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2,221 stories from stagebuddy.com

Review of 'Judas' by Mark Dundas Wood

Robert Patrick's Judas comes to us from 1973, the same year in which his most famous drama, Kennedy's Children, was first produced. Judas is a sort of modern-dress passion play"it traces Bib…

SOURCE: stagebuddy.com at 12:09pm on May 24, 2018

An Interview with Juan Francisco Villa and Daniel K. Isaac of 'The Gentleman Caller' by Jose Solis

Juan Francisco Villa and Daniel K. Isaac, the stars of The Gentleman Caller, talked to us about playing legendary playwrights Tennessee Williams and William Inge, in Philip Dawkins’ se…

SOURCE: stagebuddy.com at 7:33am on May 23, 2018

Review of 'Father Comes Home From the Wars' by David Hammerbeck

Suzan-Lori Parks, one of the most original and creative voices in American theatre, likes to think big. Her latest work, Father Comes Home from the Wars, Parts I, II, and III, the first part…

SOURCE: stagebuddy.com at 9:07pm on May 20, 2018

Review of 'A Brief History of Women' by Navida Stein

The prolific English playwright and director Alan Ayckbourn is back at 59E59 Theaters. His funny and poignant new comedy A Brief History of Women is part of Brits Off Broadway 2018, with a c…

SOURCE: stagebuddy.com at 8:51pm on May 20, 2018

Review of 'A Good Girl Doesn't' by Navida Stein

Starting off her sprightly one woman show A Good Girl Doesn't by pulling a drugstore paternity test out of a plastic bag, writer and performer Abby Stokes sets up the journey she'll take her…

SOURCE: stagebuddy.com at 7:07pm on May 20, 2018

Review of 'Marlowe's Fate' by Erin Kahn

Exhibit A: William Shakespeare. Arguably the greatest playwright who ever lived, he gave us masterpieces of English literature like Romeo and Juliet, Hamlet, and Julius Caesar…or did h…

SOURCE: stagebuddy.com at 5:38pm on May 16, 2018

Review of 'Light Shining in Buckinghamshire' by Erin Kahn

Caryl Churchill’s Light Shining in Buckinghamshire is an incredibly dense play. And the production at New York Theatre Workshop, directed by the usually brilliant Rachel Chavkin, feels…

SOURCE: stagebuddy.com at 3:41pm on May 14, 2018

Review of 'Summer: The Donna Summer Musical' by Elyse Trevers

What? Another jukebox musical? On the surface, singer-songwriter Donna Summer is an ideal subject for a jukebox musical. She sold more than 140 million records worldwide during her career, w…

SOURCE: stagebuddy.com at 11:22am on May 8, 2018

'Miss You Like Hell' Shows Being an Authentic Woman Can Be Messy at Times by Alicia Ramírez

I'm aware of being Puerto Rican, being Latinx, being a woman, and how long it’s taking to incorporate stories of color into mainstage seasons, which is why I’m grateful for Mi…

SOURCE: stagebuddy.com at 11:55am on May 2, 2018

Review of 'Randy Writes a Novel' by Tami Shaloum

It's time to face your fears and have a good laugh at them because Randy, a purple Australian puppet, is at the Clurman Theatre on Theatre Row to share his own fears in his one-man show, Ran…

SOURCE: stagebuddy.com at 1:47pm on May 1, 2018

Review of 'My Fair Lady' by Elyse Trevers

It's one classic Lerner and Loewe song after another: “I've Grown Accustomed To Her Face," "On The Street Where You Live," "I Could Have Danced All Night." I'd forgotten how many wonde…

SOURCE: stagebuddy.com at 12:35pm on April 26, 2018

Review of 'Travesties' by Elyse Trevers

Be sure to bring a dictionary and a copy of Oscar Wilde's The Importance of Being Earnest with you when you attend the Roundabout Theatre Company's revival of Tom Stoppard's Travesties, dire…

SOURCE: stagebuddy.com at 12:09pm on April 26, 2018

Review of 'Dress of Fire' by Jennifer Rizzi

The moral and ethical questions surrounding war are just as controversial today as they were in ancient times, as Nina Kethevan aims to show in Dress of Fire. The drama directed by Ioan Arde…

