Covent Garden Kyle Abraham's new work was suffused with longing In …

SOURCE: The Guardian at 4:12am on April 3, 2022

Diary of a director: 'I am buzzing off the passion and sweat of this gang' by Cora Bissett

Cora Bissett is staging a musical adaptation of Peter Mullan's film Orphans for the National Theatre of Scotland. Here, she shares her notes from rehearsals This is a massive show. After two…

SOURCE: The Guardian at 2:03pm on April 1, 2022

'Two years ago it was impossible': how tech turns dance into a multisensory fantasy by Lyndsey Winship

From the Barbican in London to shopping centres around the country, audiences can become part of sophisticated new XR dance spectaculars " diving into Lewis Carroll's imagination or an extra…

SOURCE: The Guardian at 10:42am on April 1, 2022

English National Ballet: The Forsythe Evening review " feel the funk by Lyndsey Winship

Sadler's Wells, LondonThe energy is infectious as William Forsythe blends classical ballet with soul, house and R&B, from James Blake to Barry White Choreographer William Forsythe has no…

SOURCE: The Guardian at 8:33am on April 1, 2022

The House With Chicken Legs review " inventive folk tale is in fine feather by Nick Ahad

Home, ManchesterSophie Anderson's novel about a 'yaga' ushering the newly dead to the next world is put on its feet in this exuberant show Is the house going to grow chicken legs and run acr…

SOURCE: The Guardian at 6:18am on April 1, 2022

The best theatre to stream this month: Bad Roads, Love, Much Ado and more by Chris Wiegand

Our roundup of plays to watch at home in April includes a Ukrainian account of war, a blistering exploration of social media and a brass-band audio drama Restrictions in most of the UK have …

SOURCE: The Guardian at 1:54am on April 1, 2022

To Kill a Mockingbird review " Harper Lee would approve of snappy Sorkin update by Arifa Akbar

Gielgud theatre, LondonRafe Spall is a dignified Atticus Finch in Aaron Sorkin's smooth and confident adaptation, which finds modern-day resonances in the 1960 classic about racial injustice…

SOURCE: The Guardian at 7:12pm on March 31, 2022

Don't kick the president! Irish dancers Cairde go from TikTok to the White House by Hollie Geraghty

The seven-strong group are a huge social media success, leading to shows right in front of Joe Biden and at the Stade de France 'Our St Patrick's Day is like Christmas to Michael Bublé," sa…

SOURCE: The Guardian at 3:54pm on March 31, 2022

Traplord review " gripping journey through black masculinity by Sanjoy Roy

180 Studios, LondonIvan Michael Blackstock's interrogation of stereotypes is broodingly atmospheric, strewn with imagery and often highly effective How to show stereotypes of black masculini…

SOURCE: The Guardian at 10:37am on March 31, 2022

'Chris Rock did the brave, smart, toughest thing': comics on that Oscars slap by Stephen Armstrong

Four seasoned standups, all with the comic's dread of hosting awards shows, on what to do when a gig goes very wrong " and how they might have reacted It was the slap that was heard around t…

SOURCE: The Guardian at 10:37am on March 31, 2022

Diary of a Somebody review " stunning drama from Joe Orton's journal by Ryan Gilbey

Seven Dials Playhouse, LondonThe playwright's relationship with Kenneth Halliwell is given new clarity in a play that is both hilarious and chilling 'I've high hopes of dying young," announc…

SOURCE: The Guardian at 10:37am on March 31, 2022

Jeremy O Harris: 'I'm starting to learn how to use my privilege' by Jason Okundaye

The thirtysomething American playwright on confronting audiences, drawing on past traumas, and why he's putting an infinity pool on stage There are few people present in the Almeida theatre …

SOURCE: The Guardian at 10:36am on March 31, 2022

Jacqueline Novak review " audaciously funny trolling of the penis by Brian Logan

Soho theatre, LondonThe standup ruthlessly dismantles the machismo around the act of fellatio while telling her own cocksure journey through oral sex 'Do I overreach?", asks Jacqueline Novak…

SOURCE: The Guardian at 10:36am on March 31, 2022

Zoë Coombs Marr resurrects Dave " to take on 'cancel culture' and Dave Chappelle by Jane Howard

The Australian comedian's hit character is a hacky and lecherous standup, at war with himself and his facial hair. He's been in a coma since 2016. A lot has happened Dave is, objectively, a …

SOURCE: The Guardian at 7:06pm on March 30, 2022

Dance to the Bone review " intoxicating songs and invigorating moves by Gareth LlÅ·r Evans

Sherman theatre, CardiffThe drama may miss a beat, but the music, sleek production and talented ensemble provide a tempting treat for the soul In the week that saw the lifting of almost al…

SOURCE: The Guardian at 7:06pm on March 30, 2022
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