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6,591 stories from Stage and Cinema

Theater Review: HOW TO DISAPPEAR COMPLETELY AND NEVER BE FOUND (L.A. " Pasadena) by Tony Frankel

DISAPPEARANCE ACT After the opening night performance of Fin Kennedy's existential and enigmatic drama How To Disappear Completely and Never Be Found, someone remarked that, while film is ab…

SOURCE: Stage and Cinema at 7:26pm on May 8, 2011

Theater Review: UNSCRIPTED REP by Impro Theater (L.A. " West Los Angeles) by Tony Frankel

MASTERS OF AUTOSCHEDIASM I was so blown away by Impro Theatre's Shakespeare Unscripted that I had to check out Unscripted Rep at the Odyssey, where the inimitable company is having fun in…

SOURCE: Stage and Cinema at 2:44pm on May 2, 2011

Theater Review: HOUSE OF THE RISING SON and THE CHINESE MASSACRE (ANNOTATED) by Tom Jacobson (L.A. " Atwater Village) by Harvey Perr

THE TALENTED MR. JACOBSON Tom Jacobson is nothing if not ambitious. He is not only the most prolific Los Angeles playwright of the moment, but he is the one, given the astonishing record of …

SOURCE: Stage and Cinema at 11:43pm on April 30, 2011

Theater Review: THE CHINESE MASSACRE (ANNOTATED) (L.A. " Atwater Village) by Tony Frankel

THE WILD, WILD BRECHTIAN WEST The Chinese Massacre (Annotated), Tom Jacobson's rousing new play, is like a fun day at Disneyland. Jacobson chronicles the 1871 lynching of 18 Chinese men by a…

SOURCE: Stage and Cinema at 11:22pm on April 30, 2011

Theater Review: THE BOY IN THE BATHROOM (Orange County) by Tony Frankel

A SHOW IN HOT WATER The Chance Theater is the best and most enterprising small theatre in Orange County; under the guidance of managing director Casey Long and co-founder and current artisti…

SOURCE: Stage and Cinema at 5:56am on April 30, 2011

Theater Review: THE ECCENTRICITIES OF A NIGHTINGALE (L.A. " Glendale) by Harvey Perr

IN PRAISE OF ECCENTRICITIES It is not surprisng that Tennessee Williams preferred The Eccentricities of a Nightingale to Summer and Smoke. Freed of the conflict between Puritanism (repressed…

SOURCE: Stage and Cinema at 5:23am on April 30, 2011

Theater Review: GEORGE GERSHWIN ALONE (L.A. " Pasadena) by Harvey Perr

TIME SPENT WITH A MUSICAL GENIUS If ever a production fitted so perfectly within the walls of the elegant Pasadena Playhouse as George Gershwin Alone, I can't imagine what it may have been. …

SOURCE: Stage and Cinema at 5:06am on April 30, 2011

Theater Review: BURN THE FLOOR (L.A. " Hollywood) by Tony Frankel

FOXY TROT There are three reasons to attend Burn the Floor " the heart-pounding Ballroom Dance Sextravaganza now throbbing and thumping on the boards at the Pantages: one, the sexiest bodies…

SOURCE: Stage and Cinema at 7:15pm on April 29, 2011

Theater Review: I NEVER SANG FOR MY FATHER (L.A. " Hollywood) by Tony Frankel

I SING THE THEATRE ELECTRIC Any mental notes I had regarding I Never Sang For My Father at The McCadden Place Theatre disappeared just after curtain call. I was haunted by thoughts of my own…

SOURCE: Stage and Cinema at 11:46pm on April 26, 2011

Theater Review: HIGH by Michael Lombardo (N.Y.C. " Broadway) by Victoria Linchong

DRUGS AND RELIGION In full disclosure, I had a junkie boyfriend for about three years, so I have pretty firm opinions about drug addiction " none of them very sympathetic. Set in a Catholic …

SOURCE: Stage and Cinema at 12:04am on April 26, 2011

Theater Review: LITTLE ME (L.A. " Glendale) by Tony Frankel

HOW THE HELL DO THEY DO IT? Ah, celebrity. If you think that the headlining of television stars in Broadway musicals is a new phenomenon, check out the action in the early 1960s: brassy redh…

SOURCE: Stage and Cinema at 2:45pm on April 24, 2011

Theater Review: A WEEKEND WITH PABLO PICASSO (L.A. " Downtown) by Tony Frankel

THE ACTOR AND THE ARTIST: TWO MASTERS AT WORK AND PLAY What a joy it is to watch the Los Angeles Theatre Center roar back to life. Once considered a dodgy neighborhood, the Historic Core has…

SOURCE: Stage and Cinema at 1:58am on April 24, 2011

Los Angeles Theater Review: THE CHAIRS, ENDGAME, Existentialism, and the Theater of the Absurd by Tony Frankel

WHAT AN ABSURD WEEKEND: EXISTENTIALISM 101 You're watching a play but you have no idea what's happening. There is no plot, the dialogue is gobbledygook, and characters are filled with despai…

