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35,711 stories from The Guardian

Macbeth review " Daniel Craig and Ruth Negga soar but there's magic missing by Alexis Soloski

Longacre Theater, New York Sam Gold's inventively staged take on the classic tragedy has its moments but there's something missing at the centre For tragedy to really tear your heart out, it…

SOURCE: The Guardian at 6:37pm on April 29, 2022

The Misfortune of the English review " a stinging exploration of boyhood and patriotism by Miriam Gillinson

Orange Tree theatre, LondonBased on real events, Pamela Carter's drama follows British schoolchildren on a walking tour in prewar Nazi Germany What started out as a bit of fun is beginning …

SOURCE: The Guardian at 9:54am on April 29, 2022

Mark Rylance calls out Tory arts cuts in new Jerusalem programme by Chris Wiegand

The actor, who is reprising his role in Jez Butterworth's celebrated play, points out that leading politicians' school Eton has extensive theatre facilities It is the part of the theatre pro…

SOURCE: The Guardian at 8:48am on April 29, 2022

I Am No Bird review " stripping back the Brontës' chocolate-box history by Mark Fisher

Stephen Joseph theatre, ScarboroughThis anarchic show casts off the corsets to capture just what made these literary sisters so striking Those of us with a hatred of costume drama are in g…

SOURCE: The Guardian at 8:48am on April 29, 2022

James Acaster and Josh Widdicombe: 'Comedy is meant to make you happy. We lose sight of that' by Rachel Aroesti

With the return of their unashamedly nice TV gameshow Hypothetical, the duo are out to prove you don't need to be mean-spirited to get laughs Josh Widdicombe is holding a banana to his ear w…

SOURCE: The Guardian at 6:37am on April 29, 2022

Electric Rosary review " spooky cyber-sister spurs startling visions by Catherine Love

Royal Exchange theatre, ManchesterIs a council-funded robot nun the answer to prayers at a convent in crisis? Tim Foley's prize-winning play proves ingenious and thrilling Startling and auda…

SOURCE: The Guardian at 6:37am on April 29, 2022

'The industry is predictable " there's a lot of gatekeeping': Reggie Watts is the last weirdo left on TV by Andrew Lawrence

For the past decade the bandleader role has been critical to late-night talk shows, a place where they can project inclusiveness without having to scrap the white, middle-aged male host If i…

SOURCE: The Guardian at 4:24am on April 29, 2022

'It's my idea of hell!': the intense new play set aboard a cargo ship by Amelia Gentleman

With her gripping sea-bound thriller Corinna, Corinna, playwright Chloë Moss shines a spotlight on the dangers faced by women working in the shipping industry Playwright Chloë Moss gre…

SOURCE: The Guardian at 9:42am on April 28, 2022

Jack Docherty: Nothing But review " fantasy and tragedy at the Edinburgh fringe by Brian Logan

Soho theatre, LondonAs he tells the story of a one-night stand from 30 years ago, the comic explores youthful dreams and midlife disappointment A bittersweet love letter to the Edinburgh fri…

SOURCE: The Guardian at 8:42am on April 28, 2022

Viola Davis says critics 'serve no purpose' but we do " and it's not to sell tickets | Arifa Akbar by Arifa Akbar

The actor's response to criticism of The First Lady is astonishingly thin-skinned and misses our role in building dialogue and serving readers It's hard to see your idols torn down unfairly …

SOURCE: The Guardian at 8:42am on April 28, 2022

Shechter II: Contemporary Dance 2.0 review " young steppers pulse to a clubby score by Lyndsey Winship

Watford Palace theatreHofesh Shechter's hardworking junior company move through Latin, locking, electronic beats and Bach Hofesh Shechter's dance always gives way to darkness at some point. …

SOURCE: The Guardian at 7:36am on April 28, 2022

'They are totally smashing it!' Bernardine Evaristo on the artistic triumph of older Black women by Bernardine Evaristo

Artists, novelists, actors, poets: from the Venice Biennale to Bridgerton, Black women in their 50s and 60s are finally getting the recognition they deserve, says the pioneering Booker winne…

SOURCE: The Guardian at 5:24am on April 28, 2022

My Fair Lady has its problems but I still idolise Eliza Doolittle | Vikki Stone by Vikki Stone