SOURCE: stagebuddy.com at 10:57am on April 26, 2018

Interview with Benjamin Scheuer on 'The Lion' by Navida Stein

If you missed The Lion, acclaimed singer, songwriter and guitarist Benjamin Scheuer's beautiful solo show, when it was here in New York a few years ago at Manhattan Theater Club and then at …

SOURCE: stagebuddy.com at 10:29am on April 26, 2018

A Review of 'Miss You Like Hell' by a Person of Color by Jose Solis

In terms of its political and cultural resonance, Miss You Like Hell might be the most important musical running in New York City at the moment, and yet you wouldn't know it, judging from th…

SOURCE: stagebuddy.com at 8:05am on April 26, 2018

Review of the Royal Shakespeare Company's 'King Lear' at BAM by Jose Solis

What strikes about the Royal Shakespeare Company's production of King Lear now running at the Brooklyn Academy of Music, isn't necessarily the power of Antony Sher's performance as the mad r…

SOURCE: stagebuddy.com at 6:51am on April 26, 2018

Interview with 'The Little Mermaid' Star Jodi Benson by Jose Solis

In 1986, Jodi Benson starred in a Broadway musical called Smile, a show about beauty pageants in which her character, Doria Hudson, performed "Disneyland," a song about wanting to be part of…

SOURCE: stagebuddy.com at 12:15pm on April 25, 2018

Review of 'The Man Who Found Troy' by Tania Fisher

Based on the true story of German business man/archaeological pioneer Heinrich Schliemann, The Man Who Found Troy, now playing at The American Theatre of Actors, relates the captivating adve…

SOURCE: stagebuddy.com at 1:06pm on April 23, 2018

Review of 'Head Over Heels' by David Hammerbeck

The infectious punk-pop sounds of The Go-Go's and the Renaissance poetry of Sir Philip Sidney come together in the new musical Head Over Heels, running at San Francisco's Curran Theatre thro…

SOURCE: stagebuddy.com at 11:53am on April 23, 2018

Review of Anne Carrere in 'Piaf! The Show' by Erin Kahn

Edith Piaf may have risen to stardom in the late 1930s, but she started out as a Parisian street singer, and that’s where Piaf! The Show (at FIAF’s Florence Gould Hall) begins…

SOURCE: stagebuddy.com at 2:35pm on April 19, 2018

Review of 'This Flat Earth' by Bill Crouch

A great play is like a great voyage: terrifying in its vastness, simultaneously bewildering and thrilling. Such is the journey of Lindsey Ferrentino's This Flat Earth at Playwrights Horizons…

SOURCE: stagebuddy.com at 1:28pm on April 19, 2018

Interview: Susan Egan on 'Beauty and the Beast' and Alan Menken's Legacy by Jose Solis

On April 18, 1994, Beauty and the Beast opened on Broadway, forever changing the landscape of what a movie adaptation could be like onstage. The show expanded on the story of the beloved ani…

SOURCE: stagebuddy.com at 1:52pm on April 18, 2018

Review of 'Speed Queen' by Arpita Mukherjee

What is it about: A solo show (that's not quite a solo show) that tells the story of gay rights pioneer Joe Carstairs, this production is part cabaret, part farce, and all tons of fun. Phoeb…

SOURCE: stagebuddy.com at 1:30pm on April 17, 2018

Review of 'Daughter of a Garbageman' by David Hammerbeck

What's an ethical person to do in the era of instant celebrity and a tweeting president?  How can a good Irish Catholic girl from New Jersey, daughter of the titular South Bronx garbagema…

SOURCE: stagebuddy.com at 1:26pm on April 17, 2018

Review of 'Nailed' by Saima Huq

Directed by Tony White, Nailed, the latest work by Chuck Orsland, takes audiences back to the New York of the 1990s, exploring how things went down in the club world in the days before the I…

SOURCE: stagebuddy.com at 1:15pm on April 17, 2018
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