SOURCE: Stage and Cinema at 8:40pm on April 21, 2011

Theater Review: THE TEMPERAMENTALS by Jon Marans (Hollywood) by Tony Frankel

NOT SO WILD ABOUT HARRY Real-life gay activist Harry Hay and the West Coast Premiere of The Temperamentals — a play based on his story — have much in common: fascinating but pecu…

SOURCE: Stage and Cinema at 2:46pm on April 21, 2011

Theater Review: THE MERCHANT OF VENICE (L.A. " Santa Monica) by Tony Frankel

THE PLAY'S NOT THE ONLY THING Reinterpreting the setting of Shakespeare's plays for modern audiences will always be a subject for debate: purists believe that a play's relevance lies in the …

SOURCE: Stage and Cinema at 12:45pm on April 20, 2011

Theater Review: STANDING ON CEREMONY: THE GAY MARRIAGE PLAYS (L.A. " Hollywood) by Tony Frankel

AN EVENING OF DIVERSITY AND INCLUSIVENESS It was one of those magical nights in the theatre: a confluence of activism, sterling talent, and magnificent playwriting, made all the more joyous …

SOURCE: Stage and Cinema at 12:49am on April 20, 2011

Theater Review: THE ALL NIGHT STRUT (L.A.: North Hollywood) by Tony Frankel

SHOO SHOO BABY "How do you review The All Night Strut?" my theatre companion asked as we left The Colony Theatre. Well, you don't. This short Cabaret-style evening of songs (culled from the …

SOURCE: Stage and Cinema at 1:07am on April 17, 2011

Theater Reflections: DADDYO DIES WELL, bonded, THE COMEDY OF ERRORS, THE MERCHANT OF VENICE, GOD OF CARNAGE (all in Los Angeles) by Harvey Perr

A CONVERSATION between A REVIEWER WITH BATTLE FATIGUE and A REVIEWER WHO CONTINUES TO LOVE THE THEATER (A PLAYLET) BATTLE FATIGUE: I sometimes feel that I spend so much time in the theater t…

SOURCE: Stage and Cinema at 12:48am on April 17, 2011

Theater Review: A RAISIN IN THE SUN by Lorraine Hansberry, directed by Phylicia Rashad (Los Angeles) by Tony Frankel

UNCOMMON GRACE In order to validate his experience of a play, a reviewer should dissect and probe the components of a production, but once in a while a show comes along which catapults the h…

SOURCE: Stage and Cinema at 1:05am on April 14, 2011

Theater Review: BURN THIS by Lanford Wilson (L.A. " Downtown) by Harvey Perr

WHAT EVER HAPPENED TO LANFORD WILSON? The beautifully detailed lower Manhattan loft that Ralph Funicello has created – complete with fire escape and skylight, unfinished walls daubed w…

SOURCE: Stage and Cinema at 3:18am on April 10, 2011

Theater Review: THE ESCORT by Jane Anderson (L.A. " Westwood) by Harvey Perr

WHERE'S A TOUGH-MINDED AND PROLETARIAN WHORE WHEN YOU NEED ONE? The most interesting thing about Jane Anderson's The Escort is the revelation that a Cadillac call girl takes on the attitudes…

SOURCE: Stage and Cinema at 2:55am on April 10, 2011

Theater Review: THE CRIPPLE OF INISHMAAN by Martin McDonagh (L.A. " Culver City) by Harvey Perr

DRUID’S EVER STURDY CRIPPLE Since I think that the Druid and Atlantic Theater Company production of Martin McDonagh's The Cripple of Inishmaan, under the sublime direction of Garry Hyn…

SOURCE: Stage and Cinema at 2:11am on April 10, 2011

Theater Review: Peter Brooks directs FRAGMENTS and THE GRAND INQUISITOR (Santa Monica) by Harvey Perr

PURITY IN THE THEATER: FOUR PERFORMANCES ONLY Pure. Perfect. Impeccable. Mesmerizing. Exquisite. Hilarious. Work of Art. Take your pick. Any one of these " or all of them " aptly describe Sa…

SOURCE: Stage and Cinema at 10:04pm on April 9, 2011

Theater Review: SUMMER OF LOVE by Roger Bean (Long Beach) by Tony Frankel

TAKING JUKEBOX MUSICALS TO TASK Grab those love beads and tie-dye shirts, smoke a bowl, and head down to Long Beach to hear kick-ass songs from the 60s and 70s delivered with professional gu…

SOURCE: Stage and Cinema at 12:28pm on April 9, 2011

Theater Review: DEVIL'S ADVOCATE by Donald Freed (Los Angeles) by Harvey Perr

THE GENERAL AND THE ARCHBISHOP Gore Vidal wondered if the stupidest city in the world even deserved a play as radical as Donald Freed's Devil’s Advocate. He certainly seemed, in a post…

SOURCE: Stage and Cinema at 1:30pm on April 7, 2011
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