Audrey Hepburn's performance as the noisy, funny Eliza made this musical a childhood favourite " I'm all for the new revival I have seen My Fair Lady an alarming number of times but never on…

SOURCE: The Guardian at 3:12am on April 28, 2022

Prima Facie review " Jodie Comer on formidable form in roaring drama by Arifa Akbar

Harold Pinter theatre, LondonThe Killing Eve star makes a masterful West End debut in Suzie Miller's play about sexual assault and the legal system Jodie Comer's West End stage debut is a ba…

SOURCE: The Guardian at 8:36pm on April 27, 2022

Alan Partridge: Stratagem review " two hours of tremendous silliness by Brian Logan

Edinburgh PlayhouseIn a joyful return to the stage, Steve Coogan's deathless alter ego delivers a motivational lecture he keeps on derailing The last time Alan Partridge graced the nation's …

SOURCE: The Guardian at 10:48am on April 27, 2022

Keli review " music, mining and a maelstrom of emotions in brass band drama by Arifa Akbar

Available onlineWorking-class history and a young woman's story combine in this audio drama from the Royal Lyceum, Edinburgh Keli is a three-part audio drama about brass band contests and th…

SOURCE: The Guardian at 9:48am on April 27, 2022

Habibti Driver review " culture-clash comedy never revs up by Mark Fisher

Octagon theatre, BoltonShamia Chalabi and Sarah Henley's 'East meets Wigan' drama is at its best on the subject of cars and women's independence You would expect the most interesting charact…

SOURCE: The Guardian at 9:48am on April 27, 2022

Exam board adds new plays by writers of colour to drama GCSE and A-Level by Sally Weale Education Correspondent

The Empress by Tanika Gupta among new additions in attempt to diversify AQA's offering for drama students in England Drama students will have the opportunity to study a more diverse curricul…

SOURCE: The Guardian at 4:24am on April 27, 2022

RSC to stage adaptation of animated fantasy film My Neighbour Totoro by Harriet Sherwood Arts and Culture Correspondent

Royal Shakespeare Company's version of celebrated Studio Ghibli movie will be first opening 'of this scale' in nearly 40 years The Royal Shakespeare Company is to stage an adaptation of the …

SOURCE: The Guardian at 1:03am on April 27, 2022

Barry Humphries: The Man Behind the Mask review " basking in nostalgia by Brian Logan

Richmond theatre, LondonWhile an impish spirit remains, the comic behind Dame Edna Everage follows the well-worn template of celebs recounting their life stories At 88, with almost seven dec…

SOURCE: The Guardian at 11:54am on April 26, 2022

Oh what a gun-totin' morning: raw Oklahoma! swaps folksiness for firearms by Emma John

Daniel Fish's restaging of the Rodgers and Hammerstein classic is no Kansas City cornbread caper. The director explains why he ratcheted up the racial tension and gun violence In the Oklahom…

SOURCE: The Guardian at 11:54am on April 26, 2022

'You don't have to be invited " you do it': Beth Steel on her working-class family epic by Arifa Akbar

The playwright reflects on the importance of difficult conversations, putting female characters centre-stage and reading a Greek tragedy a day to write The House of Shades In 2016, Beth Stee…

SOURCE: The Guardian at 7:33am on April 26, 2022

'Comedy is a powerful recruitment tool': how the US rightwing use laughs for vast influence by Rachael Healy

Matt Sienkiewicz and Nick Marx spent months researching rightwing comedy and found that whether or not you're laughing, you can't ignore its power In January, Neil Young gave Spotify an ulti…

SOURCE: The Guardian at 7:33am on April 26, 2022

Russell Kane: 'A bad gig? The great dane that came up on to the stage' by Interview By Liam Pape

The standup on courgette puns, comedy audiences and why John Kennedy Toole is his comedy hero What did you spend lockdown doing? I leaped straight into creating standup video rants which I c…

SOURCE: The Guardian at 2:03am on April 26, 2022

Funny Girl review " Beanie Feldstein struggles in Broadway revival by Adrian Horton

August Wilson Theatre, New York The actor brings pathos (and celebrity) as the vaudeville legend Fanny Brice in the much-hyped musical revival " but not the singing chops It must be difficul…

SOURCE: The Guardian at 1:25pm on April 25, 2022
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